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1 Romantic Literature 0 |
2 Teaching Methods 0 |
3 Victorian Literature 0 |
4 Linguistics 0 |
5 Creative Writing 0 |
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1 Second Romantic Literature Journal 0 |
2 Second ten page paper on the precarious balance between affirmation and despair 0 |
3 Study of the theory of displaced myth 0 |
4 Wordsworth- 'Lines from Tintern Abbey' 0
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5 Frankenstein 0 |
6 Nutting 0 |
7 Ruined Cottage 0 |
8 Michael 0 |
9 Ode: Intimations of Immortality 0 |
10 Composed upon Westminster Bridge 0 |
11 London, 1802 0 |
12 World is too much with us 0 |
13 Mutability 0 |
14 Steamboats Viaducts, and Railways 0 |
15 James Hogg 0 |
16 Samuel Taylor Coleridge 0 |
17 Eolian Harp 0
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18 This Lime-Tree Bower My Prison 0 |
19 Kubla Khan 0 |
20 Christabel 0 |
21 Frost At Midnight 0 |
22 On Donne's Poetry 0 |
23 Work without Hope 0 |
24 Epitaph 0 |
25 From Sleep and Poetry 0 |
26 On Seeing the Elgin Marbles 0 |
27 A Thing of Beauty 0 |
28 Dorothy Wordsworth 0 |
29 The Three Roses 0 |
30 When a man hath no freedom to fight for at home 0
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31 Childe Harrold's Pilgrimage 0 |
32 That's Don Juan. Canto 2 0 |
33 Meloncholia 10 |
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1 Day 1, 2, 3, 5, 6, 7, 8, 9, 0, 11 0 |
2 Syllabus 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 0 |
3 15 practicum hours at Escalante Middle School 0 |
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1 Metamorphosis 0
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2 Middlemarch 0 |
3 Victorian literature final 0 |
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Linguistics video paper 639W 3P |
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LIKE, CASUAL, DIG?
This was an interesting video. It made
s an interesting video. The most important thing it did was make me think about
how our language shapes our thoughts. How 'Same old story,'doesn't mean 'Old
same story'. I have to think a little bit why that is. Maybe because old starting
out the sentence is used enough, like in 'Old man'.
It was interesting to think how the process of grammar is engrained in our heads,
and if grammatical rules shape the way we think, then people of the same culture
who follow certain grammatical rules have ways of thinking that are peculiar
to their own. This is mind boggling to think about. It makes me want to learn
another language and see in what ways they think differently because of their
grammatical differences. I don't know if the word order languages like
English or the word ending languages like French give the speaker more freedom
to express their individual thoughts in a dynamic way. I feel fine with English.
I think English is the most free of them all because it has %50 more words than
any other language; making it the appropriate world language of the future.
One important point someone made was how new languages can produce new thoughts.
This is why it is important to make our language as free and open as possible,
so people don't suffer writers block and consequently inhibit their mind
flow; no matter how eccentric it may get, the Tao will always keep us in balance.
I found some things intellectually un stimulating. Like when people said a word
is 'A sequence of letters between two blanks,'and 'The smallest separate piece
of language that all by itself can have meaning'. But I guess you have to include
the simple along with the profound when you are trying to cover all the bases.
Formal
eccentric intellectually separate piece guess
The video was summary of the ambiguities we feel concerning language. It brought
up important questions: How does a child know what a word is? What biological
endowment is it? What are the core properties? Why do we all follow rules without
knowing why, or not have to think before we speak?
Languages are systematic. But the question is who controls the system. Word
order is like a trend, we can break the rules but we are too stuck into our
comfort zone of how we use our language. If we could just free our minds as
to how we speak, we could be much more dynamic in our communication, and therefore
communicate new ideas and become a much more intelligent species.
A main focus in the video was Noam Chomski's revolutionary ideas about the thinking
processes engrained in our heads. The question, 'Which marble is closer to the
box, the one on the outside or the one on the inside?'was intriguing. How did
we come to the societal conclusion that if a marble is in a box, it is not near
it. Maybe because we can't see it's relationship to the box so we naturally
forget about it the way a child does.
There were a number of interesting statements about language: Words are like
atoms that make up the molecule and forms a new entity. A small number of words
make an infinite number of thoughts. New languages can produce new thoughts.
A child by the age of one can pick words apart out of sentences. There is no
longest sentence. We can say things no one has ever said before. There are 5,000
languages in the world. If we can see ourselves as we see animals we will see
we are the same. Language helps us think abstractly, as we are propelled to
think abstractly. Language is arbitrary, what is truth?
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Ten page paper on Melancholia 10 |
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Coleridge, Keats, and Wordsworth really liked their melancholia because they
were afflicted by problems what gave them their melancholia. John Keats, for
example, was less than five feat tall and died of Tuberculosis at the age of
26 which he got at 19 swimming in the river. His brother died in his arms coughing
up blood and his dad was literally killed by a horse, and he was a virgin who
didn't like his girlfriend, plus he was a cockney and the critics didn't like
him. He was the ultimate carpe diem poet (probably because he was young) and
lived as intensely as he could. The poor guy didn't really do very much in his
life, but he composed more poems in a short period of time than anyone else.
However, he made the most of his short cummings and had a positive attitude about
life and did his traveling by reading. His writing is about the human heart
and its conflict with itself. He was very connected to ferry land. Keats had
very little melancholia compared to Coleridge.
Coleridge was also afflicted by constant
pain and new time was always pressing on him even though he lived a pretty long
time. He wrote in fits and starts and there was urgency in the man's moment.
One of his past times was 'writhing on the floor howling and screaming 'like
a dog because of his pain. There sure was no fluff in his writing. The man
was too hard on himself because he was addicted to laudanum. Too bad he wasn't
addicted to nugs, they probably didn't even know what nugs were. He took his
guilt too far because he was unhappy at love and couldn't forgive himself for
getting divorced and couldn't bring himself to marry Mary Hutchinson. At least
he valued friendship and loyalty above all else. He was so smart he was a bit
of a psychoanalyst with his primary and secondary imaginations; and mind you
this is before Young and Frued One thing that contributed to his melancholia
was his liking for excuses. He dwelled on his excuse on why his Kubla Khan poem
wasn't the greatest ever because of that darn tax collector who ruined it for
everybody. His poetry was subjective and emotional and melancholious. Like the
Lime tree Bower poem. Coleridge almost drowned swimming and got a disease of
the nervous system and was treated with opium and got addicted and was a neighbor
of Wordsworth and was non fined to the city and was a poet of memory and talks
of the dark side of nature unlike Wordsworth. He was preternatural- What is god's
relation to us?
Wordsworth was very melancholious
also because he was an English romantic poet. He was born in Northwest England
300 miles from London which was a long way. He had a decent education and he
was saturated in nature and gets energy from nature and had a successful family
life. His strength in in his simplicity and his innocence maintains itself and
all of Coleridges characters are extensions of his own complex personality.
He had an easy life compared to those other two dudes but saw a lot of negativity
that made his melancholious; I.E. the French Revolution. However, he didn't
write much about those days. He had a long solid marriage with his wife and
lived to be 80 years old and became a stamp collector and had a falling out
with Coleridge because of Coleridge's second Sarah Hutchinson, the sister of
Wordsworth's wife. A lot of his poems were melancholious, like Simon Lee dyeing
because of no social security and Michael getting shafted by his son and cousin
and the poor woman in the Ruined Cottage. His poem Rhyme of the Ancient Mariner
had its melancholia also, in a supernatural way.
The feeling of melancholia that pervades in the poems of these three poets is
that of misunderstanding between the characters of the poems and each other
or between them and the situation they are in. Melancholia in the dictionary means 'black bile', which
means stagnant, something that isn't circulating and changing enough. They are
stuck, the excitement of a new moment is gone to them. The girl in 'We Are Seven 'and
the narrator have a misunderstanding and there is something wrong (dead siblings).
All of these poems are about people mistreating each other and the nether realms
of dream and nymphs are untouchable and enigmatic with no real relation to this
world except in a sort of motivational way. In 'Rhyme of the Ancient Mariner 'the
sailor is reprimanded for killing the bird but he didn't know at the time that
killing that Albatross was bad. And there was no real realization between him
and nature in the poem except that he shouldn't kill Albatrosses. All I see
is negativity, for example with The Ruined Cottage: 'One sadness, they and I.
For them a bond of brotherhood is broken....She is dead, the worm in on her cheek,
and this poor hut, stripped of its outwark garb of household flowers....the
place knew them not...he left me thus-poor man! he had not he heart to take
farewell of me, to my shame I speak, have need of my best prayers to bring me
back again.
He had a 'Theory of Creativity' that
was almost like Jung's theory of the subconscious. We have a primary and secondary
imaginations. The primary imagination is the conscious mind, and the secondary
imagination is were the information is stored.
These guys seem to feel a need to
balance negativity with positivity. A slumber did my spirit seal by Wordsworth
is a perfect example. The first stanza he talks of such positive omnipotence
of a human, but counter acts it in the second stanza. I think you can make a
good poem without paying any attention to negative things like weakness. It
seems like every poem of his goes downhill in the last stanza, except for Lucy
Gray. Wordsworth was one of the more positive romantic poets, and he was still
melancholious which is a freaky thought. It is understandable that Keats and
Coleridge were melancholious because of their hard lives. It is interesting that
the popular poets that most people liked were the melancholious ones, or most
all poets were melancholious This must mean that most of England was melancholious,
which actually is an impression that I had of the whole western world at that
time. These poets are so good at saying the most melancholious things, for example,
this is a thing that Keats said about himself that pins the tail on the donkey:
'My own domestic criticism has given me pain without comparison beyond what
blackwood or the uarterly could possible inflict'. It seems like these 'meloncholions'
each thought that 'Their burden was the heaviest', so to speak. My theory about
the inherited creative western thought is that the artists bring to sight the
truth that isn't apparent and needs to be seen. What needed to be seen was the
melancholia of English people as well as the beauty of the earth. The people
of those days were very melancholious and didn't realize it, and they didn't
regard wilderness as beautiful because of the Christian belief that flesh and
other earthly things like witches are bad. These poets were still a little confused
because of their portrayal of witches and netherly spirits as being evil. I
bet children being afraid of the dark came from the same origins. A good example
of Englishmen paying attention to negative things is in Keats' poem about King
Lear. He realized that it was time for Englishmen to come out of the dark ages
of thought and realize the crazy things that they do too much of. The romantic
movement was more anti-fascism than it was pro-nature. A lot of the time anti
fascism requires an emphasis on negativity for a while, but they know this is
just a phase that they are going through. The last sentence of King Lear is
a good illustration of my point: 'Give me new phoenix wings to fly at my desire'.
I appreciate their sensitivity, these
guys would be considered sissies by today's standards, with all of their talk
about weakness and melancholia, but this was probably just a trait characteristic
of the poets of the day, trying to reverse the heartlessness of the common man
of the day.
These poets were very good at causing emotions about simple things, but always
failed to come up with a solid answer. Keats' The Eve of St. Agnes is a good
example. This poem is dedicated to causing tension of the near sexual encounter
that never happens, and he explains it in every which way.
None of these dudes were very political
either for fear of execution, so they had to get their point across in a subversive
and cunning way; which you can see carrying forth into today's thinking through
writing. The most political poems of these three men were The Ruined Cottage
and Michael. The most subversive are The spirit of St. Agnes, Christabel, and
Lamia. What point he is trying to get across in these subversive pieces I am
not too sure.
Samuel Taylor Coleridge is recognized
as the most melancholious of this trio. Melancholia is not completely negative,
it has a hint of dulling mercy mixed in, keeping it sweet in a painful way.
The Rime of the Ancient Mariner, is a good example of this romantic phenomena.
The poem is endurable because of the delightful imagination it provokes because
of this splendid journey. But every crewman but one dies, and the hero endures
unspeakable hardships (like getting black lips from dehydration). One reason
it was such a good poem was because of the moral: Don't kill god's creatures
who are trying to befriend you. Christabel was the perfect poem to provoke a
sensed of melancholia because a bad thing happens to a good person.
Another consistent characteristic
of these three authors of stanza and verse is that their characters are frequently
asking for help from beings from the outer realms. One example is in Christabel:
''Mary mother, save me now!'. And in The spirit of St. Agnes, the beadsman
requests help from the fairies. One possible cause for this phenomena was their
feeling of helplessness against sickness, nature, and their dictators. Coleridge
was quite good at making melancholic sentences like this one: 'A grief without
a pang, void, dark, and drear, a stifled, drowsy, unimpassioned grief, which
finds no natural outlet, no relief, in word, or sigh, or tear'. That is the
melancholy that these men are talking about. Here are some more: 'Or the dull
sobbing draft, that moans and rakes upon the strings of this Aeolian lute, which
better far were mute'. 'Hence, viper thoughts, that coil around my mind, reality's
dark dream!''...No wish conceived, no thought expressed, only a sense of supplication;
a sense o'er all my soul imprest that I am weak, yet not unblest... sense of
intolerable wrong, and whom I scorned, those only strong!' 'To wander back on
such unhealful road, plucking the poisons of self-harm!' 'Vain repetition! Home
and Thou are one'.
When Coleridge wanted to be positive,
he was good at it though. The Eolian Harp is a very beautiful poem because of
these lines: 'The one life within us and abroad, which meets all motion and
becomes its soul...Rhythm in all thought..The mute still air is music slumbering
on her instrument....The sunbeams dance, like diamonds, on the main...O'er them
sweeps plastic and vast, one intellectual breeze, at once the soul of each,
and God of all? Yet, even this poem becomes meloncholic in the end with this
line: '...A sinful and most miserable man...'. Wordsworths poems weregood but
most of them ended the same. In the last stanza of each one, they turned sour.
This is not true for Simon Lee because it is a long poem and it is one of his
more meloncolious poems. In We Are Seven, the whole poem is centered around
the girls fantasy land, and in the last stanza he returns to reality. In Lines
Written in Early Spring, he speaks about the beauty of spring the whole time
until the last stanza, where he says: 'Have I not a reason to lament what man
has made of man?' Expostulation and Reply and The Tables Turned are his only
poems which I can't classify as meloncolious. In Expostulation he is advising
a person who is meloncolious to not be meloncolious, and with The Tables Turned,
he is doing the same thing. All of his short poems that we read were relatively
possitive until the last stanza, except for Lucy Gray. I find it quite amusing
that in Preface to Lyrical Ballads, he says he wants to write poems that '...relate
or describe them (incidints), throughout, as far as was possible, in a selection
of language really used by men'. Because I can understand the preface, but his
poems seem like a foreign language to me. So I don't know if the way common
people in England of those days talked like his poems, or his Preface. One synynym
for melancholy is pensiveness, which means dreamy thoughtfulness. Which means
that these three men were very sensitive to thoughts and feelings that most
people aren't. When Wordsworth describes what a poet is he says: 'To these qualities
he has added a disposition to be affected more than other men by absent things
as if they were present; an ability of conjuring up in himself passions...the
poet principally directs his attention...and the mind of man as naturally the
mirror of the fairest and most interesting qualities of nature'. Here he means
that poets are mostly concerned with describing menial things as ÒEmotion
recollected in tranquillity', which don't really mean anything to normal people,
but after the poet describes it in his melancolious way, people will see it
differently forever. Because he thinks that people donÕt look at nature
in as a meticulous way as they should, as he says: 'Poetry is the image of man
and nature'. Much more greatly would I appreciate poetry that could convey possitive,
energetic, and chearful emotions, and have a happy ending,
THE OF KEATS, WORDSWORTH, AND COLERIDGEmelancholia,partly hey were afflicted
by problems, and partly because it is a powerful emotion and gets results in
those days. his mother died of Tuberculosis, as literally killed by a horse.
Melancholia is England of that day,
and probably even today to an extent more stretched than that of America. I
sure am glad I live here now. |
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5 page
conversation from creative writing class 14 |
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'Hey
bud, do you like your aliens?' The American said to the non American, because
he was in Ireland.
'What?'Said the Irishman. 'You're mad!' 'Thanks man, mad bastard! yea' A great
way for me to start out this trip around the world, the mad bastard. I swear,
every time I trip something bizarre like this happens, before anybody says anything
to me I get a nickname. Yea, I love Ireland, their so friendly just like everybody
told me. This is the most religious country in Europe, and they use alcohol
as their spiritual medicine. Everybody just liven high in this joint. I think
everybody here knows each other since childhood. So I ask my new found friend.
'Hey, made, do you know everybody here since childhood?' '-----------What?!
nooOOO!! 'He seems agitated, they must be out of his certain kind of beer or
something. 'How many people do you know here since childhood?' 'No body, why?'
'Oh, I figured everybody would know each other here, you know, being a small
Irish town.' 'I'm from Whales' 'Oh, so your a traveler too, I just got here
from New York this morning'. 'No I live here'. 'Why do you want to know I like
aliens?' 'Well, your Irish, I figured you would like to talk about religion'
'Aliens aren't religion' 'What are aliens?' 'Uh, that stuff you see on Star
Trek' 'But their everywhere' He seemed confused. 'There all over' 'Man your
mad! You've seriously fell off the loony bin' 'Hey you guys' He called to his
friends, Marcus and Lizzy. 'This guy says there are aliens everywhere' 'Oh year
said Lizzy, I say these lights in the crop circles, Just in the middle of the
air' 'So were are all these aliens' Inquired a curious Marcus. 'Well I don't
know, I read there are some lizard people in underground caves in New Mexico,
Colorado, and under Maine some where, and good aliens like the Syrians under
Mt. Shasta'. 'Bullshit!' Said Hubert as he walked off to go pee or something'
'They've got basis on the moon and Mars and Moons of Jupiter, and there are
14 foot tall ones who live in a planet that revolves around the Sirius sun that
is all water and one continent about the size of Australia where the people
live, and the rest of the planet is inhabited by Dolphins and Whales and stuff,
there was a civilization like our on Mars until a little less than a million
years ago, but they had a nuclear war and warp drived over here as they went
future in time to 65,000 years ago into the Atlantean civilization, which was
still getting used to the Hebrews who also warp drived into the past from the
future because they had to have a retry in the evolution in their society' Then
Lizzy turned around and started talking to her friend behind her. 'My name is
Kyle' I said to the big built bald 30ish year old Irish guy' 'I'm Marcus, nice
to meet you' He gave me a concerned look 'Do you believe in Aliens?' 'Uh, no'
'Why?' Because if they were here they would take over and make all of us slaves'
'They used to do that, but the Luciferian rebellion was quelled by Jesus, otherwise
known as archangel Michael, its in the ancient Cuneiform tablets from Mesopotamia,
in it they say a race called the Nefelim came from a huge planet called Marduk,
that is in this solar system in an elliptical orbit that lasts three thousand
years, and they came down and mixed their sperm with the Neanderthals egg and
made us 200,000 years ago, and made us mine for gold so they could put it in
their atmosphere to keep in the light and heat for their outer orbit.' 'How
do you know that?' That's what the story says, and it also talks about the water
God Neptune, that actually looks like a water planet, but we didn't find that
out until the voyager spacecraft passed it in 1978, remember Neptune, god of
the sea. And it describes Pluto that we just found, how do you explain that?'
'How do you know he translated the tablets right?' 'How do you know anybody
translates tablets right? That's what they say, its also in the Bible, remember
the tower of babel? when everybody in the world spoke the same language and
built a tower to reach the heavens but the god said it was too soon and knocked
it down and then we all spoke different languages. The bible is full of flying
saucer stories, when Ezekiel saw the wheels within wheels coming at him to give
him the message, or when Moses and them followed the silver cigar shaped cloud
for forty years across the desert, that same thing is described a lot in UFO
sightings. They were tripping the whole time too, the sacred manna that god
gave them for food as they hiked across the desert for 40 years are mushrooms,
look at the old drawings of the ancient Jewish medicine men, they look like
giant penises, their hats look just like a mushroom' 'Wow, you know a lot' 'Yea,
all the Aliens write books, I read book by the Plaiedians, Syrians, Arcturians,
Andromedans, Jesus, and there is a book by the Grays that I haven't read yet,
they write their books through psychic women and computers, and one book, the
Urantia book was wrote by people who live here accept in another dimension,
they just wrote on paper and put it in this guys safe, the crop circles are
their galactic symbols, the triangle with the circles on the end are the Sirians'
'Why aren't they down here now?' 'They can't interfere with us until we are
ready, we still don't believe generally, people would freak out' 'No they won't'
'Oh you've seen how violent people in this country are just because of religion,
its not some obscure political history a thousand years old, and the middle
easterners killing each other over religion. The Muslims boarded up the east
gate of the temple of David in Jerusalem just because of the biblical prophesy
that the messiah would return and walk through that gate, and they put a grave
yard to make sure this would never happen, because Jews don't walk over graves.
I heard a fundamentalist Christian say he believed in aliens but that they were
workers for the devil, imagine what the fundamentalists would do if they were
to land? They already freak out about Judas Priest and homosexuals being controlled
by the devil, and look at all the laws they pass, no drugs or else life in prison
and huge fines, no same sex marriage, no abortion no matter how young the mummy
and if she doesn't want it. They think 90% of us are off to hell after life
forever, or just become extinct forever, depending on what is scarier, just
think what they would do to flying saucers. We have enough bombs to make the
earth like mars, and every time they come down to diffuse our warheads the soldiers
shoot at it. We're way too paranoid to let them just come down and incorporate
them into our society. We have to open our minds first.' But a snappy little
old bald man who overheard me came over and blurted, 'Oh, I feel sorry for you
lad, your headed down the wrong path all you need is Jesus, anything else is
just gobbledygook' 'Damn! The old people here are just archaic, and he talks
like he knows' 'I'm not talking about religion, I am talking about science,
the universe is huge, if the sun was the size of a 70 cm beach ball, the earth
would be 65 meters away the size of a pea, and Pluto would be 18 kilometers
away, and if the solar system was two cm in diameter, the milky way would be
the size of America and stars would be almost invisible specs 200 meters apart.
The sun in 8.2 light seconds, as it travels 186,000 miles a second, away from
the earth, and the nearest star is 4.2 light years, and the milky way galaxy
is 100,000 light years across and 13,000 light-years thick and there are billions
of galaxies like the milky way that we can see with our telescopes, there are
10 billion stars like the sun in the milky way and most of them have solar systems
like ours, and there are like a 90 billion more dark stars that we can't see,
and %99 of it is invisible, we can gravitational detect it, but we can't see
it, that's the hyper dimensions, what Jesus was in when he came back to the
disciples after he died' 'Your mind is too cluttered mate, you'll just go mad
if you keep talking thinking this, your spun out' Wow! another person to say
something to me, that's like four now, I feel like the center of attention like
if I continue like this everybody in here will know I am the alien guy and will
come over to ask me questions about the universe. 'We need to know this stuff'
I said 'It's pointless,' said Marcus. 'They have advanced technology that we
could use to heal our environment, but have it too, engines powered off of water,
and anti gravity aircraft, we learned that from the saucer that crashed in Rowel,
we just still use gas because the oil and military industrial machine are the
richest people in the world and pay for the politicians campaigns, and were
still to afraid of foreign countries being as rich as us because they multiply
so fast and they look different and sit around all the time and if we use renewable
resources they will catch up to us take over; they need to keep the power as
long as they can just like Hitler tried to stamp out the Jews, thinking they
would destroy the world, Hitler was funded my Rockefellers and the Bushes and
them, we even has a sterilization program here in America in the thirties, that
racism turned into the greed we have today, come on, you know politicians aren't
the most honest people in the world' But Marcus and the old man weren't interested,
they needed more beer. Suddenly felt like I was dehydrated and that everybody
in the pub was looking at me thinking I was weird. Uh oh, I don't have anything
to say, and their walking away, I'm just standing here my myself holding my
beer that I haven't touched. I take a sip, I wonder if I can go the whole night
on just this one beer like I planned, maybe I should get drunk and babble, no,
I don't want to go crazy, I can't believe I am tripping and saying this, would
I be saying it if I wasn't tripping? I'm not tripping that hard, only had two
stems and two caps in the tea, and I didn't eat them. No, I didn't have too
much, I am just below the weirded out line, I feel like I am flowing good, I
feel like I am just standing in a pillar of white light energizing me from the
energy from the mushrooms that would be making me freaked out if I had eaten
too much and gone brain dead. I'm not brain dead, but I can't think of anything
to say and am just standing here alone, I wonder if somebodies looking at me.
Stop thinking so much! Just take in the energy of the Irish pub. Aliens, Aliens,
I just feel like walking around here and saying aliens, aliens, aliens, aliens
everywhere. Uh oh, I am going mad. I feel empty, I need to talk to someone.
But just then came Lizzy. 'So tell me more about aliens' OK, where to start,
it is always to hard to just answer a blanket answer from a girl like that,
I do better when people don't want to know, is that true? 'Well, they are about
to come back and live with us here because we have reached the critical point
in our history when we have space travel and have the capabilities to see all
the man made structures on the moon and mars and the solar system, and are ready
to relearn our past, we used to have all this technology before but we made
a multi-dimensional machine to utilize the electromagnetic force field around
the earth to harness energy and manipulate time, that was Atlantis, but we sunk
it, well, the Martians sunk it and we had to go back to ground zero again. 'Why
didn't the Atlanteans spread their technology to the rest of the world before
those countries keep the technology through out all this time?' 'O, that was
a good question, that I have thought about before, but not definitively. But
I felt comfortable around this girl, I felt like she believed what I was saying
even if I didn't have an explanation for everything. 'I don't know, good question,
but I read in a book that said that as our planet moves around the Milky Way
galaxy in a 26,000 year orbit in a mini star cluster, maybe revolving around
a giant black hole or something, we get to certain points at two times, 6000
years after being the farthest out, and 6000 years after being the closest in,
that the multi-dimensional energy form the center of the galaxy and the surrounding
stars comes to us in the most force and opens up out seven chakras and opens
up out pituitary gland, the gland that looks like an eye in our heads, our third
eye, and gives us great intelligence and psychic powers and stuff, and were
at that point then when Atlantis sunk and are at that point now, and that is
way we are inventing so many things lately since the 15 century after the invention
of the printing press, which was caused by the need for us to have our own bibles
to the church can't interpret it for us, and that was caused by Jesus, he set
the stage for this new age, Christianity is one of the reasons for colonizing
the world too, he timed it so we would get to this stage now at the peak of
the electromagnetic cycle, it is also called passing through a photon band.
Maybe Atlantis didn't have this technology for long. And it was given to the
Egyptians, but they just kept forgetting it and let the stories turn into myths,
because we weren't energized like we are now. There is also an energy field
around earth, and the males pole for it is in Egypt, that is why the pyramids
were built there, and why the people there are so dominated by the masculine
energy, the feminine point is exactly no the other side of the earth on an island
in the pacific, and these societies are dominated by women, there are other
power points too, like the Mayan pyramids, mount Shasta, Tibet. 'Interesting'
She said, and I felt warm and content and healthy, like I am making somebodies
life richer and giving her something that she can take home with her. But her
friend Marcus came back and reminded her of something, like a prior engagement
or something, and they bid me adieu. Now I feel good. Maybe I need to get into
a good debate with somebody, and record it. Oh, can't do that, my batteries
are dead and all the stores are closed. Wow! I am motivated, I always get like
this at the very beginning of trips or stays in places, and then I mellow out
and stop being so outgoing. This is perfect for me, my journeys are just beginning.
I'm glad I am starting out in Ireland, the ancient land of the monks and freedom
seekers. They are the closest to Americans besides the English. This is probably
one of the most intelligent countries. I feel like the don't care about what
I think, or they aren't judging me as much, is it because they don't judge each
other or because I am emotionally immune their reactions to me because I have
an excuse to be weird because I am American or a traveler. I don't know, I am
probably most likely to have a debate with somebody here than anywhere else. Oh look, there is that grumpy old man and that first guy I talked to who said
bullshit and walked away, standing in a group of five. Should I just walk over
there and try to convince him of reincarnation. I wonder if they would think
I am being confrontational, Europeans can get weird about that kind of stuff
sometimes. Lets go over there and see what they are talking about first. So
I stand outside of their circle looking in with sort of a spaced out look on
my face, or at least that is how I feel like I look to these people. I felt
like I looked very alert and scholarly when I was talking to Liz. I make eye
contact with the first guy and he looks at me like I am invading his space in
a inwardly fearful sort of way. Then I look at another guy in the group who
is facing me and he smiles. I feel accepted. Then I look at the old man and
he makes eye contact with me more a second, like it is totally natural for me
to be there, while he is saying something to the guy across from him about the
new cathedral they are making. When he is done he looks at me and I say, 'Are
you Catholic?' 'No, Protestant' And another guy makes a comment to the old man
about the architect who designed the arch in the back. Then I look and the first
guy. 'My name is Kyle' I say. And he looks at me as if I am deluded into thinking
I am his friend. 'What is your name?' 'Patrick' 'Oh, like Saint Patrick, I heard
he was actually a bastard' Whoops, that kind of just came out, he's going to
think I am taking a piss out of him. I feel like acting like a totally annoying
stereotypical stereotyping American when I am around this guy, I don't know
why. But he doesn't react, I guess I was over paranoid by his craggy face or
something. 'Oh, I don't know, all those guys were bastards' 'Oh, the old time
church people are just like politicians?' I ask. 'Yea' I felt like we were buddies,
a deeper emotional connection to this guy that everybody else here, even thought
he has been the rudest and grumpiest. Maybe I had a past life with him or something.
Suddenly out of the blue I say, 'I am traveling around the world trying to convince
people that the aliens are about to land, then I am going home and writing a
book about it, and be a rock star preaching about the second coming and stuff'.
'Well, whatever gets you off' He said. This guy isn't very intelligent, or maybe
he is just tired, or he got laid off yesterday or something. After a brief pause,
'You want a beer?' He says. Wow! I never thought I would hear him say that.
My evening just keeps taking unexpected twists and turns. All because I am loose
and open. At his comment I look down at my beer and notice I barely put a dent
in it. 'No thanks' I say. 'Maybe after this one though!' u IHubert the Irishman
wh I just met my new found friend. 'Hey, mat He said. ere' 'Oh year said Lizzy,
I saw off to go pee or something, people went in second chance . Then I say,
Marcus' I respond, 'by Jesus, otherwise known as Aforto in remember the tower
of babel? Wise book, the Urantia book was writing else is just gobbledygook,
and he talks like he knows think to myself. Comments a new guy I haven't noticed
yet.To this I respond, if Hitler didn't get to them first away, I'm just standing
here b once the multi-dimensional energy fro the most force and opens up our
seven chakras and out that point now. |
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Kids need to think for themselves 215W 1P |
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I wasn't taught to think for myself. Growing up in class, I felt very suppressed, it shouldn't be that way. Kids need to be encouraged to express their thoughts in school, and the only way to do that with any results is to encourage them to feel totally free. Meaning a complete disregard for their dressing, attitude, language, facial expressions. School is not the place to teach kids about out cultural mores, parents should do that. Have you ever heard the term, spreading yourself too thin? The only thing schools should preoccupy themselves with are: Learning how to learn. Everybody wants to know why it is, but we are tricked into thinking that it is no use, because if we don't learn it in school and at home from our parents why bother. Schools should kick out sentence structure, how to write a proper footnote page, and subjective teacher opinions, and all those other things that patronize kids. If a kid shows interest in head shrinking, help them research it. Research papers should be the primary focus of schools. Kick math out, we have computers to figure all that shit out. Teachers need to be unassuming. Don't let a kid know that you have a negative opinion about them. |
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How we should handle standard English in our schools 540W 3P |
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The worlds problems come from people not understanding each other because they
come from different schools of thought, suffering from ethnocentrism. The way
for us to understand and respect each other, is through accurate communication,
and the best way for us to communicate accurately is to speak a language as
similar as possible. Many scholars agree, like Sherwin Cody in 1915:
'With the mighty advances which are being made in every branch of business and
professional life there has come a demand for a higher standard of intelligence
of proficiency. The time is past when illiteracy or slipshod methods of speech
and correspondence are looked upon with tolerance. The man who can express himself
with fame and clearness is the man who is in demand everywhere'.(1)
And Jacques Barzun:
'A living culture must insist on a standard of usage. And usage, as I need not
tell you, has important social implications apart from elegance and expressiveness
in literature. The work of communication in law, politics, and diplomacy, in
medicine, technology, and moral speculation depends on the maintenance of a
medium of exchange whose values must be kept fixed, as far as possible, like
those of any other reliable currency...'(2)
And a BBC commentator:
'You can not raise social standards without raising speech standards'.(3)
It is important not to undermine any group of people whom we are trying to teach
English by making them conform too much. However, standardizing English, and
allowing too many new words in could contradict each other. For example: In
teaching English to an indigenous tribe in the Philippines, we must be careful
to not equate philosophical and scientific words of theirs for words we already
have, assuming they are the same. Yet we should be careful not to accustom
them to speaking a language that is so pigeon that they cannot carry on an intelligent
conversation with an Australian, American, English person, etc.
In considering the effort to homogenize the worlds of English speakers into
as similar dialects as possible; my first thought was for the English speaking
cultural centers of the world to form a 'new Royal society' to try to bring
the various dominant dialects together, then diplomatically attempt to introduce
the new rules into main stream society. As with anything, there are many discrepancies
in various philosophies regarding exactly where to draw the line in respecting
certain dialects and making a homogenized world English language. It may not
even be possible for any group of people to consciously change the language
anyway; considering how hundreds of millions of people can read and write English,
it would be like reversing the orbit of the earth.
But I have come to the conclusion that no one should force any form of the English
language: Do whatever you want, but don't force your beliefs on anyone else.
Our language has improved itself well enough throughout the years without any
control group; and as long as we all stick to the basic philosophy of trying
to communicate as best we can, the language will do its job right. There is
nothing wrong with dialect differences because they most accurately articulate
the cultural variances and peculiarities.
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The possibility to formulate a wold language 315W |
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The human race really
needs the regular people of the world to forget their differences, and share
with each other their individual and common knowledge and goals. Now, the masses
have more power than ever in influencing how the world works, because of our
ability to communicate with each other. There has been such cultural evolution
in just the last thirty years, from desegregation to the internet, I think it
is possible for most world citizens to know English within the next twenty years.
Indian Professor Yash Pal agrees:
'By the 1980's most Indians would admit that, like it or not, English was as
much a national language of India as Hindi... English is probably the most important
link language in science'.(4)
English has historically been a language spoken by people who act as if the
purpose of human existence is for each tribe to expand themselves at the expense
of others, with not much intention on preserving and honoring the conquered
peoples valuable customs. The basic philosophy of this imperialism has run through
all English speaking colonies.
Therefore, it is of utmost importance for all the free-thinking people in the
world to band together and turn this loss of integrity by English invasion,
into a gain by utilizing the English language to build a truly democratic society.
The invention of the printing press was the catalyst needed to unite England's
various dialects into one standard one. The English were obviously exited about
it, as shown by the 35,000 books printed by 1500. Ever since the invention of
the printing press in 1476, the worlds technology has grown in leaps and bounds.
Which perhaps not coincidentally was the time the New World was being discovered.
Perhaps if the Romans had invented the printing press, we would have been where
we are now two thousand years ago. |
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How aggressively should we spread English? 174 |
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Making English the official
language of America, and banning the writing of Spanish subtitles on signs government
documents is wrong. It retards Spanish speaking immigrants from learning our
language and how to cope in America, keeping then separated longer. There is
no danger of Spanish-only sections of America. We are in the age of communication,
and we intermingle with each other too much for total or irreversible separation
to be possible. Note that in the early nineteenth century, American had less
dialectical differences than a much smaller England because of the interaction
of its citizens. James Fenimore Cooper said, 'This resemblance in speech can
only be ascribe to the great diffusion of intelligence, and to the inexhaustible
activity of the population, which, in a manner, destroys space.' (5)(Hel 423)
Being the most powerful country in the world, we should take the initiative
to spread English around the world as much as possible. It is the least we can
do, considering all other disruptions we make in other countries. |
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How should we make people more literate? 205 |
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Other languages should
still be taught in schools, but we should teach our own language more thoroughly.
Not enough people can communicate their thoughts on paper. We need to teach
children how to express themselves on paper before we teach them what the present
day accepted writing style is. Children should be encouraged to be more spontaneous
in their writing habits, even if it means more unintelligible rough drafts.
The teachers job should primarily be to show children how to turn free-form,
raw writing into standardized prose; which means proofreading, proofreading,
and more proofreading. We spend too much time making children memorize grammatical
titles and rules under their own obscure contexts before they are developed
enough to appreciate it.
Learning English should be fun, so we should let children read the books they
want to when they are first learning to read, and write about what they want
to when they are first learning to write. When we start giving more attention
to whether a research paper is written or not, instead of done the right way,
then we can dramatically increase the amount of work expected from the students
because the work will flow out much easier. |
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What kinds of English should be taught in our schools? 245 |
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The standard American dialect should
be used in our schools. Teachers should definitely discourage the use of slang
in writing to an extent; to what extent exactly is hard to define. It should
be teacher's job to formalize our language as much as possible, but we need
to be very diplomatic about it; so as not to discourage the students and make
them feel like bad writers. Correcting rough drafts that have a lot of inventions
and slang should be done in a way that the intended meaning isn't altered at
all. If necessary, there should be an explanation at the end of the paper explaining
why there were so many corrections, reading something like this: 'Your coinages
and creativity are brilliant, but I want to know that you are able to write
in a way that every English speaking person can understand. You will have plenty
of chances to use you cult writing skills later'. We should give every student
who tries an A for effort; bad grades discourage kids.
Some writing inventions by High School kids should be encouraged. It should
be accepted for students to write words that sound like what they are describing,
(like hee hee for laughing, tsh and pish and pshaw for disdain, pugh for a bad
smell, euw for a bad smell, and ugh for darn, (6)ODE 265), and for them to invent
their own metaphors and similies. |
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What kinds of English should students accept? 441 |
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I had a teacher once who said that
it was great to be a good creative writer, but it didn't mean anything it one
doesn't have good grammatical ability. That is like saying, 'It's fine to want
to help the world, but you wont do any good unless you have a college education'.
By saying things like that to students, they just make them forget their special
worth to the world, and discourage them from wanting to share what they know.
Writing is one of the best techniques to allow people to understand what they
know, and share it with others. So teachers first goal should be to make students
WANT to write NO MATTER WHAT. No matter spelling, grammar, language, attitude,
content, NO MATTER WHAT. If I knew the benefits of writing when I was in second
grade, I might have an extensive diary on computer by now, or even be a published
author. My teacher Lillian Lang once said English teachers should band together
and make schools stop punishing kids with writing, because it gives writing
a bad reputation. I agree, make them clean up garbage or sing Christmas songs
or something.
It isn't necessary for us to expect that we can change dialects into the excepted
norm, or even want to, as long as everyone has the chance to learn what the
common accepted norm is. There are many good points about dialects: 1) They
constantly offer new words, metaphors, and knowledge subtly taught through their
slight differences, artistically lighting up new realms of reality. Many of
these words and metaphors have made it into common accepted English, and improved
it. For example, ain't is a popular term that was once slang. Ain't improves
English speech by simplifying it because it is one syllable instead of two,
like isn't. People will keep coming up with slang words that are easier to pronounce
than the proper form, until there are only words to simplify. If we keep evolving,
we will keep improving a world language until it is perfect.
I anticipate some simplification of words will eventually change the spelling.
For example, aren't to arnt. Perhaps we will invent a letter standing for the
sound we make for the T when we say arn't. There shouldn't be a 'Royal Society'
to do it, it will happen when enough people start taking their own initiative.
Ideally, students should accept words and speech forms that are the simplest
and most logical, but not if it goes too much against the accepted norm, luckily,
kids will always be kids, and continue to try to reform. |
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How should teachers treat English spelling discrepencies? 235 |
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If English is going to become the
world language, it has an unprecedented prerogative to stand up to the responsibility
and 'clean up its act'. Therefore, making English spelling purely phonetical
with little or no exceptions must be a priority second only to maintaining cultural
integrity and spreading the language. We should make changes like the Swedish
philologist R.E. Zachrisson's model of 'word signs', and make changes like:
Ph to F, C to K in words like create, sense to sens, years to yearz, bread to
bred, give to giv, through to thru, though to tho, catalogue to catalog, programme
to program, dressed to drest, etc... But this effort should be done by bold
individuals, and not people with language titles.
Another possibility would be to teach pronunciation differently. For example,
teach children to pronounce yours with an -s instead of a -z. But this is not
possible because there would be too many people to sway.
The attempt to improve the little discrepancies in English spelling, like ph-
to f-, should ideally be done as soon as possible. A good start would be for
us teachers to simply allow our students to write phonetically in the cases
of the obvious spelling discrepancies. Maybe there should even be an underground
pamphlet defining where the present line should be in the extent of spelling
reform we should take. |
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Standardization in large scale testing 157 |
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Today's standardized tests may be
conceptually culturally biased, but they are not wrong in using accepted speech.
Even if they don't teach the nationally accepted norm in inner city black schools,
it is not the standardized test writers jobs to bend to accommodate minorities
just because their schools are doing a disservice for them. Perhaps, if the
standardized test givers were perfect, they could accurately analyze the reputations
of the schools of each test taker, and make up a different test for each school,
but this is impossible. Instead of expanding the language of the standardized
tests, we should make sure that each student in American gets a valid inculturating
education.
BIBLIOGRAPHY
(1) Images of English, A Cultural History of the Language. Richard W. Bailey.
University of Michigan Press. 1985. Page 14.
(2) Ibid. Page 238.
(3) u ?
(4) History of the English Language. Page 423.
(5) Reserve book. ODE, page 265. |
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Linguistics
Final 1828 |
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This guy has his head so far up his
ass it cracks me up. He has no idea what slack standards are; he thinks slack
standards are skipping grammar, grades, standards, and judgment to focus more on...what? He doesn't
know what because he is such a dumb motherfucker. He is so dumb he believes
a study that says, 'Exactly 56.3 percent were unable to figure out how much
change they should get back after putting down $3 to pay for a 60-cent bowl
of soup and a $1.55 sandwich. (College people: The correct answer is 85 cents.
Take by word.)'. If he is so smart, why doesn't he explain himself? Why do we
have racial problems? Why are we destroying the environment? Why do kids hate
school? He thinks college kids are 'dumb' because they are bad with math; well
we are as good at math as we need to be.
Academic standards shouldn't be referred to as if you can memorize the times
tables, following the Tarabian book exactly, and whatever else Mr. Leo thinks
is important. Schools main purpose should be to teach people to think for themselves,
know what their views are about the world.
The only way for this to happen is to MOTIVATE the kids, make them WANT TO write.
If school work isn't fun, its a job that their not going to put ANY effort
into past what they can get away with. If you have kids spent their English
semester writing a paper on something THEY chose, in a way THEY like, the performance
will naturally go up, hence the standards will go up. This is such a simple
principal, the only way someone could miss it is if they come from fascism land.
I bet if you did a study on John Leo, you would find that his family has benefited
from this mind control he is advocating.
The real reason universities are, 'Suffering from a general erosion of academic
standards', is because the students are getting sick of the present system who's
only goal is to produce a bunch of mindless, order following, forests clear
cutting, over-packaged food purchasing, fat, paranoid, Ganga hating, racist,
products made by slaves in third world country buying, IGNORAMOUSES (I don't
even care if you don't think that is a word).
Why can't this retard explain why college graduates don't like to and can't
write? Because he doesn't even have enough of a clue to care. All he cares about
is his own little world of control.
It is obvious from reading these sentences: '...Dumbing down of modern curriculum,
which now bulges with things like 'queer theory,' the works of Pee Wee Herman
and watching Oprah or Montel Williams for credit'. First of all, you better
watch it buddy! Oprah and Montel are black, you don't want to expose yourself.
If someone is interested in something, it doesn't matter if they pull their
penis out of their pants in public; the main goal is to motivate people, even
if it means to go so far as to let them study something that interests them.
When he says it is bad to '...Let their deepest selves loose on the page and
not worry about syntax, logic or form', because the students have trouble in
other classes, is like saying: 'Don't let the slaves have vacations, because
when they come back they won't work as good'. All syntax, grammar, and form
are is a waste of valuable time that should be spent on the students self designed,
and teacher motivated pursuits of interest. This idiot probably thinks that
if we let our kids study what they want to, it will all be about gothic horror
and violence and gang warfare. Well sorry buddy, that was your generation. When
we let students free they will create things you never even dreamed of. Dumbfuck
thinks that 'evidence and analysis', and 'personal revelation of feelings' are
two different things, but I am relating my personal feelings and showing more
evidence and analysis that his puny brain could ever do. When he talks about
'simple coherence,' he is admitting that college kids writing is gobbledygook
to him because he is too stupid to understand what they are talking about. Well,
Mr. Leo, sometimes kids don't care if you understand, you'll be dead in 20 years
anyway, we understand each others writing way better than you generations.
This statement by Mr. Leo tops all of them: 'Arguing against knowledge of grammar
and logic, Jay Robinson of the University of Michigan says...what college students
really need is reaffirmation as 'members of racial, social and linguistic minorities'.
Come on John, I dare you to tell us why we don't need reaffirmation as members
of racial and social minorities.
Ironically, little does Mr. Leo know, that most people reading this article
can see right through his propaganda when he claims that deliberately writing
papers in class with intentional errors, to (I assume because John doesn't clarify)
mimic students writing more. It is just an experiment John, don't shit your
pants. When he says the author of this experiment wrote the national standards
that were, 'Attacked on all sides as empty and unreadable, even by The New York
Times'. Because he didn't mention any other sides, we all know what he really
means is it was attacked by all his best friends, plus some idiot who works
for the New York Times, which is probably one of those worthless, scandal cover-upping,
corporation owned, papers.
When he talks about 'actual English,' he doesn't explain what it is, I guess
he doesn't know.
When he says, 'In some ways, this anything-goes movement is an attempt to patronize
a new wave of unprepared college students'. He needs to back himself up. Patronize
means to under estimate someone, to expect less of them than they are worth.
So how in the hell can an open ended curriculum with freedom for the students
to learn how they please be patronizing them? When you ask them to memorize
the times tables but not ever expect them to know that we could heal the world
if we all spend a couple thousand dollars on a solar system for our houses and
cars; THAT, John, is patronization. Maybe next time you should look in the Dictionary
first before you use a word that is too big for you there, Johnny boy.
I find it hilarious how he goes for a nose dive in his last paragraph, saying,
'At some point, students have to leave the university and find a job, usually
one offered by a company that cares less about oppression and feelings than
about those basic skills'. When he says 'basic skills,' we all know he means
abilities to blindly follow orders. The reason employers are disappointed with
college graduates is because they are joining unions and making them reduce
their exorbitant salaries.
Nice try, Johnny boy, but your slanderous propaganda isn't going to fool anyone
but people just like you, and you are all dying, ha ha!
Mr. Leo hasn't even shown that he knows this simple equation:
Being able to write is important because we need to be able to communicate our
thoughts so we understand each other. We need to be able to clearly convey a
point view to somebody who believes the opposite without offending them and
covering all of your points. If we all understood each other the way we are
supposed to, than there would be no more injustice in the world.
We all must find our communicating voice, what kind of things we tend to think
of, what we believe, what we have to say. The best way to find this is through
writing. If you like to read and write, you can make your dreams come true because
you will know the world and how to move through it. You could be an active political
person with letters to the government, or just write about issues to people
who see the world in a different way.
Writing should be intriguing, if it isn't you aren't doing it right. Having
kids write on things they don't want is murder to their inner writer. The only
thing that is important is getting your thoughts on paper in the first place,
once that is done the rest is just modification, which uses a different kind
of thinking. Writing should come as easily as speaking.
Teachers should have a more active role in kids papers. Too often kids turn
in half-ass papers, the teacher puts red all over them and a grade and gives
them back and that's that. Teachers need to proofread their papers, have them
rewrite them, get proofread again and rewritten again. These extensive research
papers are far more important than math, shop, home etc., and grammar classes.
John Leo's article, Slack standards do students no favors, is a vain attempt
to convince us that schools should tighten up on, 'grammar, grades, and judgment;'
and shouldn't teach kids by the 'process' way, but that is about in depth he
goes. The rest of the time he just flounders around his own little fantasy of
how the world should be organized.
John they have a clue what(of college kids) So you are saying we need more math
classes Are you crazy? We had too many math classes to begin with. What we should
spent our time teaching students should be: Why do people don't like to write?
Academic standards shouldn't concern the memorization and parts of speech we
aren't computers, we're human beings, and we deserve to have the freedom to
study how we want. We shouldn't have to worry about and how it works If I had
the freedom to write papers on what interested me instead of spending my time
studying for tests on dates and facts. I remember mechanically filling out worksheets
and answering simple questions, and when a paper finally came along, I had a
very narrow array of topics to chose from. So school was basically just a boring
job. People need to enjoy studying; and it is going if the kids are talked to family has benefited from slaves in third world countries This
guy is way off base, and you can tell by(the) yourself and they say some interesting
things worth writing about. And ia student is interested in someone shouldn't
is out of their pants in public. School's should be students(God forbid)
and ,John kids study what they wants your generation. When we s, 'evidence and
analysis,' evidence and analysis that his article did
all,can only John that owned unprepared college students;' his a perfect
180 degrees off target than they are worth. So how how they please be patronizing and
is in the hilarious when he's to blindly follow orders. And your own kind just
a , then I would know much more about the world
with. If you have kids |
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Linguistics
Test 1417 |
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1) Conversational Maxims- a) When
Pinker says: '...The act of communicating relies on a mutual expectation of
cooperation between speaker and listener', he is correct. When we informally
speak to each other, we always break grammatical rules. When I say to my friend,
'Shall we destroy this mountain', I don't mean that we plan on exploding the
mountain and sending ashes thousands of miles like with Mount St. Helens, to
leave nothing but a stump; what I mean is that we should merely climb to the
top of it. Many ambiguities in speech come from subconscious connections we make
for things. For example, athletes are like warriors, seeing how sports were
invented to keep their warriors in shape in case of an invasion from the neighbor
city-state. When a snow boarder says, 'That run gave me a hard on', he doesn't
really mean it. Or when a girl says this about her marathon friend: 'I gave
her a Mountain Dew and brought her back to life', she doesn't literally mean
it. The reason a 20 year old Bike racer wouldn't say to his 90 year old grandmother:
'I kicked their asses so hard they were whining like dogs, then we went to the
hot springs', because she simply wouldn't understand that it is all for fun.
When we transcend class boundaries, our ambiguous sentences have to go bye
bye.
b) You better be: Informative, truthful, relevant, clear, unambiguous, brief,
and orderly.
Q 2: Morphology
1) 1 free morpheme- Dog, cat, big, small, foot.
2 free morphemes- Big dog (radio station), Walkman, notebook, notepad.
1 bound and 1 free morpheme- Killer, rocker, subzero, pencil.
2 free and 1 bound morpheme- Backpacker, underestimated, overestimated, broad sided.
Words ending with derivational suffixes- rational, fundamentalism, grandness,
thankless.
Words ending with inflectional suffixes- Lives, crazier, laziest, slaves.
A morpheme containing more than one word- Shoot out, through up, pass out, smoke
up.
2) There were thirty six years under Bob Marley's belt when he died.
Morphemes- There be ed thirty six year s under Bob Marley's belt when he died.
3) Stages in language development: 1) '...Infants may enter the world with some
knowledge of their mother's language, too'.
2) They say ba ba ba ba ba.
3) They say pa pa pa pa pa pa.
4)
4) Ambiguity. 8) They have wrecked cars. a) They have cars that are wrecked.
b) They are people who have, with their bare hands or with the use of tools,
have destroyed cars, reasons unknown as of yet.
9) They were shooting stars. a) The 'they' that we are referring to, were real
like asteroids that entered the atmosphere. b) 'They' are people on earth who
were very famous at that time, but may not be now.
10) He has stolen books. a) He is in possession of books that have been stolen,
but he isn't necessarily the thief. b) He has been a bad boy and taken other
people's books without having permission or paying the proper monetary amount.
11) Flying planes can be dangerous. a) Planes that are flying can be dangerous
to people on the ground, because they can drop things or land on people. b)
Being the person who is flying a plane can be dangerous to the pilot, because
the plane could crash into the ground, a power line, a building, a tree, another
plane, or a mountain, and kill the pilot because of the excess G's created, causing
arteries and veins to burst and leak blood beyond repair.
12) She has plagiarized papers- a) She is in possession of papers that have been
plagiarized by a person who is not necessarily herself. b) She is the culprit
of the plagiarized paper scandal.
13) Headline quoted by Pinker: 'Drunk gets nine months in violin case'. a) The
drunk gets a violin case that contains nine objects that are commonly refereed
to as months, perhaps pages to a calendar. b) The drunk stole a violin, and
was sentenced to nine months in jail for the crime.
6) /wev/- wave: a) A wave in water, light, or anything natural. b) A wave created
by humans, like a crowd wave, body wave, or the vigorous shaking of a hand to
another person to show acknowledgement of existence.
7) /stek/- stake: a) A verb
Take-Home test by Kyle Pounds
informalities like with Mount St. Helens subconscious snow boarder made piss my
pants just s scarred him transcend boundaries ambiguous relevant Bigwig more than one word- Shoot thirty their
During the first year: 'The larynx comes up like a periscope and engages the
nasal passage...That allows the tongue to move forwards and backwards and produce
the variety of vowel sounds used by adults'. And the baby says babanehnehdeedee.
Death babies babble with hands.
5) At eighteen months, vocabulary. development jumps to a new word every two
hours. They start to use ungrammatical simple sentences: 'All dry...I shut...Siren
by.
Here is are sentences by a boy at two different ages: Two years and three months,
and three years two months: 'Play checkers...So it can be cleaned?'
Children have an instinct for language because they can put words together into
coherent sentences, that are just different from the commonly accepted ones
in syntax and grammar. As Pinker says: 'There are about twenty-four billion
billion logically possible combinations of auxiliaries'.
Errors that might tempt children: 1) 'He seems happy.--Does he seem happy? Vs.
He is smiling.--Does he be smiling?' The logic behind this is that the verb
seems works the same in the question form as it does in the statement form,
so ignorant people who are still learning would think that the verb is, is just
as stagnant across statement/question boundaries as the verb seem.
Children are born with a knowledge of how to put subjects, verbs, and direct
objects together in speech to make the message coherent.
2) He did eat.--De didn't eat. Vs. He did a few things.-- He didn't a few things.
The first statements adverb did, didn't have to change very much because its
verb 'eat', is strong and doesn't need any kind of introduction like 'A few
things' does.
'He did eat', is ungrammatical in the first place, which caused the ignorant
person to carry the same rule into the second statement. 'He did eat' should
be 'He ate'.
3) He did eat.--Did he eat? Vs. He did a few things.--Did he a few things? The
reason that the two statements aren't consistent is because of our infatuation
with needlessly adding 'Do' to sentences. 'Did he a few things? is actually
better to say than, 'Did he do a few things' because it is simpler; the meaning
is already implied enough and doesn't need a do. This is legal terminology taken
too far, and the poor children and foreign people suffer for it.
4) I think Pinker would agree with Gill's first statement because it is so simple.
All Gill is saying is that children learn the rules of their language without
knowing it. But Pinker would add that their are some precocious children who
would know that they are learning new steps each month and year.
Pinker would not agree with the second statement because Gill is saying that,
'Children will simply not speak at all' if they were raised around non speaking
parents. Pinker said himself that children raised in deaf families babble just
like normally raised children.
The third statement is totally convoluted. He could have just as easily said,
'Learning new grammatical rules...Comes from experience'. Yes, I think Pinker
would agree, because there is no way that someone could learn the proper usage
of a normal human language by themselves.
referring,
5) At eighteen months, vocabulary development jumps to a new word every two hours.
The children start to use ungrammatical simple sentences, that aren't ambiguous
and don't have special suffixes and prefixes. They use simple sentences like
these:...
Ambiguity
9) They were shooting stars. a) They 'they' that we are referring to, were asteroids
that enters the atmosphere. b) 'They,' are people on earth who were very famous
at that time, but may not be now. c) They had guns and where shooting into the
sky in the direction of the stars. d) With their guns, they were shooting cardboard
cutt-outs of stars. e) They were drinking an alcoholic beverage called 'stars'
in shot glasses. f) They were playing billiard with balls called 'stars'.
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Metamorphosis 509 |
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Why did Gregor turn into an insect,
and how is the insect idea carried through in relation to being human?- The
reason that Gregor turned into an insect is really quite simple. If he had turned
into an elephant he would have become mad and stomped everybody on his way out
the door and that would be the story. If he was an orangutan he would have
ripped everybodies arms off, and if he had become a porcupine or a skunk he
would have made the story very gruesome and displeasing to critics. This book
was 'The most dramatic evidence of the power of literature since the Romantic
movement', because turned into something that would make the reader feel very
helpless and sorry for Gregor, stirring emotions. So what are some helpless animals?
Not mice because they have big teeth, and not flies because they spit acid.
A big beetle is perfect.
Another emotion inspiring thing to do would be to make Gregor disgusting (a
'monstrous vermin) to his family, and giant beetles are disgusting because
of their ooze and foreign looks, because they are normally so small you can't
sea their displeasing characteristics. Nobody could have been down pressed more
than Gregor. He was beaten by the maid and his father, and was a hideous and
fearful sight to his family. Kafka was interested in 'Portraying my dreamlike
inner life', or horror and the utter sense of aloneness that he felt. He used
literature to bring to surface his loneliness: 'The way in which he experienced
estrangement was literature, with an intensity greater than that of any other
writer of his century'. Kafka made the hero of the story a helpless man to begin
with, living with his parents and working a menial job, so when he turned into
an insect, all of his social weaknesses were exposed. These shortcomings in
his relation to the rest of the world as a human were pathetic. His family never
talked to him, and he would have starved to death if it wouldn't have been for
his little sister feeding him, but even she was afraid of him. Finally, when
he went into the living room because he was lonely, he was beaten with a broom
back into his room by his father as if he was just a pain in the ass, and never
was related to him. Even when he first woke up and knew something was seriously
wrong, he couldn't muster up the courage to tell the truth, he had to pretend
that everything was all right: 'What if he were to say he was sick? but that
would be extremely embarrassing and suspicious because during his five years
with the firm Gregor had not been sick even once'. His family had to convince
his boss that he was sick. To think that he wasn't telling the truth in the
first place is some serious oppression. Before they even knew he was a bug his
boss was pounding him: 'Your performance of late has been very unsatisfactory'. |
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15 Day unit plan for English
(Madaline Hunter Format)
Subject Area - English
Grade Level - 7-12 50 |
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My philosophy on how to teach kids how to write |
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I think too many people in America
can't write very well at all, mainly because of writer's block. This shows a
need for more creative writing, and research papers in school, which encourage
imagination and creativity more. People also don't know much about grammar,
so obviously our present technique of teaching English needs to change. The
English teaching technique I grew up with comes from an age when the world
was aa lot simpler and black and white, when kids were much more satisfied
with doing what their elders told them; and by judging the apathy of the common
American they apparently weren't asked to think very much. They also had attention
spans that lasted more than twelve seconds.
Everybody knows practice makes perfect, yet I can't recall a single time when
a teacher proofread my paper and gave me the chance to correct it for a better
grade. Students learn by correcting their mistakes, so teachers should direct
their energies to proofreading, and more proofreading for their students. If
they don't have the time, they should solicit the help of a local college practicum
student or volunteer to help them. The state should even pay people to help
teachers.
By making creative writing dominant to grammar, punctuation, and sentence structure
diagrams, teachers could teach the math-like aspects in a subordinate, yet
relating way to the students own creative compositions. This way they will know
their paper inside out, and will be proud of them. People need to learn to communicate
on paper at an earlier age, and they need to be able to to enjoy writing papers
whether they are easy to read or not, without having to worry about getting
red all over then and getting a poor FINAL grade for not complying with the
Turabian book. People not only learn to write, but think by putting their thoughts
on paper, then making them legible.
In all practical purposes, you don't even need to know what the parts of speech
are to be a good author, as you don't need to know how to write French in order
to speech it. Teaching these boring aspects of literature so much more important
than communication, which really counts.
We could start this more individualized curriculum by reducing the class size.
The Community of Learners middle school, at 12th street and third avenue, works
with an %85 budget per capita compared to the standard thousand student high
schools; yet they have six teachers and about sixty students, so it is obviously
feasible to have more one on one interaction between students and teachers.
The first class I teach, I will explain my belief of education to get them motivated:
''The classroom is where we learn about why and how things happen, in
the past and present; so we have a solid context to work from to make the right
decisions in the future.
The classroom is also where we first learn how to communicate with the rest
of the world.
The classroom is a sacred area, where we should all be doing our best to educate
ourselves and each other. Therefore, I really appreciate full respect form you.
I don't accept any disrespect directed towards anyone in this class.
I will warn each student two times a week before I will take (X#) points from
you. Assuming this is the beginning of the term, here is my unit plan-'. |
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Fifteen practicum hours at Escalante Middle School |
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The fifteen hours I did at Escalante Middle school reminded me of my Junior High experience because the building and the kids looked the same. Vonnie Walker and the other teachers I met there were a lot better than the Junior High teachers I had. It seemed like she respected them, I was always getting embarrassed in front of the whole class for breaking rules I didn't even know existed. The first couple of days after Vonnie's class I observed a science class next to her. One day they shot off a rocket made by some of the kids in the class, which seemed kind of pointless because they had shot a lot of them before and everybody knew what was going to happen. If I was the teacher I would have said, 'Do we really want to shoot Billy and Susie's rocket today'. I asked some girls if they liked the teacher (who was a semester long substitute), and they said they didn't at all because she wasn't dynamic at all and basically just let the kids do whatever they wanted. I find that response encouraging because it shows the kids think. If I would have been one of the kids in that class I would have said I liked her because she was easy and didn't bother us.
One day Vonnie and her team teacher had a science fair day were kids figured out computer puzzles, crossword puzzles, mazes, riddles, and other clever games relating to science and math. I tried a few of them and had a hard time. I was impressed that these little kids had two hours to complete all of these tasks that I would have had trouble doing; of course they spent the whole semester preparing for these tests.
Another day two police officers brought two German Shepards and lectured about them for three or four classes in a row. It was very interesting seeing how these inexperienced speakers modified their presentations. One of the many modifications the officer made was the first two times the officer had the volunteer child rub his/her hands through their scalp before they touch their finger to the paper for the finger printing demonstration, but the third time he realized this was not needed and didn't have the child do it. I watched Vonnie teach the same thing two two and three times in a row and I was impressed by how consistent the little lady was; I was like, 'wow, and I will be like that one day'.
One day I watched a lecture the librarian gave on how to use the computers, but I had trouble staying awake during it. I think they should be taught to use the computers by being assigned
given assignments to complete and let the smart kids help the s lower kids. I think teachers take introductions too far and needlessly bore the kids to sleep.
Another day I observed a parent teacher conference for a young girl. They talked about how she was very smart but didn't apply herself. how she hangs out with a punk on the south side who is four years older than her and the father had to threaten him to stop hanging out with her and how they wanted to move to a better neighborhood in Bayfield; which didn't sound very logical to me because of the drive. I was surprised by how personal the father got with the teachers, he really trusted and believed in them. I was also impressed by the teachers knowledge about the girl. I would have been flattered if I had observed a meeting like that between by my parents and my teachers when I was 14. |
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Day 1 |
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Anticipatory Set |
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Explain the importance
of creative writing: We all have something to say, so thinking of something
to write shouldn't be a problem. Getting your thoughts on paper in the first
place is completely different from proofreading, to make the composition coherent
to other people. It is important to write on something we are interested in,
so they will start out by deciding what they want to write our research paper
on.
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Objectives and Pupose |
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1) Pass out
the syllabus for the next three weeks, and explain what the unit will be like.
2) Read the article titled, Comparison between and rough draft and a proofread
version to the class, telling them how I wrote the papers.
3) Tell them how many facts are in each article, showing how I can condense
facts.
4) Present information (off the top of my head) on what they might want to do
their papers on.
5) Get into a class circle to discuss what we want to write our research papers
on. |
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Input - In this unit, the students
will learn how to |
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1) Efficiently and effectively take facts from the source.
2) Stresslessly put facts coherently on a rough draft paper.
3) Proofread papers so they are coherent and have good arguments.
4) Describe what the different parts of speech are.
5) Describe what the different parts of the sentence are.
6) Describe the different types of sentences are.
7) Describe and identify what a well composed paper is. |
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Modeling |
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1) Read some of my condensed
articles, and explain how I made them.
2) Read some other articles that have more side comments in them.
3) Explain that they can be as subjective or objective as they want.
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Checking for Understanding - In the
group discussion, I will learn what the kids are interested in, and what I can
do to increase their motivation.
Guided Practice - When I present information
on possible research subjects, and ask individuals what they want to write about,
I will challenging their memories and desires.
Independant Practice - 1) Collect
at least five different sources on their subject.
2) Write one page on their topic. |
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Key Questions/Discussion Lesson Plan Format |
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Topic - Research paper.
Objectives - Decide what kids are interested in.
Set Induction - I will read some research editorials of mine, and explain the
process I used to write them.
Procedure for Discussion -
1) Talk about my papers and interests.
2) Present possible research topics.
3) Stress that papers should be subjective, because they will be more enjoyable
to write, but they don't have to be.
4) Then I will ask if any student wants to share what they want to write their
papers on.
5) Then I will call on specific kids to share what they want to work on.
Key Questions - 1) ''Armondo, you are interested in bike racing. You should
think about doing your research paper on the history of bike racing, and write
what the present proper training techniques are, and how they came to this knowledge'.
A) Possible Answers - 'Wow! Totally Mr. Pounds! Gee, thanks a lot!'
2) 'Jennifer, you are always complaining about the government, you should do
you paper on how to improve it, and why it isn't working. You don't have to
be too specific, just have 55 facts in it. You could start out by reading books
you are interested in already, that have political information in them'.
B) 'Pss! You think I'm a dumb ass huh?! I'll do my paper on whatever I want
to!'
3) 'Do you all like my unit? If not, please tell me how you would like to see
it differently'.
C) 'There is too much homework! We're too young for this; just give us a test
once a week'.
Conclusions - I will hopefully conclude that the class is very intelligent, and
wants to learn about interesting things, and a wide range of topics.
Closure - 1) Repeat what the assignment is.
2) Stress that they may write about what ever they want to, and I won't grade
them on quality, just on if they do their best.
Evaluation - From the discussion, I will decide what I expect from the class,
and who I need to watch out for.
Comparison Between Rough and Final Drafts
Rought Draft |
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Day 2 |
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* Using my own lesson plan format consisting of:
1) First thing to do.
2) Lesson.
3) In class work.
4) Checking for understanding.
5) Homework.
First -
1) Have them hold up their one page introductions to their subjects,
and their five sources.
1) Explain what composition is, and pass out the hand outs titled, composition,
and Examples of good and bad composition.
2) On the overhead, display the article titled straw bail houses, and explain
the composition map on it.
In Class Work - Students practice labeling composition on their papers.
Checking for Understanding - On the overhead, show examples of poorly written
paragraphs with bad introduction and conclusion sentences, opposed to good ones.
Call on students who aren't paying attention to explain to the class which compositions
are better.
Homework
Students - Label these things on their one page introductions:
1) Introduction
sentence.
2) Introduction paragraph.
3) All facts and opinions.
4) At least
one linking expression.
5) Conclusion paragraph, and conclusion sentence.
Teacher- 1) Make appropriate changes to prepare for the rest of the unit.
Examples of Good and Bad Composition
Bad Introduction Sentence
Good Introduction Sentence
Bad Conclusion Sentence
Good Conclusion Sentence
Poorly Structured Paragraph
Well Structured Paragraph
Composition
Composition - The whole written piece which consists of an introduction, a body,
and a conclusion.
Introduction- Arouses the reader's interests and states the main idea of the
composition. It is very general, and introduces the points that will be brought
up later.
Conclusion sentence (linking expressions) - The last sentence in a paragraph
that relates it to the next one.
Paragraph - A series of sentences developing one topic.
Topic sentence - States the topic of the paragraph.
* Every sentence in the paragraph should be related to the topic of the paragraph.
* Develop the paragraph by giving details and examples.
* Arrange the paragraph in order of importance.
Transitional devices- Words that connect ideas between sentences. Examples-
Accordingly, first, next, meanwhile, yet, finally, later, etc..
Composition map for
* Using my own lesson plan format consisting of:
1) First thing to do.
2) Lesson.
3) In class work.
4) Checking for understanding.
5) Homework.
First -
1) Have them hold up their one page introductions to their subjects,
and their five sources.
1) Explain what composition is, and pass out the hand outs titled, composition,
and Examples of good and bad composition.
2) On the overhead, display the article titled straw bail houses, and explain
the composition map on it.
In Class Work - Students practice labeling composition on their papers.
Checking for Understanding - On the overhead, show examples of poorly written
paragraphs with bad introduction and conclusion sentences, opposed to good ones.
Call on students who aren't paying attention to explain to the class which compositions
are better.
Homework
Students - Label these things on their one page introductions:
1) Introduction
sentence.
2) Introduction paragraph.
3) All facts and opinions.
4) At least
one linking expression.
5) Conclusion paragraph, and conclusion sentence.
Teacher- 1) Make appropriate changes to prepare for the rest of the unit.
Examples of Good and Bad Composition
Bad Introduction Sentence
Good Introduction Sentence
Bad Conclusion Sentence
Good Conclusion Sentence
Poorly Structured Paragraph
Well Structured Paragraph
Composition
Composition - The whole written piece which consists of an introduction, a body,
and a conclusion.
Introduction- Arouses the reader's interests and states the main idea of the
composition. It is very general, and introduces the points that will be brought
up later.
Conclusion sentence (linking expressions) - The last sentence in a paragraph
that relates it to the next one.
Paragraph - A series of sentences developing one topic.
Topic sentence - States the topic of the paragraph.
* Every sentence in the paragraph should be related to the topic of the paragraph.
* Develop the paragraph by giving details and examples.
* Arrange the paragraph in order of importance.
Transitional devices- Words that connect ideas between sentences. Examples-
Accordingly, first, next, meanwhile, yet, finally, later, etc..
Composition map for |
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Day 3 |
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First - 1) Collect their mapped composition one page introductions on their subjects.
Lesson - Sentence structure and mechanics.
1) Pass out the hand out titled, Mechanics, and explain what mechanics are.
2) On the overhead show the article titled, Durango could be better, and explain
its mechanics mapping.
In Class Work - Have the students map the mechanics of their introductions, or
start reading on the material for their research papers. I will walk around
helping students out.
Checking for Understanding - Call on uninterested students to identify certain
words that are not identified in the mapped article on the overhead.
Homework -
Students- 1) Write another page in their papers (sighting the facts),
and map the mechanics in them.
Me- Proofread the composition mapped papers.
Mechanics
Abbreviations - Mr., Mrs., Ms., Dr., Jr., and Sr., are only used with names.
Do not write: We need to go to the Dr.
Numbers
1) Numbers of more than two words should be written in numerals, not
words: 13 vs. thirty three.
2) If you are listing several numbers, write them all the same way: ...353 birds,
4 dogs, 74 mice, etc..
3) Always spell out a number that begins a sentence: Thee people were there.
Capitalization
a) Capitalize names: John, Turkey, gulch, etc..
b) The first letter in a sentence is capitalized.
c) Capitalize letters by themselves. Example- I and O .
d) Capitalize proper nouns and proper adjectives- Names of: Products, people,
books, etc..
e) Capitalize proper nouns and proper adjectives- Names of: Products, people,
books, etc..
f) Capitalize proper adjectives- Shakespearean play, Greek poetry, King John.
g) Capitalize titles: Principle, Senator, etc..
Commas
Separate the idea, so it flows better and makes more sense.
Specifically use them to:
1) Separate items in a series.
2) Separate two or more adjectives preceding a noun: That is a rough, narrow,
dangerous road.
3) To join clauses using and, but, or, nor, for, and yet. Example: John grabbed
the apple, and ate it.
4) To set off nonessential clauses and participle phrases: Deborah, who likes
to read, will be in the library.
5) After certain introductory elements: No, I don't need that.
6) To separate items in dates and addresses: I left Durango, Colorado, on Friday,
May 1, 1996.
* Don't overuse commas: John, went to, the store, and bought, some apples.
Semicolons
1) Are used between independent clauses in a sentence if they are
not joined by and, but, or, nor, for, and yet.
Example: Bill likes cookies, but Sue likes crackers. Or- Bill likes cookies;
Sue likes crackers.
2) Are used between independent clauses joined by such words as: For example,
for instance, that is, besides, accordingly, moreover, nevertheless, furthermore,,
otherwise, therefore, however, consequently, instead, and hence. For example-
I didn't go to the movies; instead, I worked on my project.
3) Are sometimes used to separate independent clauses to keep the comma from
being overused: She will invite Irene, Beth, and Eunice; Graham will ask Leslie
and Val.
4) Are used between items in a series if the items contain commas. For example-
The examinations will be held on wednesday, June 26; Thursday, June 27; and Friday,
June 28.
Parenthesis- To add information to the sentence, but not of crucial importance;
usually added to clarify the statement: During the middle ages (from about
A.D. 500 to A.D. 1500 ), Muslims and Vikings invaded Europe.
Hyphens- Are used: a) To divide a word at the end of the page.
b) With compound numbers like fractions: Two-thirds.
c)
With the prefixes and suffixes like: ex-, self-, all-, and -elect: Ex-wife,
all-star, self-confident.
Periods- A complete statement that expresses a complete thought is followed
by a period: Jill pet Bowser.
Colons- 1) Note what follows. For example- We need the following things: shoe
laces, sunscreen, gloves, and socks.
2) Are used for these conventional situations- 7:30 A.M., Dear Sir:
Italics and underlining
These two grammatical tools are
used interchangeably for the same purposes. 1) For titles of books, plays, movies,
organizations, periodicals, and so on.
2) For foreign words. For example- I lost my keys also, se la vie.
Quotation marks- Are people's exact words. They always start with a capital
letter, except when they are a continuation of the same quote. For example-
'I think so,'she said, 'but Hardy must have been there also'.
* Quotes are always separated from the rest of the sentence on both sides by
at least a comma. For example- 'I don't know what to do', said Bart.
1) Use single quotation marks to enclose a quotation within a quotation. For
example- Ralph said, 'Lily told be to, 'bug off,,'that is when I took my book
back'.
2) Are used to enclose titles of articles, short stories, poems, songs, chapters,
and other parts of books or periodicals. For example- Have you heard Bob Marley's
song, 'Could you be loved'?
Apostrophes- 1) Are used to show possession. For example- That is the dog's
bone.
* When the possession is plural, it goes after the S. For example- Those are
the dog's bones.
2) Are used where letters or numbers have been omitted. For example- Is not
, vs. it isn't, will not vs. won't.
3) Are used to form the plural of letters, numbers, signs, and words referred
to as words. For examples- The word mississippi has four S's. Leather was in
style in the 70's.
* Abbreviations take on a life of their own, and get their own name. For example-
USA, NAFTA.
Mechanics Map For
First - Collect their mechanics labeled introductions, and turn their proofread
composition mapped papers back.
Objectives - I will give a presentation on how to do a research paper. Students
will learn these techniques: 1) Read the material, and mark the interesting
places on the outside of the paper. This works better than highlighting be
`cause you don't have to stop reading.
2) It is important to enjoy reading the information, and not try to pick out
facts that don't interest you.
* %100 of them will be interested in the topic they choose.
Materials - 1) Show the students examples of the various stages of research papers
that I have done.
Special Arrangements - None.
Individual modifications - If I have a specific student in mind, I will give
the presentation geared towards him/her.
Introduction/Anticipatory Set - Explain that it is important to be able to do
research papers for these reasons: 1) It is important to be able to do research
papers for these reasons: 1) It is good to know how to collect facts and present
them in a relevant, coherent fashion. This skill will help you in an argument
you might have with anyone, or if you want to convince someone of something.
People don't use facts enough in arguments.
2) Reading about a subject, and writing many facts about, engrains the information
in your brain forever.
3) Noting interesting facts you are reading, teaches you to remember facts
as you read them.
4) You know more solidly about the subject when you know what the facts are,
so you know its relation to other things.
Sequence of Learning Activities - 1) I will give my presentation on how to do
a research paper as shown in the objectives.
Pre-test - 1) Ask students who feel uncomfortable about doing a research paper
to raise their hands, or talk to me after class.
a) Analyzing problem- I will ask them why they feel that way.
b) Breaking the problem down, and assessing each part- I will explain why they
don't have to worry, and give them more techniques.
Closure (connecting all parts together and providing transition between this
lesson and others) - Recommend a series of steps to include facts in research
papers:
1) Read the material and get the facts down.
2) Write the paper off
the top of your head.
3) Incorporate the facts into the paper.
4) Proofread
the paper to make it coherent.
* Doing it in steps takes all of the overwhelming feelings away. Do everything
in steps.
Assigment - Get 20 facts about their topic.
Post-Instructional (informal)
Evaluation of Student Learning - They will have
time at the end of the period to work on their facts. I will walk around the
room helping troubled students out.
Evaluation of the Lesson - I will evaluate the lesson by judging if I need more
material to present, or if I need to give them more in class time for me to
monitor them. |
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Day 5 (Sample Mastery Learning Lesson
Plan) |
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First - Collect their mechanics mapped papers.
Anticipatory Set - 1) On the overhead, show a poorly written rough draft, then
show a proofread version of it. Explain the proofreading process.
Objective -
1) Explain most of the mistakes that students make, but say that
grammar and clarity isn't important in rough drafts, only getting their thoughts
down.
2) Explain the benefits of knowing the parts of speech and parts of the sentence,
and pass out the hand out titled, Why we need to know the parts of speech and
parts of the sentence.
3) a) Explain what the parts of the sentence are. b) Pass out the hand out titled,
The parts of the sentence.
4) On the overhead, explain the parts of speech and the parts of the sentence
diagram in the articles titled, ?
Materials - 1) The hands outs titled, Why we need to know the parts of speech,
and the parts of the sentence, and the overhead titled, No house for me!
Objective Sharing - 1) Ask the class if anyone thinks that it is useless to know
the parts of speech and the parts of the sentence, and why. Then we will have
an objective sharing session on whether the students think knowing these things
is useless or not.
Input/Modeling - 1) The class will break up into groups of three who I choose
to begin labeling their papers. I will travel around the classroom helping students
who need it.
Checking for Understanding - 1) In the group discussion on the usefulness of
knowing the parts of speech and parts of the sentence.
2) Traveling around the room helping confused students.
Guided Practice - 1) On the overhead, show a poorly written rough draft; showing
them how the order of the parts of speech and parts of the sentence is messed
up. When I contrast it with the proofread final copy, and label the order of
the parts of speech, they will know how proper grammatical pattern and coherence
relate.
2) Label the parts of speech and the parts of the sentence in an essay on the overhead,
to show how easy it is when you know what they are.
3) Break them up into groups of two who I choose to label the parts of speech
and the parts of the sentence.
Independant Practice - 1) Add 20 facts to their papers, and label all the parts
of speech and parts of the sentence in the new addition.
Evaluation -
1) The homework.
2) Traveling around the room helping them out.
3) The classroom discussion on the validity on knowing the parts of speech and
parts of the sentence.
Why we Need to Know the Parts of Speech and Parts of the Sentence
The parts of speech and of the sentence are important aspects of the study of
grammar. Other aspects of grammar are the phrase, and the clause, which we will
study later. Grammar is the map of how our language fits together to work. By
being able to describe the purpose, usage, and rules of all the parts of English,
we will be able to use them correctly and consistently in our writing. For example,
if we know the rule, 'subjects and verbs agree,'than we will have more of a
chance to remember to make the verbs plural if the subject is plural.
It is important to know how to write correctly for job applications and other
soliciting purposes we have throughout our lives. It is equally important to
know how to speak proper English, so we can impress people to get what we want.
The more people who speak proper English, the more beneficially homogeneous
our culture would be, helping to eliminate common biases and misunderstandings.
Stylistic, and personality differences are good, but they should be eliminated
in our language, so there are no misunderstandings. There is nothing more important
than clarity in communication.
The Parts of a Sentence
Sentences - Are groups of words expressing a complete thought; having a subject
and a predicate. For example- John called Jill.
Subjects - Are the parts about which something is being said.
Predicates - Are the parts of the sentence which say something about the subject.
Simple Predicate - Is a verb. The predicate with many words is a complete predicate.
For example- See Gulls were flying around the pier.
--- The subject of a verb is never a prepositional phrase ---
Compound Subjects - Are two or more subjects connected by a conjunction, and
have the same verb: John and Susie went to the store.
Compound Verbs - Are two or more verbs joined by a conjunction having the same
subject: Bob walked and sang all the way to the river.
Complements - Are complete meanings begun by the subject and the verb: Those
clothes look clean. I said that. He was in the house.
Subject Complements - Are nouns, pronouns, or adjectives that follow a linking
verb, and describe or explain the simple subject: The dog became tired. The
food turned rotten. Pooh's real name is Rick.
Predicate Nominatives - Are a kind of subject complement that explains or identifies
the subject in the sentence: A spider is an arachnid.
Predicate Adjectives - Are another kind of subject complement that modify the
subject in the sentence: That soil looks dry.
Direct Objects - Are nouns or pronouns that receive the action of the verb or
show the result of the action. They answer the question, 'what?'or, 'Whom?'after
the action verb: Bob kissed Spike after he pooped in the kitty litter. He painted
his car.
Indirect Objects - Are the nouns or pronouns that precede the direct objects,
and usually tell 'to whom', 'for whom', 'to what', or 'for what', the action
verbs are done: Lisa mailed a letter to John.
Parts of the Phrase
Prepositional phrase - A group of words beginning with a preposition and ending
in either a noun or a pronoun.
Example: Next to the river.
Phrase - A group of related words that is used as a single part of speech and
does not contain both a verb and a noun.
Verb phrase - A phrase that has a verb in it.
Example: ...has been sitting...
Prepositional phrase - A phrase with a preposition in it.
Example: ...about
you and me...
Participle - A verb form used as an adjective.
Example: Running through the river,
scruffy made many splashes.
Participle phrase - Consists of a participle and its related words.
Example:
Outwitting the hounds, the fox easily escaped.
Gerund - A verb ending in -ing, which makes it a noun.
Example: Walking is good
exercise.
Parts of Speech Map For
The Eight Parts of Speech
Nouns - Are the: Person, place, thing, or idea.
1) Person- Joe.
2) Place- Alaska.
3) Thing- Poem, pencil.
4) Idea- Strength, obedience, freedom.
Pronouns - Are used in place nouns.
Example- I bought it and rode it.
Personal pronouns - These have to do with people: I. my, mine, me, we, our, ours,
us, you, yours, he, his, him, she, her, hers, it, its, they, their, theirs,
them.
Reflexive personal pronouns - These
have -self, or, -selves attached.
Relative pronouns - They relate the adjective and the subject: Who? Whom? Whose?
Which? What?
Demonstrative pronouns - Are used to point out a specific person or thing: This,
that, these, those.
Indefinite pronouns - Are not definite or specific in what they are pointing
out: All, another, any, anybody, anyone, anything, both, each, either, everybody,
everyone, everything, few, many, more, most, much, neither, nobody, none, no
one, one, other, several, some, somebody, someone.
Adjectives - Modify the nouns and pronouns. There are thousands upon thousands
of adjectives in the English language.
The wise woman. The three girls. This week. The table leg. The sunday dinner.
Verbs - Are known as the action, or state of being words.
Action verbs - Tell what the subject is doing, seen or unseen: Do, come, go,
write, believe, remember, know, think, understand.
Linking verbs - Are the state of being verbs. They form the verb be:
be shall be should be
being will be would be
am has been can be
is have been could be
are had been should
have been to be will be
was shall have been would have been
been
were will have been could have been
Appear, become, feel, grow, look, remain, seem, smell, sound, stay, taste, and
turn, among others.
Helping verbs - Are the linking verbs in verb phrases. A verb phrase are two
verbs acting as one, the helping verb is underlined.
Example: ...was running.
Verb phrase - Is two or more verbs: Is leaving, may become, might have remained.
Adverbs - Modify the verbs, adjectives or other verbs.
Modifying verbs - I move forward, I barely moved. I might go.
Modifying adjectives - Ruth is usually a good skier.
Modifying other adverbs - Pooh is almost always there.
Prepositions - Show the relationship, or connection of a noun or a pronoun to
some other word in the sentence: I walked around the house.
Simple prepositions - Aboard, about, above, across, after, against, along, among,
around, at, before, behind, below, beneath, beside, besides, between, beyond,
but (as except), by, concerning, down, during, except, for, from, in,inside,
into, like near, of, off, on, out, over, past, since, through, throughout, till,
to, toward, under, underneath, until, up, upon, within, without.
Compound prepositions - Have more than one word: According to, as of, aside from,
because of, by means of, in addition to, in front of, in place of, in spite of,
instead of, next to, on account of, out of, owing to, prior to.
Prepositional phrase - Are prepositions with a noun or pronoun. For example-
In front of John.
Conjunctions - Join words or groups of words.
Coordinating conjunctions - And, but, or, nor, for, yet.
Correlative conjunctions - Are used for connecting pairs, and making comparisons.
For examples- Both...and. Not only...but also. Either...or. Neither...nor. Whether...or.
Correlative conjunctions - Are used for connecting pairs, and making comparisons.
For examples- Both...and. Not only...but also. Either...or. Neither...nor. Whether...or.
Subordinating conjunctions - They introduce adverb clauses: After, although,
as, as if, as long as, as soon as, because, before, if, in order that, since,
so that, then, though, unless, until, when, whenever, where, wherever, while.
Interjections - Are exclamatory words that express emotion, and have no relation
to the rest of the sentence: Ugh! Terrific! Wow! And, Well, oh, among others.
--- What part of speech a word is depends on how it is used --- |
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Day 6 (From now on, my own format) |
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First -
1) Collect the labeled Parts of speech, and parts of the sentence in
their Introductions.
2) Return their 20 proofread facts.
Discussion on facts in reseach papers
a) Pass out the hand out titled, Inclusion of facts in research papers.
b) Read and explain the articles that have all subjectivity and no objectivity,
all objectivity and no subjectivity. Ask the class how they feel about it.
c) Read a one page article filled with facts but no subjectivity. Ask the class
what they think about it.
d) Read a one page article filled with facts and no subjectivity. Ask the class
what they think about it.
2) I will explain how a lot of news stories are biased, and read an article
explaining it's bias. I will tell how it could have been written in another
way to support another bias. (Show two differently slanted articles on the same
thing).
3) Explain how I collect facts and put them on paper.
a) Show actual samples of stages of my own research papers.
b) Pass out the handout titled Stages in fact gathering.
4) Tell them to cite what book and what page they got each fact from. So people
reading your paper know where to refer for similar information, and so people
know that you are confident that you are stating an actual fact.
5) Stress that facts can be anything they read about the subject that interests
them. NO need to stress.
6) The rest of the day the class will be in groups of two who they choose, gathering
their own facts.
Homework
Students- Add the last 15 facts to their papers.
Me- Proofread the parts of speech and parts of the sentence in their papers.
One page of all subjectivity and not facts
Hide Nothing!
This country has so many problems because we don't communicate. One of
the reasons that we don't communicate is because we all write each other
off as lunies and decide not to talk to them; we aren't interested in
each other. This is a side affect of having a one-sided consciousness, only caring
about one sort of thing, for example: People who stay in cities and work all
the time, as apposed to outdoors hermits who never work. Or monks apposed to
politicians. These vast differences in lifestyle is natural and not to be condemned,
but thinking that you way is the best and other people should be like you, is
when polarized (one sided) consciousness becomes harmful. Like certain people
preaching their views to others, and ignoring the common denominator between
them and others, as if other views aren't worth note. Or people who think
getting a computer job for %45,000 is a smarter thing to do than dropping out
of school and being a ski bum, outdoors guide, world bicycle traveler; because
they are too emersed in the financial gain and 'security' (which
really means addiction to warmth, caffeine, sugar, television, clean clothes,
a bed, warm showers, etc..), and laziness. This 'ethnocentrism'
forms barricades because of their disinterest in learning and addiction to control.
This polarized-ethnocentrism is the cause of the environmental, and foreign
relations problems of our country, and our own interpersonal problems.
So we all must be interested in each other, and everything else in the world.
One of the signs that we aren't communicating is that we put each other
down without saying why. For example: The militia movement saying they are arming
up because they don't trust the government, but not explaining why. Another
way communication blocking hurts people is their false security in secrets,
like when people who are suppressed, like marijuana smokers being afraid to admit
it to the public, as if they are going to be suppressed.
All facts and no opinions
Stages in fact gathering
1) Read the material, and mark with
a pen on the edge of the page (so you can see the mark as you thumb through
the pages) the interesting facts that you find. This is better than using a
high lighter because you don't have to stop reading to note the fact.
Do this with all of your sources, until you have enough of the kind of facts
that you want. Make sure that your sources will give you well rounded information.
Look at your facts as if you are trying to convince your audience as much as
you can that what you are saying is true.
2) When you are done with reading your sources. a) Flip back through your sources
and wright down all the exact quotes from the places that you marked.
b) Be sure so include the page number, and source that the quote came from.
Inclusion of facts in research papers
Start by writing the introduction to your paper. The introduction is basically
a preview to everything that will be in your paper, so start out general. Imagine
an inverted pyramid. As you progress through the paper, clarify each major point
more and more by using supporting facts.
Steps
1) As you write your paper, you will remember facts that you recall writing
down to include. As you include facts, mark them off of an extra fact sheet.
2) Continue writing the paper, using facts that you can remember off of the
top of your head.
3) Try to finish the paper with a conclusion that ties all the parts of your
paper together, and leave the reader with a sense of how your topic relates
to the rest of the world.
4) After you finish your 'rough-rough draft', regard on your list
of facts which ones you need to include.
5) Re-read your paper, and write the number of the facts that would most appropriately
be placed in certain places. If you still have facts that you don't know
where to put, don't worry, just save it for later.
6) Include the facts into your paper, with appropriate introduction and conclusion
sentences.
7) Re-read the paper and find places to put any remaining facts that haven't
been put in the context of the paper.
Voila! Now you are done with your ´Rough Draft´. |
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Day 7 |
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First - 1) Return their proofread parts of speech.
2) Collect their papers with the last 15 facts.
Discussion on Sentences
1) Pass out the hand outs titled, About sentences, and Types of sentence fragments,
and explain them.
2) On the overhead, show the article titled, Change the paradigm!, and show
the different types of sentences that are on it.
3) Read examples of incorrect sentences in their introductions.
4) I will explain common mistakes in parts of speech labeling.
In class work - In groups of two who I choose, they will find, label, and fix
all the sentence fragments in the first 1/3 of the other persons paper. Walk
around and help them.
Homework - Finish class work for tomorrow.
About sentences
Declarative - Makes a statement without expecting a reply, which is what most
sentences are. Example: John went to the barbecue
Imperative - Gives a command or makes a request.
Examples: Will you take the dog out? Or: Take the dog out!
Interrogative - Asks a question. Example: What is your name?
Exclamatory - Expresses a strong feeling.
Examples: 'Oh, my!' 'How time flies!' 'What
a day!' 'Gosh!'
1) Sentence fragment - A separated sentence part that does not express a complete
thought.
Example: Leaving Susie there at the corner, should be: We left Susie at the
corner.
Types of sentence fragments
a) Subordinate clause - Only part of a complete clause that has a whole meaning.
Example: Although Joe made seven dollars that day. Should be: Although Joe made
seven dollars that day, he wasn't able to go to the show.
b) Verbal phrase - A phrase with a verb in it, but not meaning anything by itself.
Example: Kicking the ball. Should be: Kicking the ball, Omar fell in the mud.
c) Appositive phrase - An appositive is a word which means the same thing as
the noun or pronoun it follows. An appositive phrase is a phrase with an appositive
in it, which doesn't mean anything by itself.
Example: The assembly line
was invented by Henry Ford. Who started the Ford motor company, Should be: The
assembly line was invented by Henry Ford, who started the Ford motor company.
The run-on sentence - Consists of two or more sentences separated only by a comma
or by no mark of punctuation. Example- Josh kicked the ball to Jeff he didn't
even see me! Should be: Josh kicked the ball to Jeff. He didn't even
see me! |
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Day 8 |
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First - 1) Collect the proofread first third of their papers.
In class work - 1) They will get into groups of two who they choose, to proofread
the rest of each others papers.
Checking for understanding - Traveling around helping them out.
Closing - I will pass out alerts to students who have catch up homework to do.
Homework - For them- Finish proofreading their papers, due the next day. |
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Day 9 |
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First -
1) Return the proofread first third of their papers.
2) Collect the rest of their proofread papers.
In class work - 1) Today will be a make up day for students who are behind.
2) The rest of the class will learn about Educational Kinestheology in groups
of three who I choose.
Educational Kinestheology
1) I will explain what Educational Kinestheology is, and pass out the hand out
titled, Educational kinestheology.
2) In a class circle we will all do the five exorcizes labeled in the hand out.
3) They will break up into groups of two who I choose to use muscle testing
to fill out the hand out titled, E.K. worksheet.
4) After the students finish the worksheet and turn it in, we will have a bucket-rope
tug of war tournaments. I strongly suggest doing E.K. exorcises to prepare for
it.
Homework - For the students- Catch up day.
Me - Proofread their final papers.
Educational Kinestheology
These exercises will help you integrate your multiple intelligences by integrating
the left and right side of your brain and body. By doing exercises to physically
cross the mid-line of your body helps connect all the aspects of our being.
These exercises will help you access information in your brain that is sometimes
hard to 'pull out of the files'. They will also help you be more creative and
organized by opening both sides of your brain.
We all have energy flowing through our bodies called 'Chi'or 'Kundalhini'. When
we feel good we have a high level of Chi, meaning the energy running up through
out bodies is in good force, holding us upright and keeping us strong. When
we don't feel good we have a low level of Chi. Do you remember feeling when
you are 'down'? Your head slumps, and you don't have energy.
It is possible to use your Chi to find out how you feel about things; this is
called 'muscle testing'. Muscle testing is when someone thinks about something
and holding their arm parallel to the ground while a friend pushes their arm
down. The firmness of their arm determines how much Chi the person has when
they are thinking about something. This shows how good they are feeling about
what they are thinking about.
Educational kinestheologists believe that in order for a person to have good
Chi, the energy running through our body needs to be balanced (integrated).
For example, it is not healthy for someone to be overly dominant in the left
brain, because they will only be able to know how things happen in a logical
way that they can decipher by regarding only what they see in the given time
and context; without being able to use their imagination to regard the outside,
non present (or visible) influences. An overly dominant left brained person
is able to do math very well, but has trouble writing creatively. It is also
not good to be overly dominant in the right brain, because it would be very
difficult to do things like: Stay organized, do math, understand things in a
logical way; however, it would be very easy to do things like: Imagine stories
to wright about,, and do art work.
The exercises in E.K. (Educational Kinestheology) are designed to integrate
the right and left sides of the brain and body, so they work together more efficiently;
consequently strengthening all aspects of the being. Among other things, we
can use muscle testing to find out which exercise would be the most beneficial
to do.
The exorcizes below are some of the most popularly used to integrate people.
Other good things you could do to integrate yourself are: Learn to swim by breathing
both to the right and the left. Become ambidextrous (able to wright with both
right and left hands). Learn to understand why and how people who don't think
the way you do.
E.K. Worksheet
1) Hold your arm out, say you have the color of eyes that you don't, and have
your partner muscle test you. Then tell the truth, and have your partner muscle
test you.
Can you tell the difference in the stiffness of your arm between telling the
truth and lying?
2) Stand in the swan position, tilting your head 90 degrees on it's side, then
on the other side. Note how good your balance is. Then muscle check to decide
which of the five exorcises to do to improve your balance. Do the chosen exercise
for at least a minute. Then stand in the swan position and tilt your head back
and forth again.
Did your balance improve after the exorcise? |
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Day 10 |
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First -
1) I will turn their final proofread papers back.
2) Collect late work.
In class work - We will get into a group circle, and students (who feel comfortable)
will read their research papers to the class, I will read them if they want
me to. We will discuss each paper after it is presented.
Homework - Students- Correct their proofread final papers. |
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Day 11 |
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First - 1) Collect their final proofread papers.
In class work - They will continue sharing their papers to the class.
Evaluation Strategies
How I evaluate this class will be very subjective as to how the class is. Some
classes will probably do a lot more work than others. This extended lesson plan
will be set up to allow any kid to get an A if s/he wants to, because they will
have the chance to re-do every assignment, including the test. The only real
due date is the end of the 15 day unit. I will give full credit to each assignment
turned in. The proofread final will be a separate full credit grade. Students
who can't keep up with the homework could choose to not do certain assignments
and suffer the consequences; however they will be required to take the grammar
test. They will know how may assignments they can skip and still get a passing
grade, because I will pass out the rubric at the beginning of the unit. However,
they are required to take the tests. I will also pass out my extended lesson
plan to any student who wants it.
Rubric
Participation - 1 point a day. 15
points. This includes bringing materials everyday, and doing what you are asked.
Five Books - 5 points.
One page introduction to paper - 5 points.
Re-written one page introduction - 5 points.
55 Facts - 55 points.
Organized 55 facts - 5 points.
Rough draft paper with 55 facts - 55 points.
Final paper - 55 points.
Labeled parts of speech and parts of the sentence in the introduction - 5 points.
Original labbeling of parts of speech in papers - 10 points.
Proofread labeling of parts of speech in papers - 10 points. |
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Syllabus |
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Day 1 |
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1) Introduction.
2) Discussion on research paper topics.
Assignment
1) Collect at least five different sources on you subject.
2) Write a one page introduction to your paper.
Day 2- Talk about how to do a research paper.
Due -
1) One page introduction to paper.
2) Five books on your subject.
Assigment - 1) In your introductions, label the: Introduction sentence, introduction,
paragraph, all the facts and opinions, at least one linking expression, conclusion
paragraph, and conclusion sentence. |
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Day 3 |
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1) I will turn your introductions back.
2) Discussion on clarity in writing.
3) Introduction on parts of speech, and parts of the sentence.
Due - 1) Composition labeled one page rough drafts.
Assigment - 1) Write one more page to your paper, sighting facts, and mark the mechanics
in them. |
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Day 4 |
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1) I will return their homework.
2) Discussion on facts, foot notes, and bibliographies, in research papers.
Due - 1) Page two of your research papers. 2) Fixed introductions.
Assigment - Collect 20 facts on your topic. |
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Day 5 |
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1) I will turn your papers labeled with parts of speech, and parts of
the sentence back. and finished introductions.
2) Discussion on types of sentences.
Due - 1) 20 facts.
Assigment - 1) Add first 20 facts to your paper,, and label all the parts of speech
and part of the sentence in the new addition. |
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Day 6 |
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1) I need for more creative writing and papers rage imagination and creativity
teaching ana black also attention punctuation teachers way that relates about
getting red all over them learn to class size. middle school budget for obviously interaction happen
in the past and present, right decisions in the future. It This, so expect full
respect from won't 'which their explaining and how they are different in each
article, showing how to write coherently on a rough draft Explain Explain Explain
what on possible research subjects be memories their interests AC proper
training techniques'.
you are interested in already me to change it learn about interesting things
that they may write about what I expect from the class- 1) Have them show
me is, and disperse the hand out titled, C Arouses the reader's interest-
1) Collect the maps of their Disperse heir papers sighting the facts verses Horse
like ID proper adjectives - Names of
first 20 facts to your paper, will turn your proofread 20 facts back.
2) Discussion on inclusion of facts on paper.
Due - First 20 facts to your paper.
Assigment - Add last 15 facts to your paper. |
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Day 7 |
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1) I will return your proofread 20 facts.
2) In class work on adding facts to papers.
Due - Last 15 facts to your paper.
Assigment - 1) Label and fix all the sentence fragments in the first third of your
papers. |
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Day 8 |
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1) I will turn your proofread re-written one page introduction back in.
2) In class work on inclusion of facts on paper.
Due - 1) The labeled and fixed sentence fragments in the first third of your
papers.
Assignment - Final proofread papers. |
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Day 9 |
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1) I will return your 55 facts back.
2) In class, group work on writing paper with 15 facts.
Due - Final, proofread papers.
Assignment - Catch up day. |
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Day 10 |
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1) I will return your final 55 organized facts, and your rewritten one
page introduction.
2) In class work on writing paper with 20 more facts.
Due - 1) Next 20 facts.
Assignment - Correct your proofread final papers.
Rules
1) I give full credit for every finished assignment. As long as it is turned
in by the end of the unit.
2) I will proofread every assignment.
3) All homework must be typed, except for the 55 facts which must be legible.
4) All materials (notebook, research books, pens, handouts, etc.) must be brought
to class every day.
will languageconsisting of SUBJECT Is the part PREDICATE Is the part of
the sentence which sayssubject complement that explain or identify of
Example - Back there.of shall have been would have beenE making comparisons.
EParts of the sentence in their iand each other and vice versarink getting a
computer job for $or eir disinterest in learning and habit oftheir false security
in secrets; for example b) Be sure tforgotten as you proceed.3 of the other
persons paper. I will w.Take the dog out.ving Susie there at the corner. Dsinvolving
ingyour how you feely havetheir confidence in what they are thinking about.
their mathematical type of logic that may not have enough relevence to reality
by notsequential about,do art work, and write rock songs.son sides of the brainthink
aneye color Then do the same thing telling the truth.on one leg, tiltto one
the other, and n off when you do this to decide which of the five exe(s)Tfinal
proofreaddependent onpaper will be a separateonly nORIGIONAL LASSG. facts, and
mark the mechanics o foot notes, and bibliographiesparts of the sentence, and
backthe s to your paperstten one page introduction backL1) Return your 55 factsG
Rn your final 55 organized facts
(contract)
Letter to mom
Dear mom, i am here at school and
it is fine. I don't have any moey right now but I have credit on my card so
I am not strarving. I made a girlfriend named Cathy and another freind named
Andy. I hope Bowser is doing good, don't let him eat too many bones. My classes
are good and my teachers arae good, and i like the town here. I will call you
as soon as they hook your phone up.
Final Draft
Dear mom. I made it and am settled
in. I am out of money already because of all the anitial expenses, but have
credit on my school I.D., so I can eat here at the cafeteria. I already have
a girlfreind, Cathy, and another freind named Andy. Give Bowser my best and
don't let him eat too many bones. My classes are interesting, I like
my teachers, and Durango is great. I will call you on Wednesday when your phone
is hooked up. I love you.
I page of all subjectivity and no Michael Pounds
Michael Pounds is very mellow and nice, he likes to hang out with his freinds,
snowboard, skateboard, and generally take it easy.
Michael Pounds was born is Austin,
Texas, on May 22, 1979, to Winston and Larrain Pounds. He has two brothers,
Wyndham and Kyle Pounds, and currently resides in Boulder, Colorado.
Opinions with Facts
I love Amanda so much.
She is the nicest person ever. Whenever she talks to anyone she gives them her
complete and undivided attention. She is beautiful, everywhere she goes people
turn their heads in awe. She is an absolute goddess.
WITH Amanda Peterson is a Swedish girl who is five feet two inches tall, 99
pounds, with sandy hair and green eyes. She enjoys playing volleyball on Sundays
with her team the Vipers. When she graduates from college this spring she is
planning on traveling in Europe.
The most important thing to remember
is to have fun.
When you train for competition, make sure that you don't go too hard
the day before the event.
There are four things you need to do to be a good competitive cyclist:
1) Stretch-
If your muscles are docile, they will be less susceptible to injury because they
can more stress before ripping fibers; and they can process lactic acid more
efficiently.
2) Lift weights and to 30 second intervals- If you aren't powerful
enough to hang with the pack during the sudden speed increases, it doesn't matter
how strong you are because you will have to break wind for yourself and work
%30 harder.
3) Ride a lot of miles- When you have good endurance, not only can
you keep your strength to the end on the long races, but your muscles can recover
from the sprints that happen during the race, you can recover better after hard
days, and you have more confidence.
4) Get plenty of sleep- When your body is
working hard day after day, it needs a lot more time to process the lactic acid
and rebuild muscle fiber.
5) Have a good diet- A hard working body needs many
more nutrients than average to rebuild muscles fibers; and also to keep from
getting sick because constant intense exercise weakens the immune system.
6)
Have fun- The most important thing is to maintain a relaxed attitude. Emotional
stress takes a lot of valuable energy that should be going to recovering the
body after intense exercise.
If you are going to be a good competitive
cyclist than you need to
stretch, lift weights and do intervals, ride a lot of miles, get plenty of sleep,
have a good diet, and be happy. A hard working body needs many more nutrients
than average to rebuild the muscles; and the most important thing is to have
a relaxed attitude, because emotional stress takes too much energy that should
be used for recovery. Plenty of sleep is important because the body needs a
lot more time to recover from intense exercise. You must stretch because limber
muscles can take injury much better and can process lactic acid more efficiently.
WELL susceptible Lift weights and endurance exercise POORLY that should
be used to recover exercise Weights are important because they build valuable
muscle mass to have the power to hang on to the pack. And most importantly miles
are important so that the body may mold into a riding machine.
S ADJ.
Louisa is an intelligent woman. Last weekend she wrote a twenty page paper on Koala bears; something she
didn't know a thing about before. She is also very helpful. Yesterday my battery
was dead when she happened to drive by, and not only me having to directly ask, even though I have never talked to her.
AND MECHANICS Topic sentence Linking express. Subject. Mod Pro V Louisa is a great
woman. She is intelligent; l
Adj. Dir. Object
and I didn't even have to
Conclusion sentence
So I nominate her for the Nicest Person award.GOOD INTRODUCTION Complete sentence.
She a
We should make and make and in a in
their own voices We shin Durango you, and
the term, here is my unit plan- (Madaline Hunter Format) Initially getting your
thoughts on paper you are interested in, so you your the the differences in 6
and interests that papers should be subjectiveHaves paper on how to improve itin
thatonly on their effort
pass , S
Ralph said, ''Lily told be to,
DAY FOUR
a b c d.K. exercises to prepare for it.
S Me- Proofread final papers.
W is the reason most people aren't good writers Communication is the most important
skill to have, and there are many different ways we communicate our thoughts
and feelings: music, art, and literature. Our most powerful communication device
is rock and roll, the combination of music and literature.
Being able to write is important because we need to be able to communicate our
thoughts. We need to communicate our thoughts because we need to understand
each other. We need to be able to clearly convey a point view to somebody who
believes the opposite, without offending them and covering all of your points.
If everybody understood each other the way we are supposed to, than there would
be no more injustice, because nobody is evil.
Everybody needs to find a voice, so they can convey their thoughts through writing.
If you can write, you can make your dreams come true. You could be an active
political person with your letters to the government and people who see the
world in a different way then you do.
Writing should be fun, if it isn't fun than you aren't doing it right. The important
part is getting your thoughts on paper in the first place; once that is done
the rest is modification, which uses a different kind of thinking. Writing should
come as easily as speaking.
After you decide ill paper on, study it and - In this unit, 1) Efficiently
7) Write a well composed paper, wrote and proofread with to the students write
as subjectively as they want to, as long as they speak their mind.
asses on learning about their subject,them to write about.
from what they know off the top of their head for them to choose.
literature of mine and explain the process I know I love to write and how
writing is good for you.
How to teach writing - Rough Draft
How to teach writing - Final Draft
Everybody can be a good writer, all
writing is, is a thorough communication of your thoughts on paper. If you are
a good talker, you can be a good writer.
The average American doesn't value the benefits of writing because they were
never taught the important facts about it. 1) The first step in teaching people
to write is to teach them to get all their thoughts on paper. There are so many
things people have to say about things, but when asked to write them down, they
can't. We need to teach people to get thoughts down on paper in the first place,
then teach them how to proofread it. From an early age children must be taught
to write a whole page on what happened that morning just like they were telling
it to a friend. But to teach kids to do this, we must encourage them to be inhibited,
to read their gibberish and say, 'Oh wow and what happened after 'Johnny drive
car after dog'.
Creativity should always be taught first. I was expected to memorize the alphabet
before I was expected to write. I was never expected to wright very much in
school. In English and History class, big papers came only once or twice per
semester, and the rest of the time we were memorizing things like: Grammar,
vocabulary, geography, dates, names of leaders, etc.. Not to say that these things
aren't important, but learning how to communicate your thoughts is much
more important, and by learning how to formulate a story, the inclusion of grammar
and vocabulary comes much easily. It is useless to learn what the parts of speech
are when you can't even write, because the grammar being taken out of
context seems useless and boring to the students.
Another grave injustice that my teachers have done me is putting red on my paper
subjectively
It is hard to write all of your thoughts down because they come to you at different
times, and it is hard to think about what you are trying to say and put it on
paper at the same time, because.
The best way to make kids good writers is through positive affirmation. Positive
affirmation is getting kids excited about writing, and when you get their papers
back, even when they are almost incomprehensible, you give them an A for effort
and put clarifying corrections on it and comments on how to expand on important
details, without making the kid feel like a bad writer. Then have them rewrite
it, until they have completed a good piece of literature to keep forever.
There
are two important mistakes my educators made:
1) The spectrum of what I could
write about was too narrow. Too often I was asked to write about something that
bored me (Like the Renaissance), so naturally I wasn't interested in doing
a quality job, because it wasn't my job. Not to say the Renaissance isn't a
good subject to write about, but when we are teaching high school students how
to wright, we need to make it as fun for them as possible; they can write about
the Renaissance in college.
2) The way they may write is too narrow. High school
kids need to feel comfortable writing, and knowing they will have a critical
teacher reading their work will only stifle their creativity. They don't need
to know what mistakes they made, they need to know what they did right. To high
school kids, moral is everything.
3) Explain that they can write whatever they want, and the rough draft can be
as rough as you want it.
with the class Atlantis. You should do your paper on Atlantis'.
and what we should do to fix it'.
t the class is very intelligent can and who to give extra attention to clear
and thorough
we were taught how to write in the wrong order make sure they can People have
so much to say it down, they can't because they weren't taught the true flexibility
of our language. taught as easy as uninhibited. We must John follow should be
the priority in teaching writing; I know this from experience. write geography,
dates, names of leaders, and other menial things that didn't spark my imagination.that
these things aren't important, being able to think and communicate for yourself
is much more important. Once you know learning how to distinguish the grammar
and putting new vocabulary words is much easier speeches and did all over my paper
and giving me a bad grade. By rearranging the punctuation and wording on my paper,
they weren't clarifying what I was saying, they just gave me the impression
that I am a bad writer and there is only one way to write. If teachers are
going to help students find their voice, they need to be very diplomatic and
thorough about it, which takes time. Students should be able to comfortably
read their papers in front of the class. Writing is an art that takes skill,
because we write so much slower than we think. The best way to write a
quality paper is to get all of your thoughts down, then organize them in an
organized way. I usually say something in two or three different ways until
I find the right way to phrase it. My creative voice is often different than
my final voice. Here is an example of the stages a typical sentence of mine
goes through:
1) The first thing that must happen is you should put your thoughts
down on paper that are raw and come from the heart.
2) It is important that
you know what you are saying, so get that down first, and organize later.
3)
The ideas are the most important, so get them down first, and then fix it. I
am essentially saying the same thing in each of these three sentences, but I
find the wording of the third the best. I couldn't have found the third
sentence until I wrote the first two. What I did with the first sentence was
to write what I was thinking as if I was telling someone. Then I reworded it
so it got to the point more directly. For some reason, the first sentence I
come up with is passive, because that is the order that my mind works, but it
doesn't make as much sense to convey, so I change it to active. The proofreading
process takes you through the thinking process. By writing your thoughts down,
you see with your eyes exactly what you are trying to say. positive Positive letting
them know only what they did right, helping them expand and clarify what they
are saying by showing interest. When teachers grade their papers incomprehensible we
must give them an A for effort, so the kid doesn't
in teaching me how to write
bored Renaissance motivated to do on the paper paper, it was my teachers Renaissance necessarily
bad write papers on things the subject better be as interesting as possible!
writing styles introduced to me were Students need to realize that there are
a lot of different ways to say things. Comprehension is an important step in
teaching kids how to communicate. So teachers should have comprehension exercises.
Like play a rock song that that is popular and ask them what it is about. Read
literature concerning the same subject and describe to them how the writing
styles are different. so narrow minded who only regards certain writing styles
as acceptable, stifle, write one page on their topic.they like each other.
ever they want and the only grade is for effort.
ones can talk write appreciate
by teaching the mechanics before the creativity.and most important in teaching
people to write able to experience how creativity should be
a priority but more spend any time well when it was mark up the
mistakes in my paper without telling me how the improve on what I was good at.
Teachers must remember not to proofread a students paper to the point where
they feel like it isn't their paper any more. Instead of being critical,
teachers should introduce new writing styles to their students. first two or three
different ways until
Each sentence says essentially the same thing, but the third is worded the best arrived
after It was responsibility ,-more directly The first sentence what is
thinking when I put it down. It isn't as direct the voice is when you
are thinking the most about what you are writing. After you write your thoughts
down, you see what you have said. T
just the steps of writing-they stress they are their thoughts down it should be
easy for kids Therefore,, instead of 'This is gibberish, you say 'John followed
a dog in his car' 'enough more can write With %30 of Americans literate,
we need to focus on the basics more.
mistake made without telling me how doing right, which were the ideas I
had so they feel more at ease
our writing is are phrasing initial very had to write two sentences before
I could arrive at the third. Passive is inefficient so I about what
you are writing. It is only Which their only and showing interest to In grading students
must give them an A for effort paper, it was my teacher's paper teaching
kids how to communicate, we are they are two different pieces of that having
who only regard
As you can see the first and second drafts are a lot different. The first draft
inspired the ideas that are in the second draft.
status quo enjoy We must teach people that t in writing all their thoughts on
paper. why so we shouldn't be over critical of the style they adopt just
, Facts 4) Opinions. least one linking expression. 6) Conclusion paragraph. 7) C so we we all
in the world.
We all must our communicating voice, what kind of things we tend to think of,
what we believe, what we have to say. The best way to find this is like to read
and because you will know the world and how to move through it an active political
person with, or just write about issues Having kids write on things
they don't want is murder to their inner writer. only thing that is important
first place, just Teachers should have a more active role in kids papers. Too
often kids turn in half-ass papers, the teacher puts red all over them and a
grade and gives them back and that's that. Teachers need to proofread their papers,
have them rewrite them, get proofread again and rewritten again. These extensive
research papers are far more important than math, shop, home etc.., and grammar
classes.
Syllabus for the next three weeks the proofreading process.
3) Explain the organization of the papers; where the facts and opinions are,
how sentences relate to each other. take - 1) The hand |
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Middlemarch 9 |
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I learned a lot about victorian England
by reading Middlemarch. It was a small town where all the upper class people
knew each other. It reminded me that the upper class and lower class really
lived apart from each other. The rich people lived in a really inefficient way;
in big houses with a lot of furniture and servants, when they could have taken
care of themselves. Their houses where huge. George Eliot did a brilliant job
connecting all of these characters together into a huge book; showing how societies
work and the injustices that happen, making us think about how a group of people
should work like.
Tertius Lidgate was the perfect example
of this. He came to Middlemarch because he wanted to bring a revolutionary hospital
there and make Middlemarch a cultural center with a university. All of the citizens
knew that what he was doing was good, but the only person who helped him financially
was Nick Bolstrowd, and that was only because Tertius ran the hospital for free
and the way Nick wanted him to, and Nick needed friends. When Tertius ran into
financial problems because of his working for free nobody cared to loan him
a thousand pounds; as is they didn't really care about the hospital.
This was a very ironic thing to happen to the Dr., seeing how he was such a
selfish person. His wife Rosamond had him in a sticky situation also, because
she was so concerned about what other people thought about her and had to either
live in their big house or else go to another town altogether. Like when she
said, 'It is so hard to live here with disrespect from the people'.
Another character who suffered a lot
of ironic pains was Dorothea Brook, later to become Mrs. Cassabaum. She was
the perfect example of a well meaning woman who can't be as affective to society
as she should because she lives in a man's world. Being raised a woman, she
wasn't exposed to the same education as she would have if she was a man, so
she was ignorant enough and enculturated not to have a 'go get em' type of attitude.
She knew she wanted to know more, so she married the older and very well educated
Mr. Cassabaum. His life's work was to write the 'Key to all Mythologies', in
which he studied day and night on all the Mediterranean mythologies, to relate
them into a cohesive unit that show us what our basic beliefs about the world
are. From a distance, he seemed like a very wise man who would do humanity a
lot of good. But as Dorothy got to know him, she could see how he was a coward
who could only study and couldn't formulate anything. And he wouldn't accept
the truth from anybody. This is very illustrative of the author's views about
the excessive study of history without any creative view of the future; which
was a real issue in the victorian age; the battle between he young visionaries
and the old sticklers to the old way. Will Ladislaw's relationship with Mr.
Cassabaum showed this brilliantly. Cassabaum accused Ladislaw of being too
scattered and not having enough focus, when it was really him. Ladislaw seemed
to be the only one who really understood why Cassabaum's work was all in vain,
because the German's had already integrated the European world's mythical systems.
When he told Dorothea this, 'The focus of interest has moves on Dorothea'',
she couldn't accept that this was true, and didn't believe Will.
The relationship of the old school of thinking not wanting to accept the new
way was shown Mr. Cassabaum's will stating that Dorothea didn't
get his estate if she married Will.
Will Ladislaw was the classical leader
of the new movement towards justice. He convinced intelligent but slightly confused
Mr. Brook that the poor people deserved the vote, and was a very good public
speaker. The author did a good job showing how new thought forms take control
with characters like Ladislaw coming into the picture of things. Starting out
as a nomadic artist my sponsorship from a rich relative, and then finding his
voice by seeing the situation of the world through young eyes. It was good that
George Elliot put him into parliament, showing a success of progression.
Nick Bolstrowd was also a brilliantly
formulated character, showing the authors views of the old way of thinking.
He was a dedicated Christian with obscure religious views who never really did
a whole lot of actual good for society except donate some of his money to Dr.
Lidgate's hospital. It must have been fairly avant guard for a Victorian
writer to write a book that had a religious person embezzle money. I would have
thought that religious people would have had more respect. Mrs. Elliot did a
good job at humanizing him by having him give his estate to Fred Lindsey and
Amy Garth, after Amy's father Kaleb Garth wrote him off as a business
partner.
The main theme in this story for
me was the relationship between the sexes. They showed consistent personality
traits. The women were always (except for Tertius once) the ones who cried.
Many times about relatively minor things; like Rosamond crying because Tertius
was leaving and she thought they weren't ever going to marry, and Dorothea when
she thought she saw Will and Rosamond kissing. The men were always the ones
who got sarcastic and showed anger first in an argument. Like when Tertius said
to Rosimond, 'Maybe you should wait longer, then I will get my neck broken and
solve all you problems'. Also all the times Mr. Cassabaum got angry with Dorothea
because she was just trying to persuade him to get going on his book.
Another thing I learned about Victorian
England was how much money meant to them. I wasn't fully aware that as a rule
poor men and women aren't supposed to marry each other, at least from the upper
class way of looking at things. I chose Middlemarch because I heard it was about
the plight of women, so I thought it wouldn't be focused as much on the upper
class male way of looking at things. But even this book didn't focus very much
on the lower classes. There were three good scenes concerning the lower class.
For example, the time Mr. Brook went to one of his poor tenants homes and told
him to reprimand his son for poaching on his land, and ended up getting reprimanded
himself because he charges too much for rent and shouldn't be hogging the hunting
grounds. The most amusing scene was when Mr. Brook gave his ridiculous speech
to the commoners who didn't like him on his nomination to parliament and got
ridiculed, laughed at, and had food thrown at him, because they all knew his
real views about the commoners. The third time that had any significant role
of the commoners in it, was kind of making fun of them. When they ran off the
railroad surveyors and knocked one of them out; all that had to happen for them
to feel bad about what they did was for Kaleb Garth to tell them that it was
inevitable that the railroad was coming and it would eventually benefit all
of society so it was futile for them to rebel. They all acted like little children
and admitted that what they did was wrong.
Another thing that was played up
in Middlemarch a lot more than in modern books was the mocking and gossip that
happened. I found it interesting that even though Doctor Lidgate was very educated
and kind he was still very sexist. For example, when he was talking about his
wife Rosimond, 'You can't talk about science and medicine to a woman'. I heard
him say some very wise things though, when he was talking about Fred's illness,
'Grief is a kind of illness'. His religious spiritualism was accused of making
people feel bad instead of good. consistent personality traits. I don't understand
why fathers need to give their permission for their daughters to get married,
why don't both parents have to give their permission? Sometimes I get the feeling
women didn't take control because they were lazy and didn't want anything to
do with responsibility and the stress of working. about I was disturbed
by all the communication problems they had. The couples (the Cassabaums, the
Lidgates) didn't share with each other their goals very smoothly and had a lot
of silly arguments caused by simple misunderstandings. For example, when Rosimond
secretly wrote the letter to Tertius's uncle Godwin requesting the loaning of
the thousand pounds, and Godwin replying with such a sexist tone: 'Don't set
your wife to write to me when you have anything to ask... I never choose to
write a woman on matters of business'. However I don understand Victorian Middlemarch inefficient furniture friends Another
way Doctor Lydgate was mistreated was when he accepted money from Mr. Bolstrowd
even though he gave the money back, and helped Mr. Bolstrowd out of the meeting
hall when he was accused of his past crimes, he suffered more gossip that spread
as extreme as being accused of helping to kill the old drunkard. less people
The love between the two of them is genuine, but she was more concerned that
he was smart and in a good classing than the fact that he was a doctor. The
two of them did have a bit of a communication problem though; like when she
had to beet it out of him how much money they owed and when they both agreed
that they would sell their house and she had a perfect chance to sell it to
Ned Plymdale and Miss Sophy Toller for their marriage but didn't sell it and
didn't tell Tertius. And he said some sexist things to her personally also,
like when he reprimanded Rosamond for asking for money for him, '...To interfere
with your ignorance on affairs that belongs to me to decide on'. It was a tragedy
that Cassabaum didn't ever write his book, but at least he made the decision
to write it and started, so he knew he was going somewhere when he died. Dorothea
isn't to blame for never finishing it, rather she is to be commended for helping
him complete it when she was asked. German's believe Will and Dorothea eventually
got married, which would have made a very interesting story because she was
so caring and helpful to Mr. Cassabaum and they weren't even compatible, she
would have been an enormous help to Will and blossomed into a magnificent woman
with the help of his young fresh mind. the Eliot parliament His not having the
nerve to tell Dorothea that he loved her for such a long time was accurate for
a person like him. It makes sense that he got angry when he found out that Dorothea
was to be cut out of Mr. Cassabaums will if he married her. It shows the honor
that the people of that day must have had; honor wouldn't play itself out like
that by today's standards. The Will Ladislaw of today would have written Mr.
Cassabaum off as a silly old man and would have just been Dorothea's boyfriend
so she could keep the estate. It seems as though the people of Victorian England
live very strictly by a lot of unwritten rules that they feel they must follow
or else they will go to hell when they die or something. Other rules Victorian
English people involved manners, they followed them almost religiously. Even
in the nasty of situations they opened their arguments with, 'May I say...'or,
'If I may ask...' But even his money donations were half hearted; for example
when he backed off on the hospital funding and refused to loan Tertius Lydgate
the thousand pounds he needed even though he knew Tertius was as strapped as
he was. He also showed a moral weakness when he allowed the severely ill Mr.
Roufles to drink alcohol when he knew it would kill him. , showing how he tended
to spread his guilt to others, which is one of the most dishonorable things
to do in my book guard steal Eliot humanizing estate 'Stone Court' Vincy Caleb daughters
relatively weren't Rosamond Lydgates misunderstandings Rosamonde amusing parliament
views surveyors, saying 'You big folks makes money , and the poor get pushed
aside' Caleb inevitable
Caleb Garth was a classical character essential to any good novel about a community.
He played the role of the solidly reliable and good hearted humble man always
did the right thing and never let his emotions carry him away. Among the noble
things he did was to loan Fred Vincy money that he didn't even have to pay off
a debt, and when Fred came and sorrowfully told him he couldn't pay him back,
he showed his understanding and sympathy for Fred's situation rather than scold
him and throw a temper tantrum. Then showed Fred more trust by giving him a
farming job when most if not all of the other people didn't trust him. Not many
people are so trusting. It was also good of him to relinquish his business with
Mr. Bolstrowd and not further his bad reputation by not telling other people.
His humble nature was also controlled by self dignity. For example, when he
told Mr. Bolstrowd of the bad news and Mr. Bostrowd said, 'Well don't you tell
anybody else,' Caleb replied with, 'Why should I have said it if I didn't mean
it? I am in no fear of you. Such tales as that will never tempt my tongue. 'There
was a lot of barstool gossip about Doctor Lydgate because of his dissecting
of humans and the gossip about Nick Bolstrowd after he got in trouble was almost
unbearable to him. Perhaps one reason for all of this gossip about them from
the common people was a symptom of them feeling left out and not understanding.
Like they really didn't understand that Lydgate's dissecting was helping his
knowledge about human sickness. It isn't their fault they feel left out, the
education wasn't as well rounded at that time. After reading this book I am
more glad than ever that I live the life that I live; I don't think I would
have a good time at all if I had lived in England at that time.
There are two Victorian customs that impress me, one is that women wear a black
and white suit with a black hat called a 'Mourning' for a year after their husbands
death. The other one was how they get their friends to explain things to each
other when they feel they can't articulate it well enough. For examples: The
time that Fred Vincy had Mr. Farebrother explain to Mary Garth that he loved
her and wanted to know how she felt about him. The time Tertius Lydgate had
Dorothea explain to Rosamond that people thought highly of him and appreciated
what he was doing . They also did this for each other voluntarily; like when
Rosamond wrote Will Ladislaw a letter telling him she told Dorothea that he
loved her because he didn't have the nerve. he was to going the hunting not
be able to own Lowick Manornate some of his money to Dr. Lyestate Stone Courtee Bulstrode
From ,which in which I was struck by the extents very gargantuan ants, it would
have been more efficient and fairer society if they had taken care of themselves.iant
job connecting all of the this huge book,Victorian in both good and bad ways really
contemplate the nature of group dynamics an ideal example of being a communities
saint, victim, and scapegoat; because he was a revolutionary and new to town start
new kind of fever Most a thing agreed to run (cooperating with Nick's 'religious
spiritualism') as many as he could was to loan him a thousand pounds,Many
of the other doctors didn't care for Doctor Lyndgate's project because they
weren't gaining anything from it, but that personality trait is timeless. (who
was soon to be excommunicated from the community) reading this book I have a
sense that Victorian was very different from modern day America in a lot of
ways, both good and bad. The aspects that impressed me were how they got each
other to talk to each other for them; I have never even thought of doing that
before. They also seemed very compassionate to each other, and I thought they
were pretty clueless judging from all the evil things they did to other cultures
and the sexism. The sexism was rampant. The men seemed to think that women were
incapable of comprehending any issue that takes serious thinking, which basically
means they thought women were stupid. The only positive attribute women had
were their susceptibility to crying, showing how emotionally sensitive they were
which is a complement. But the only woman who showed any great deal of compassion
was Dorothea. Mrs. Bulstrode showed loyalty to her man, but that isn't much
of a complement to her intelligence, you could just liken her to a good dog. would
as if care for Doctor Lytime Victorian where
the extentlyants; it would have beenhad lived more modestly English societyed,an
ideal example of being the communitysacrificial from out of, but loan him the he needed to sustain
his livelihood him and his weren't gaining anything from it; which is a timeless
recurrent theme in communities. unfairly and then helped him out of the town
hall meeting when he was excommunicated,. H Mr. Raffles him in a sticky situation
also of hereof, go to another town: '. was social had some communication problems persuaded to
tell her by today's standards also directly her from Tertius's uncle Godwin
for him: However, said some very wise things for example as talking about Fred's
illness:couldn't wanted to because she lived in a man's world. Ras as extensive
of an education she had been to not have a 'go get em'an eventually ; but he
was too afraid to ever do him as bring it all together; a The irony or
their relationship was that if she had been in his shoes she would have gone
through with it. shows how some people excessively having s age,s of looking for
all the answers from classical Greek and Latin literature and focus, when
it was really he who was going nowhere tragic taking up the task being such a supportive
and encouraging wife was a perfect balance to classical role in the book, and
explained why his work was all in vain; 'The focus of interest has moved it An
example feeling contempt for of relating the ignored pagan traditions of nature
worship, and treating the poor as equals in wouldn't Lowick Manor sequel, when
they weren't even compatible. Would have fresh also a classical leader of Europe's
social and outdated e author did a great job showing the dynamics in which over
the help of. He started out as a nomadic artist by sponsorship from his cousin
Mr. Cassabaumound after traveling and getting a fresh look liked how people
in power succeed each other.He was a very natural man, not the typical Victorian
womanizer. This was shown by his , and he had to be encouraged by Rosamond in
a letter to tell her personally His character is consistent with his getting after
finding disowned from I don't think quite baum off as a silly old man and because
of fear of God or something lived by involved manners; religiously. Even in nasty
in another way for But even his monetary, strapped partly because of him. mother
moral weakness by allowing 'Religious S' to spread his guilt to others It
must have been fairly rebellious for a Victorian to have' 'd Amy Garteven For me
the most sticking, showing the differences in fully have that responsibility?s
I got , it seemed too easy for men to suppress them Also about relatively insignificant
things a lot more than they do in stories now For example,
men and women really share their goals with each they needed
the importance of of the that thinking barely gave any attention to sections :T,s.
The most intense part to the commoners with the commoners,de if them:. It isn't
very realistic that,,, who had gotten carried away, who. Wm and throw a temper
tantrum; the gave Fred by self dignity. For example he told Mr. Bolstrowd
of this,'. theme that you don't find as much all showing how the people of those
days were much more socially connected,mon people was a symptom of the commoners
the true dynamics of the situations; l. It isn't their fault they felt; it was
almost as if there were two different species of humans living therein this
day in age been very happy customs ed me. the their suits had people for
them when they felt could their thoughts know how she felt about him, and tthe
broader of how England in wayswardsyet very critical. Before other cultures
and the sexism, but they were caring humans just like us. though; ttheir emotional
sentitivity However. The main difference between Victorian
England and America today is that Americans live their lives like they are the
only ones in the world and Victorian English see themselves entirely from other
peoples eyes. Neighbors don't know each other, and people don't care what others
think about them (at least in my bubble). Of course, it still exists in our
society, and now I know where it comes from. Looking at yourself through other
peoples eyes r peoples eyes. That's basically all I have to say.,In America,
much about really and judgementalism but
All of our ideas about judging each other by who we hang out with, what cloths
we wear, what kinds of cars we drive, where we live, what our houses look like,
etc. is English. But it seems like the French gave that mentality to the English,
and I have heard that the Italians and Germans are like that also, so it must
be a European thing.
I don't like Victorian English peoples approach to keeping each other in line,
because being critical of each other doesn't teach us how to think for ourselves,
it only teaches us to know what we don't like in each other. What we need to
focus on is what we like in each other, then there will be no suppression of
creativity because we aren't afraid that people won't like us, because dislike
of taste will be obsolete. So people will be able to please themselves, and
will subsequently please the whole community more because they are motivated
towards action; and even peculiar action is more productive than no action at
all. This change of attitude sure would have helped Rosi. She wouldn't have
been afraid to move into another part of town, and wouldn't have felt like she
had to flee to London. For that matter, all of the women of England would have
benefited from fearlessness in creativity and individualism; because the ambitious
women like Mrs. Cassabaum would have been able to take initiative on things
that others would have not thought about; without being called a 'crazy' or 'silly
woman' by other women, and simply opposed and challenged by men, because her
ideas would simply have been more compassionate than theirs. The person who
suffered from these Victorian English unfounded prognostications the most was
Tertius Lidgate. All he was trying to do was make a drug that could save peoples
lives, but he was labeled as a creep who loved to dissect dead bodies just for
the fun of it. He would have been treated much more mildly if he had lived today.
One reason people were in each others business so much in those days was because
they relied on each other a whole lot more; which a lot of people would say
is good. But personally, I would rather live in a world where nobody knows or
cares about each other, than where I have to constantly watch what I say and
do for fear that there might be half the town spreading false rumors about my
Satan worship or something.
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Paradigm shifts - Why we must Believe 4 |
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We must believe because belief makes
the world go around. Columbus found America because he
believed there was land on the other side, Edison made the light bulb because
he believed the electricity
Franklin discovered could illuminate a house. Those who don't believe don't
think, it is the same thing as
close mindedness. Look back to the time of the Roman Catholic church, they didn't
think about what Galileo
was saying, they just KNEW what they knew because they always knew it. It is
amazing how easily people can get
stuck in certain ways of thinking and not be able to escape for hundreds of
years; I think that is the reason
we die, because you cannot teach old dogs new tricks. The paradigm of the world
has completely changed so many
times, from all of the superstitious cultures around the world, like indigenous
cultures taking metaphors like
that we came out of the earth through four levels literally; to individuals
completely changing their attitudes
about life.
Now with all this technology our society in general is about to totally completely
change its attitude about
life. No longer will the most powerful and aggressive ones be the people in
power, but the gently, networking
sociable people who utilize the strengths of all constituents of the population.
I am not implying that they
will be different souls, but these souls will be working differently. In debates,
there won't be winners and
losers, just people offering their take on the situation, with a holistic attitude
about the whole affair at
the end of it with the individuals of the audience to decide; because the relationship
between the individual
and the society will be different that it is now: People will no longer do certain
things and act certain ways
just because everybody else does, because the media will grow to such a point,
that everyone will have their
own internet site, and even TV station, so people will just gravitate to what
their particular style gravitates
to. To that one might say, "Well I don't want that! We will just all group
into our own clicks and become
homogenous". But it is not education and exploration that causes homogeny,
but rather ignorance, and a small
group of people having a stranglehold on just a few channels and newspapers
is ignorance of diversity. Just look
at what happened to America, sure the Chinese and Indians group together amongst
themselves, but they get along
much better. People must remember that we are basically good, and the fundamentalist
Christians will be forced
to realize this as all the new stuff starts to transmute from frustrated rock
stars to empowering chanters of
freedom, and when we stop hurting the environment because some bodies water
powered engine design gets on the
internet, thus disempowering the oil companies from suppression (which, by
the way, has already happened, GEET
engine from some town just west of Colorado Springs).
But we ain't seen nothing yet, I have just been speculating on what we see every
day. When we really look
at the big picture, and bypass our own personal little takes on reality that
we have been born with, we will
undergo a bigger transmutation in our lives that the man born with slaves and
dying with black people running
their cities. What I am talking about are the aliens. When you listen to all
the stories that people are afraid
to tell in fear of ridicule, seriously, and read all the book written by these
aliens, and take into account the
vastness and the scientific history of the universe; it becomes clear that all
of the superstitions in the past
came from true stories of people called gods who come from other planets, and
those silver discs and red triangles
and shooting stars that change direction are actually vehicles driven by these
gods who are watching us. When we
take this into account the missing link makes sense, and all of the strange
cultural similarities like all indigenous
cultures having the same story about the Pleiades, that seven sisters came down
and wanted to marry the prince of make today, the stories about Pluto
and the big planet we can only
as of now gravitationally detect, all is explained. We all probably have miraculous
stories to tell but we bury
them in fear of ridicule. I saw a saucer five minutes after I prayed for it,
in the form of lights in the distance
of the desert blinking at me from left to right then right to left, them inward
in the red green yellow that I
was so fond of then. Plus a couple months ago when my huge three foot long windshield
crack suddenly disappeared
and two days later my gapped teeth suddenly coming together. People can give
each other the screw faced evil
eye to stories like this until the stories seep into common knowledge and then
it becomes a reality, and we all
forget the great change we made. Just remember one thing, if you were to drop
your great grand dad off in Denver
now and show him around he just might have a heart attack or lock himself in
a closet or pass out.
Moral of the story, until people can say what they please in the land of the
brave and home of the free,
institutionalized education is nothing more that a variation of the 15 century
Vatican, and of no use to people
seeking the truth. And with the internet, if they don't start taxing us up the
wazzoo for it, we are on the high
road to a positive new age, woopty doo. |
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Romantic Literature Journal 100 |
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Wordsworth- 'Lines from Tintern Abbey' |
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I had trouble comprehending what
he was saying because of his archaic writing style, I think it will take a little
practice. What I think he was saying was how when he goes to Tintern Abbey he
feels very at peace and his mind and emotions open up. His feelings open up. Coleridge-
'Work without hope 'It seems to me that he is talking about how all of God's little
creatures struggle through the winter, hoping and waiting for the summer. His
assumption that critters like the summer more made me think if they really do;
or if they also look forward to the winter when it comes'. Keats- 'When I have
fears 'This poem is a perfect example of European's fear and paranoia of a higher
power doing things to us that are beyond our control; as opposed to other ideas
about fate being always in our best interests in order to teach us lessons.
I do relate to him though, and wouldn't be surprised if I write something like
that one day. |
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Frankenstein |
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Mary Shelly's Frankenstein was a
very well written book. You sure do feel what is going through the minds of
the characters. I would like to write like that one day. I sympathize with the
monster more than Victor because he was good. Victor knew what the monster looked
like before he came alive so victor was blind to himself. I like the idea of
a 180 degree turn in emotions in a split second, and that some people may be
like Victor, but nobody I know. Victor's constant horror is very well described
and I guess reflects the times somewhat, how people like to be scarred and stuff.
Those people must have been afraid and/or exited about the future, much how
we are now. One important thing this book did for me was open my mind or emotions
if you will, to how people back yonder were like us and not totally ignorant
and evil like I kind of had the impression since childhood. I find it comforting
how people accept strangers and have sympathy for each other back in those days,
it may sound weird, but I felt kind of arrogant about those old-schoolers. This
idea also helped to make me aware of how monkeys and such have personalities
like us, and of course that monster. That monster was such a great individual,
so smart and strong and durable, if that weenie Frankenstein would have just
trained him right he would have had a very beneficial person or race. I would
be evil and kill also if I was so rejected, after all, he in a lot of ways was
emotionally like a child having not been around for very long, and kids through
temper tantrums. It was the perfect cap to the story showing us the extent of
Frankenstein's folly in fearing the monster when the monster killed himself
when he could have kept killing and looting; what honor and courage to kill
yourself so you don't hurt any others. This was the ultimate tragedy and a bag
of chips because Frankenstein made so many cowardly decisions. He could have
had a hunt down with the monster much sooner but was afraid (Shelly never really
explained why) to let others know the truth. Usually I have sympathy for dumb ass
characters like Victor, but not this time because of all his biffs. I thoroughly
enjoyed this book and read it very quickly (amazing for such an old book) because
of her oh so thorough job of explaining the characters thoughts and emotions.
I really do aspire to write like Mary Shelly some day. Not the greatest story
but the writing style is magnificent. If I could write like that I would have
good stories about smart people and make tons of money and fame and honor and
what not. William Wordsworth- From reading his introduction, I am aware of his
extreme dedication to poetry; seeing how he moved four miles from Coleridge
to discuss his works. He had a hard life, it seems as though a lot of poets
of that day had a hard life. Was it the day or the poetry of my mind? I find
it interesting how he had a 20 estrangement from Coleridge. I could see them
fighting about something totally simple that neither of their big egos would
let up on. I wonder what it was. He definitely was an opinionated man; having
gone to France to help with their revolution even though he wasn't French. His
life had some intense happening also, like having a baby with a French woman
at such a momentous time. Simon Lee- This poem makes me sad. I never really thought
if their was social security or not in those dark ages, apparently there was
none, and people just died when they couldn't fend for themselves anymore. This
is a barbaric system, that even puts us lower that some animals I am sure. If
I was a decision maker of the time I would have been an advocate of social security,
but if I was another Simon Lee I wouldn't complain too much, just work until
I didn't feel like it anymore and starve to death or something. I have a feeling
Wordsworth is leaving something out. Probably most Simon Lees had some assistance
from the surrounding community, at least more than Wordsworth lets on. We Are
Seven- This is another sad and even slightly frightening poem. Apparently it
is about a 'little cottage Girl 'who had two dead sibling here, or maybe this
little girl has clairvoyant tendencies and can see her sister Jane and brother
John. A rule of thumb for me (so far) is when a crazy schizophrenic type of
person tells me tales of such, I act like I believe them. Innocent until proven
guilty. Because it makes them more likely to tell the truth if they are lying
because they get no rise out of me, and if they are telling the truth they know
they have someone they can confide in. That little maid is a strongly convicted
girl and deserves some kind of support. Lines Written in Early Spring- This
is a classic Romantic poem. When he thinks of nature it 'Brings sad thoughts
to the mind 'because he realizes how much his classical predecessors nostalgically
separated themselves to nature. He sees how the spring time smell and sights
are actually something to become one with instead of shut away from. 'What has
man made of man?'he asks, but he can't tell because he is still afraid to be
upfrontly candorous because he hasn't entered the age of Rock n' Roll
yet, or something. Expostulation and Reply- This is even more of a rebellious
poem than the one before. He is ripping at the excessive studier of classical
literature and other things that don't do anything for the soul and good of
society. Maybe he is even cutting at the bible reader. 'William you sit alone...
where are your books?' It seems as though he is talking about the bible reader
with this remark, 'As if you were first born, and none had lived before you!' He
refers to William dreaming his time away twice, meaning he must be saying thought
is not important, but socialization and emotional gratification are important.
How classically romantic. The Tables Turned- This poem is grand dragon master
o.g. mac daddy of all the Romantic poems if I do say so myself. The whole thing
shows so much emotion I read it as if Mr. Wordsworth is right here spewing his
preach like a red faced minister spitting out words of charged emotion. 'Quit
your books.. let nature be your teacher... truth breathed by cheerfulness...
sweet is the lore which nature brings; our meddling intellect mis-shapes the
beauteous of things.. enough of science and art. 'I never really realized
that revolutionaries existed in any other time than mine, how oddly encouraging.
Strange fits of passion have I known- I like this love poem about his love Lucy.
He incorporates the moon in a well descriptive way: 'Upon the moon I fixed my
eye'. Another place that I can relate to is: 'The sinking moon to Lucy's cot
came near, and nearer still'. I can relate to the feeling of getting more excited
as I get closer and closer to something. The last paragraph is good, going from
one extreme to the other. At first saying how he love to dream of his lover,
and then thinking how awful it would be if his lover would die. Sometimes you
have to experience the horror to get a firm grasp on the extent of how much
you actually love your lover. She dwelt among the untrodden ways- I like this
poem because it expains a most exquisite person who doesn't live in the limelight
because of either her social situation or perhaps becaue she is beautiful in
such an eccentric way that the enculturated people who can't tell what real beauty is don't notice her. The sentence, 'Fair as a star, when only one is
shining in the sky'is a good description of a unique individual. I think this
is the perfect kind of lover to have if you happen to be the same way. The last
sentence puts a nice little tragic cap to it if you think that it is a tragedy
that she wasn't noticed more during life. Or it can just be a sad ending to
the poem showing how everything must die no matter how beautiful and we must
go on. Three years she grew- This is a great poem because it beautifally describes
a most beautiful girl: 'A lovelier flower on earth was never sown'. It describes
a young woman who knows no death: 'She shall be sportive as the fawn that wild
with glee across the lawn'. I like this sentence: 'Even in the motions of the
storm, grace that shall mould the maiden's form by silent sympathy,'because
it tells how if you are with a top notch person, no matter how bad things get,
you are still it good shape. Because Lucy's beauty outweighs or equals all other
beauty's, so her beauty also outweighs all bad things also. This sentence is
very visual, 'And vital feelings of delight shall rear her form to stately height',
because I can picture an erect beauty with utmost pride, like the statue of
liberty. Unlike the previouse poems, the last sentence is optimistic: 'The memory
of what has been, and never more will be'. Showing how he accepts the inevitability
and absolute truth of the situation, is a kind of objective manner. A slumber
did my spirit seal- This is a hyporcritical poem, no matter how good it is.
In the first paragraph he talks how the spirit can over come the slumber and
earthly years. But in the second paragraph he says of how she is in the earth
not doing anything. As if he thinks that her sould is stuck with her body. The
first paragraph I liked, but not the second. I travelled among unknown men-
This is a good poem because it describes why and how he loves England so much.
Sometimes you can't truly appreciate your homeland until you leave it for a
while. 'Tis past, that meloncholy dream!' means that his travels weren't as
exciting as living a simple life at home. I like how he relates his mountains
with his 'English fire'and his woman. Home being a mix of all these things.
The last sentence: 'And thine too is the last green field that Lucy's eyes surveyed'
was kind of spooky. I could picture him looking at that feild and thinking what
she thought and remembering her to the core. Lucy Gray- This poem is about Lucy's
life and the story of her death. It is kind of scattered, talking about many
things in the same poem. Like her life and her last moments and her parents
looking for her. I like the visual effect 'Her feet disperse the powdery snow,
that rises up like smoke'. And the visual effect: 'And many a hill did Lucy
climb: but never reached the town'. It is sad to think of her crying and hiking
on and on. It is neeto how he included a little bit of a legend in it: '...That
you may see sweet Lucy Gray upon the lonesome wild'. The two April Mornings-
I had trouble understanding this poem, it seemed to be about too many different
things. There were a few lines I like though: 'With hair of glittering grey'made
me imagine a noble old man. Glittering relates to angelic divinity. He describes
his beloved England, but the paragraph: 'Yon cloud with that long purple cleft
brings fresh into my mind a day like this which I have left full thirty years
behind' kind of confuses me because I couldn't imagine clouds reminding me of
something that happened thirty years ago. Clouds aren't that dynamic. Another
sentence I liked was '...It was fpuure delight'. That sounds so good.
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Nutting |
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This is just about the most scattered
poem I have ever read in my entire life. But there were indeed some good lines:
'...Eagerness of boyish hope'. As he left his cottage about to embark on a splendid
journey through the WILD. 'Tall and erect, with tempting clusters hung a virgin
scene!'This shows how Wordsworth loves the wild and untouched nature, kind
of like Thorough. 'Voluptuous, fearless of a rival' is a good line. The combination
of voluptuous and fearless is good, shows power and beauty. What more could
you ask for? '...Weary expectation...'are two more words that go well together.
'The heart luxuriates with indifferent things' is a good line; it makes me feel
like he loves everything, not putting everything above anything else. I think
this is a classical dismal English line: 'I felt a sense of pain when I beheld
the silent trees, and saw the intruding sky'. It shows how they can get depressed
easily. But his 'Dearest maiden' made him feel better. How romantic. |
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The Ruined Cottage |
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I had some trouble following this
long poem about a woman who had a hard life and died in a cottage that for some
reason nobody wanted to life in. Wordsworth was trying to made a tragic sounding
story, but to me just sounds kind of annoying, not really making me feel any
sympathy. It was designed for people who needed to hear a story like this so
they will work for a welfare reform bill or something. The same holds true for
the poem Michael. He did have some good meaningful sentences: 'Of some huge
oak whose aged branches make a twilight of their own...' Attempting to convey
a somber mood. There where some parts that made me question Wordsworth's views
on life: '...And prized in his peculiar nook of earth dies with him or is changed,
and very soon even of the good is no memorial left'. This is depressing to think
about, like if you aren't remembered after you die then all is lost; like he
doesn't believe in reincarnation or the interconnectedness of everything. And
this sentence: 'For them a bond of brotherhood is broken: time has been when
every day the touch of human hand disturbed their stillness, and they ministered
to human comfort'. How could a human bond be broken when human hands give each
other comfort? And this one: 'She is dead, the worm is on her cheek...'As if
her soul is still with her body; why is he so preoccupied with her corpse? His
sense of passing time is also annoying: '...Was gone and every leaf and flower
were lost in the dark hedges'. That doesn't make me depressed to think about.
An abandoned house with flowers around it would be more erie than one with hedges;
it is only natural for that to happen. I am glad he sees, '...This multitude
of flies fills all the air with happy melody...', I would think he would associate
flies with death, I kind of do. I like his sentence, 'There was a heartfelt
chillness in my veins'. He is good at describing horrific moments with, 'I cannot
tell how' and 'Unutterably helpless...'And 'He had not heart to take a farewell
of me...'. There were some sentences that were just too incomprehensible: 'The
careless stillness which a thinking mind gives to an idle matter...'This was
kind of a week sentence, but had good visual effect: 'I took my staff and when
I kissed her babe the tears stood in her eyes'. I like how he used natural occurrences
to signify a change is attitude: 'A thrush sang loud, and other melodies at
a distance heard, peopled the milder air'. Over all this poem was too melodramatic
and shallow for today's standards. |
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Michael |
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I like this poem because it instills
sympathy and respect for the main character. A man who can work hard everyday
until he is 91 in the 18th century is a total hardcore badd ass legend. I like
this guy Michael, seems like a good hearted man, loving his fellow men just
because they are neighbors: 'Whom I already loved;-not verily for their own
sakes but for the fields and hills where was their occupation and abode'. One
sentence I didn't really understand, maybe he thought he would become one with
the land when he dies: 'Of youthful poets, who among these hills will be my
second self when I am gone'. I like this term, '...With vigorous steps he had
so often climbed'. I can picture an aggressive old man hiking all the time. I
don't really understand this one also, it give me the impression that he is
superhuman if he can save even the wild animals: 'Of the dumb animals, whom
he had saved, had fed or sheltered..'. I don't understand 'Blind love', maybe
you could elaborate on that. It is neat to know that 'One foot in the grave' is
a shepard's phrase. I like the description of the old lamp as an 'Aged utensil' because
it complements his hard core nature. I like this description: 'He had rocked
his cradle with a woman's gentle hand'. There is nothing more honorable than
a tough brute who can be gentle to his children. I like: 'Michael exercise his
heart with looks of fond correction and reproof bestowed upon the child' and
'Receiving from his father hire of praise.'. Fond correction and praise are
things that this world doesn't get enough of, probably especially is those days
of darkness. Half pennies cracked me up, I didn't even know they existed. It
is too bad that he had to give his son Luke (a good name for a tough guy to
name his son) away to keep his land. I love this part: 'When thou art gone away,,
should evil men be thy companions, think of me, my son, and of this moment;
hither turn thy thoughts, and god will strengthen thee: amid all fear and all
temptation..'. He is a noble poor man and he knows it. 'He kissed him and wept...' was
good; also '...And all the neighbors, as he passed their doors, came forth
with wishes and with farewell prayers that followed him till he was out of sight'.
It makes the reader wish he/she lived in a neighborhood like that. It is too
bad that the boy didn't bring enough honor to his father. This is a good sentence:
'There is a comfort in the strength of love; 'twill make a thing endurable..'.
I like how Wordsworth had Michael never finish the sheep pen, it shows how he
knows about the timelessness of it all and will fight until he can't even stand
anymore like the wild animal that he is. |
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Ode: Intimations
of Immortality |
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Wordsworth seemed to believe in
reincarnation but wouldn't admit it. Is this because he was afraid of being
castrated from society or put in jail? He rather pointed out that Plato believed
in it. Maybe he pointed out the ills of a society that doesn't believe in reincarnation
by saying that we lose our 'freshness and biance' as we get older because
we are afraid of death. Ode- I really like this poem, it must have been very
revolutionary at the time. 'The glory and freshness of a dream' is interesting.
I don't look at dreams in that way. Dreams to me aren't more optimistic about
life than my conscious life, actually less so. However, I am invincible in my
dreams. I like this stanza: 'Look round her when the heavens are bare, waters
on a starry night re beautiful and fair; the sunshine is a glorious birth;
but yet I know, where I go, that there hath past away a glory from the earth'.
It eloquently shows how nature is beautiful and we just ignored her. I like
how he got so jubilant about his dreams, as if he was high on drugs or something:
'The winds come to me from the fields of sleep, and all the Earth is gay; land
and sea give themselves up to jollity..'. It is so much more refreshing to
think of nature as something that loves us instead of not caring and wrathful
and indifferent, which is what our society and religion imposes on us. 'Shout
round me, let me hear thy shouts, thou happy shepherd-boy!'is a good sentence.
The man isn't forthright enough though, when he says, 'Whither is fled the visionary
gleam? Where is it now the glory and the dream?', he should be telling us that
it was filtered out of us by the murdering of five million earth women accused
of being evil witches. He would have been a better man to be a martyr. He points
this fact out in a very subdued way: 'Forget the glories he hath known, and
that imperial palace whence he came'. Here he is saying that we forgot the glories
about nature because of Christianities imperialist nature. 'Endless imitation..
Haunted for ever by the eternal mind.. Thou, love whom thy immorality broods
like the day,, a master or a slave. 'was good, showing how the eternity of loving
nature is what will prevail in the end. Another good place where he tells of
the ills of his society: 'And custom lie upon thee with a weight, heavy as frost,
and deep almost as life!' Here he shows us of the peacefulness of nature: '...Our
noisy years seem moments in the being of the eternal silence: truths that wake,
to perish never'. This sentence probably reminded educated people of Greek Hade's
Elusion fields; and how it is a good thing to strive for. The last sentence
far perfect: 'Thoughts that do often lie too deep for tears'. Our grieve will
be overcome by the joys of nature no matter what, how optimistic! Ode to Duty-
This poem is a subdued way of saying how the church has taken too hard of a
grasp on our lives and made us feel shame about ourselves and our natural tendencies,
and it should just let go and trust that our joy alone will guide us to do the
right things. We must be atheists! he says. We don't need moral cops: 'To check
the erring, and reprove.'. We can be 'Happy will our nature be, when love
is an unerring light'. There is nothing wrong with us: 'Through no disturbance
of my soul, or strong companion in me wrought'. This sentence pretty much sums
up the message of the poem: 'Stern lawgiver! yet thou dost wear the godhead's
most benignant grace; nor know we any thing so fair as is the smile upon thy
face..'. Our natural tendency is proven through our 'Self sacrifice'. So: '...In
the light of truth thy Bondman let me live!'The Solitary Reaper- This poem reminds me of the Greek nymphs dancing and singing for the passers by to appreciate.
But when he talks of a 'Meloncholy' aspect of it, I wonder. Are most Englishmen
melancholy or what? Do they like dwelling in black bile of depression? He must
have just experienced a bad occurrence, 'Some natural sower, loss, or pain
that has been, and may be again?'This poem relates to sometimes in a weird way
melancholy music makes us feel beautiful in a lethargically painful way, as if
it could be beautiful if it was just a little bit different. I like this rhyme:
'The music in my heart I bore, long after it was heard no more'. Elagiac Stanzas-
This poem had a lot of power for me, because he pounded in me the beauty in
quiet until I finally realized what he was talking about in this paragraph:
'A picture had it been of lasting ease, Elysian quiet, without toil or strife;
no motion but the moving tide, a breeze, or merely silent nature's breathing
life'. I love that feeling of absolute quietness of the mind that I so rarely
feel. When I don't have to worry about caring to smile. This paragraph: 'And
this huge castle, standing here sublime, I love to see the look with which it
braves,'made me remember how noble and pure things look when it is just them
in the picture. Like the fortress on top of mount Olympus. This sentence seems
contradictory: 'Such happiness, wherever it be known, is to be pitied; for 'tis
surely blind'. Blind to what? But he ends on a high note: 'Not without hope
we suffer and we mourn'. Another reference to Greek mythology with Pandora's
box. |
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Composed upon Westminster
Bridge |
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I love this poem. It is so English.
Reminds me of how pompous and self indulgent English are. How they don't care
to travel and like imposing their culture on others more than learning about
other cultures. There are negative aspects to this thought, but this poem brings
up the positive ones more. This sentence especially: 'Neer saw I never felt,
a calm so deep! The river glideth at his own sweet will Dear God! the very houses
seem asleep; and all that mighty heart is lying still!'It is a Beauteous Evening-
This poem shows Wordsworth's wisdom in spades. He must have studied Buddhism
because of these sentences: 'Listen! the mighty being is awake, and doth with
his eternal motion make a sound like thunder-everlastingly.. If thou appear
untouched by solemn thought thy nature is not therefore less divine. This line
seems prophetic relating to the problems TV put on us: 'God being with thee
when we know it not'. Because we are too preoccupied with menial things that
do us no good. |
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London, 1802 |
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This is his bravest statement against
the rich evil men who could help the poor but choose not to. It really got me
thinking. 'She is a fen of stagnant waters' made me think of the shit ridden
rivers in the cities. I love 'of inward happiness', it illustrates their selfishness
and causes of their melancholy depression beautifully. I love this sentence, it
would be sung well: 'Thou hadst a voice whose sound was like the se: pure as
the naked heavens majestic, free'. I like how he illustrates his remedy: 'In
cheerful godliness; and yet thy heart, the lowliest duties on herself did lay'.
He loves the simple folks way towards life. He would get along well with Thoreau. |
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The world is too
much with us |
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I don't know why he used the word
world to describe how it is too much with us. Maybe he should say society is
too much with us. 'We lay waste our powers' is good, saying how we good do such
great things if we just did it fairly. This illustrates his views nicely: 'Great
God! I'd rather be A pagan suckled in a creed outworn'. What an insult to the
English church. He seems to be a classical pagan though, with his references
to Greece mythology. Surprised by joy- This is a poem about his loathing of
the loss of his loved one. He expected to me depressed by remembering the face
and being of the dead one. The poem doesn't convince me that he was surprised
by joy, I don't know if I could get joy from remembering a loved dead one, but
i haven't really experienced that. The title contradicts this sentence: 'That
thought's return was the worst pang that sorrow ever bore'. I don't think it
is healthy to be so preoccupied by thinking about a loved corpse rotting in
the ground, it would give me nightmares. |
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Mutability |
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This seems to be a ripping on the
church. How they could have done such great things, but instead: 'Sink from
high to low'. With 'Which royally did wear His crown of weeds', I think is supposed
to have reminded us that Jesus was a peasant, so the clergy is no closer to
god than the peasants of England. The title I think means that people who REALLY
want to preach the truth about peace and love can't because of the 'Over-anxious
care' to shut people up taken by the clergy. |
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Steamboats Viaducts,
and Railways |
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This is very prophetic. Again showing
Wordsworth's great wisdom. He states how these new technologies ...'Mar the
loveliness of nature.' Here he tell how the future will change unimaginably,
and how we have mastered nature by Sublimely subduing Time and Space: '...And
time, pleased with your triumphs o'er his brother space, accepts from your bold
hands the proffered crown of hope, and smiles on you with cheer sublime'. I
like how he says that nature smiles on us even though we are marring her. Extempore
Effusion upon the death of |
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James Hogg |
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This is a poem about the death of
a poet friend of his. He addresses his feelings about the tragedy of his death,
but weighs it against things more tragic to put it in perspective. I like his
complement: 'The heaven-eyed creature sleeps in earth'. this paragraph makes
me think how poets look to each other as if gods, and work together to guide
the word and be an elite group: 'Like the clouds that rake the mountain-summits,
or waves that own no curbing hand,, how fast has brother followed brother, from
sunshine to the sunless land!' It seems like they consider themselves to be
saints trying to put right a world that is 'Crowned in darkness'. It is neat
how they give each other nicknames and further their deification of themselves:
'Ettrick Shepherd Border-minstrel. |
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Samuel Taylor Coleridge |
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He had a classical poets life, having
problems all the time and what not. He seemed a little misunderstood like Einstein,
like he was too smart for his schoolmasters. I don't think it would be very
hard for someone to stand out in those day, just don't be afraid to think and
speak your thoughts. It is good he got married, or else he would have been a
pathetic loner, Aye? Apparently he had 'indolence capable of energies' but didn't
act out on them enough because of his illness that was never defined in the
book. Apparently he had pains all over his body all the time, that sucks! He
was very self critical, which is good. Only great people are self critical,
there is nothing wrong with that as long as you don't beat yourself up too much.
I don't understand what Conservative intellectualism is however. Maybe you could
clarify that for me. |
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The Eolian Harp |
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This is a good one. He had the same
ideas about peace that Wordsworth did. It seems as though it was kind of a recollection
of a dream. There are good lines in here: 'How exquisite the scents snatched
from yon bean-field! and the world so hushed!' Smell is said to be the most
spiritual sense, when I smell things I stop and recollect. This line evokes my
emotional imagination: 'How by the desultory breeze caressed, like some coy maid
half yielding to her lover'. It is interesting he is into fairy land like Shakespeare
was. I wonder if people believed in ghosts more then than now, probably a lot
more so. This line makes me think of paradise: '...Like the birds of paradise,
nor pause, nor perch, hovering on untamed wing!' This line shows how he knows
that all life is connected like the Indigenousness people know: ''! the one life
within us and abroad, which meets all motion and becomes its soul'. 'Rhythm in
all thought' makes me feel like harmony in a new way. This line eloquently describes
how no sound is sometimes better than music when you get to a super high point:
'Where the breeze warbles, and the mute still air is music slumbering on her
instrument'. There are a lot more good lines: 'The sunbeams dance, like diamonds,
on the main'. 'Full many a thought uncalled and undetained'. This sentence skillfully
illustrates how sometimes all our thoughts can melt into one beautiful song:
'Plastic and vast, one intellectual breeze, at once the soul of each, and god
of all?' This sentence makes me think of how English mainstream clergy like
to suppress thoughts of people, and in Coleridges dream that is not so: 'Nor
such thoughts dim and unhallowed dost thou not reject, and biddest me walk
humbly with my god'. |
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This Lime-Tree
Bower My Prison |
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This poem is about how he feel like
he is in prison because he can't roam the country side with his visiting friends,
but later realizes that he doesn't have to be roaming to be happy. Coleridge
was obviously a nature boy, probably to the dismay of a lot of people of his
day, wow, i'm a poet and I didn't know it; just read: 'And hungered after nature,
many a year, in the great city pent'. Here is were he describes his optimistic
realization of his situation: 'A delight comes sudden on my heart, and I am
glad as I myself were there!... And I watched some broad and sunny leaf and
loved to see the shadow of the leaf and stem above dapling its sunshine!'I like
how he recognizes the benefits of using all five senses: 'Each faculty os sense,
and keep the heart awake to love and beauty!'How esoteric! He probably blew
right over the heads of some stuffy Christian priests. Do I have a bad attitude
about the rulers of that day? Or am I right to an extent? |
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Kubla Khan |
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This is an interesting one. The
first time I have ever read of a dream professed as such by the author. It is
interesting he said how his visitor made him forget most of it, because of course
this is true to all who even remember their dreams in the first place. I like
how he describes how his dream comes back when he writes about it, for this
is true and is nice to hear it from the pen of another: '...And soon the fragments
dim of lovely forms come trembling b like a dream, with all of its gothicness
and visions which are unrealistic except in la la land or the future. He had
a good dream time taste, with '...Many an incense-bearing tree. 'and 'Forests
as ancient as the hills'. Everything in my dreams are more developed that real
life also. 'A savage place!' is good to hear because he seems to see that word
as good and not bad. 'A woman wailing for her demon lover!' is intense. And
so is 'Amid whose swift half-intermitted burst huge fragments (of water) vaulted
like rebounding hail'. I like how he termed his huge canyon: 'then reached the
caverns measureless to man,' no poet in his/her right mind would say that today,
nothing is measureless to us. It is interesting he saw a woman singing of mount
Abora. I would have seen a woman talking fast and cheerfully, not 'Music loud
and long'. Maybe this has to do with our shorter attention spans. It is too
bad he got scarred: 'Beware! Beware!'I don't get scared in my dreams. The Rime
of the Ancient Mariner- I really like this poem. It tells of a man who went
on a great voyage and made mistakes that costed the life of all his shipmates
and nearly his own, but he came out of it a powerful and wise man. This is a
realistic poem in the respect that voyages make you powerful and wise from hardship
and mistakes; but it was (to me) insipidly fundamentalist concerning superstitions
and fear. Why can't people just do things because of the kindness of their heart?
And see the consequences of their karma in a much more subtle manner. I think
people of those day were actually that superstitious, where they? How silly
and sad. This has a lot of good visual effect on me: 'By thy long gray beard
and glittering eye'. I know when I get done with I huge bike ride I have glittering
eyes. Sometimes glittering enough to make people 'Listen like a three years'
child'. I like how he described how the sun changed its vantage point as they
moved farther south: 'Higher and higher every day, till over the mast at noon'.
These Romantics are so melodramatic: 'The wedding-guest he beat his breast'.
I don't understand 'Still treads the shadow of his foe', was he in a race or
what? How did Coleridge know what the icebergs are like if he has never seen
one? 'It cracked and growled, and roared and howled, like noises in a sound!'
He must have been educated on adventurers. I like how he included an Albatross
into the story following them and being their friend. This poem probably opened
the mind of a lot of nature hating English punks, maybe even causing some of
those unspeakable fox hunters to retire. He has a lot of good visuals: 'Whiles
all the night, through fog-smoke white, glimmered the white moon-shine. As
idle as a painted ship upon a painted ocean. We could not speak, no more than
if we had been choked with soot. Black lips baked. Life in death was she,
who thicks man's blood with cold. The sun's rim dips; the stars rush out.
I looked upon the rotting sea. And still by body drank (I have been that thirsty
before)...Swiftly swiftly flew the ship, yet she sailed softly too. Laughed
loud and long, and all the while his eyes went to and fro'. What are these slimy
things he sees crawling on the sea? Was he hallucinating? That is weird how
he saw the spirits of his dead companions, at first I thought they were still
alive and just got up when the wind came. Why didn't he eat them or through
them overboard? There were a lot of references to him hallucinating, sometimes
it got a little confusing. How could his ship just sink for no reason? And how
did he make it back home when he never went around the tip of South America
again? This is a good descriptive paragraph: 'And now 'twas like all instruments,
now like a lonely flute; and now it is an angel's song, that makes the heavens
be mute' . Apparently he saw Jesus too. Did he die and is telling his tale
to a couple getting married in heaven? If he lived, which I assume he did, he
did get his powers: '...Strange power of speech'. It is neat how he said that
he suffered until he told people of his tale, and only after sharing it could
he feel better: 'Since then, at an uncertain hour, that agony returns: And till
my ghastly tale is told, this heart within me burns'. And he is glad to be among
people again, he doesn't even have to know them: 'Tis sweeter far to me,
to walk together to the kirk with a goodly company!'And he learned his lessons:
'He prayeth well, who loveth well both man and bird and beast...For the dr god
who loveth us, he make and loveth all'. What an intense trip: 'He went out like
one that hath been stunned'. |
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Christabel |
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This is a good poem about past karma
coming back to haunt him. The poem is about an old knight who's daughter, Christabel,
came across an abandoned kidnapped and nearly dead Geraldine under an Oak tree.
At first Geraldine thought Chrisabel was Mary coming to take her to heaven:
'Mary mother, save me now. Praise we the Virgin all divine who hath rescued
thee from thy distress!'. Chistabel took her to her castle and if I am reading
correctly had some sexual relations with her: 'But now unrobe yourself; for
I must pray, ere yet in bed I lie. And on her elbow did recline to look at
the lady Geraldine. Collects herself in scorn and pride, and lay down by the
maiden's side!-and in her arms the maid she took'. These two women obviously
had a strong connection to each other nevertheless. The next morning she brought
her to her father Sir leoline. When he heard that Geraldine was the daughter
of his good childhood friend who he had a bitter falling out a long time ago,
and he saw how the two girls were so well connected; he became very excited
and thought this the perfect chance to re-connect with his old friend. So he
told the girls the story and told his servant to summon his old friend and tell
him that Sir Leoline had Geraldine and to come and party. But when he told his
daughter, though she was ignorant: 'She
nothing sees-no sight but one! The maid, devoid of guile and sin', she knew
that there was no chance that the two old friend would ever make up, it had
been too long, they don't know each other any more. So she said to her father:
'By my mother´s soul do I entreat that thou this woman send away!' She
had had visions of possible fowl energies: 'Upon the soul of Christabel, the
vision of fear, the touch and pain! She shrunk and shuddered and saw again'.
Maybe she said this because of the sexual relations they had would resurface
and bring sinful energies to the relationship between the two families: '...To
the wronged daughter of his friend.' Sure I have sinned!' said Christabel'.
When she said this he knew she was right and felt a horrid feeling knowing that
he would never see his friend again for sure: 'Within the Baron's heart and
brain if thoughts, like these, had any share, they only swelled his rage and
pain, and did but work confusion there'. He has a good conclusion, saying that
no matter how optimistic you may be about rejuvenating an old bitterly lost relationship,
if it has been too long, there is no saving it: 'Such giddiness of heart and
brain comes seldom save from rage and pain'. The baron's dream about the dove
symbolically bringing peace to his old relationship but then being killed by
the snake, related nicely to the girls painful to look on eye's looking like
snakes themselves as they subvertly told him that there was no hope. This poem
points out the subtlety psychic powers of women, no matter how innocent and
uneducated they may be, they still see some things that men don't. And tell
men in very subtle ways: 'Softly gathering up her train, that o'er her right
arm fell again; and folded her arms across her chest. A snake's small eye blinks
dull and shy'. This line shows how women get emotionally affected easily
by weird feelings: 'But Christabel in dizzy trance stumbling on the unsteady
ground'. There are some good visuals in this poem: '...With eyes upraised, as
one that prayed. And loud and loud to Lord Roland call thy daughter is sake
in Langdale hall!... That I repent the day when I spake words of fierce disdain.
And both blue yes more bright than clear, each about to have a tear. Large
tears that leave the lashes bright! And oft the whole she seems to smile as
infants at a sudden light!... That saints will aid if men will call: For the
blue sky bends over all!'. Another interesting part is when the Baron is praying
and counting beads, '...Who duly pulls the heavy bell, five and forty beads
must tell'. Buddhists do this when they pray. Overall this is a well written
poem, but I think it is never too late to reunite old friendships no matter
how long it has been or how bitter the last conversation was. |
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Frost At Midnight |
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This poem is about Coleridge reflecting
on his life and envisioning his baby's. He relates the quietness of things he
observes. Like the film, fire, and the owlet's cry which doesn't get any quieter.
I don't like 'Inaudible as dreams!'because dreams are audible, like when people
scream. What this man is trying to say is that they are private to only to themselves.
Little does he know that's not true at all. Silly man. These victorians views
on thoughts crack me up. 'Echo or mirror seeking of itself, and makes a toy
of thought'. Thought IS useful, and these inanimate objects don't have to be
seeking anything. When he thinks of his own past, and looks at his babies like
he realizes how time just zips by. 'Great Universal Teacher' seems to be pretty
anti Christian, but 'He shall mold thy spirit' pisses me off. Its not a he, and
stop implying you have no power over yourself Coleridge! I bet he would consider
this an optimistic poem. What's up with this preoccupation with needing all seasons
to be good? Why can't he just accept that some will be bad so se la vie, and
stop praying like a God fearing fool. Dejection: An Ode- He talks of the paradigmic
relationship that we have to nature and our fates. He laments his suffering
that is mild though persistent. But it is all worthwhile because he has the
gift of life and his lady. This is a good sentence because it states how we
deserve life: 'O lady! We receive but what we give, and in our life alone does
Nature live'. He seems to be accusing some people of being cold and ever-anxious;
but the light in his soul makes everything OK again. He is able to drink the
'Sounds of life and element'. In, '...Spirit and power, which wedding Nature
to us gives dower'. Amused me because of his apparent belief that a higher
power gave us our power, Ha Ha Ha! He redeems himself when he says '...All melodies
the echoes of that voice, all colors a suffusion from that light.' At least
he is acknowledging that everything is connected. 'Shaping spirit of imagination',
how liquid. Too bad he thinks snakes are evil, 'Hence viper thoughts, that coil
around my mind', he should go to China. He may think this is an optimistic poem,
but the perpetual melancholia is all that jumps out at me. The Pains of Sleep-
He touches a lot of psychological truths here. The poem is about his problems
with insomnia, and all the thoughts that comfort and haunt him. He thinks he
is haunted because of the guilt he feels from the times he was mean to people,
and that is his punishment. As time goes on he realized what he really needs
is love: 'To be beloved is all I need, and whom I love, I love indeed'. He needs
love so his lover is his God, creator, sustainer. When he says, 'It hath not
been my use to pray'. He is saying that fantasizing and praying are different
things. Which I disagree, when you fantasize you are thinking about how you
will make things happen. If praying means bringing good fortune to you, than
why can't charity work classify? Ha Ha Ha, silly man. At least he knows that
he doesn't have to worry about tapping out his strength and wisdom that doesn't
disappear when he dies. 'No thought expressed'. There they go again on their
seemingly displeased feelings about thought. To them thought is bad because
they are too melancholia creative. Phantom- All right, I know this is a poem
about a ghost. But since I have never seen one I will just relate this to a
real girl who has such a strong aura that I could recognize her from the corner
of my eye. It also reminds me of smiling children in 4th world countries, prettier
than Jon Benet Ramsey. OK, next. Why does it have to be an accident thought?
Isn't god smarter than that? To William Wordsworth- Here he talks goodness of
William who is a ´´Friend of the wise! and teacher of the good!'. This
is an optimistic poem, stating how Wordsworth is a good motivator telling his
friends to not fear the future because goodness is growing: 'In surges now beneath
the stars...yet swelling to the moon'. I can detect some of the societal ills
those reforming poets were talking of. They couldn't smile without comparing
themselves to others and making sure it was OK And fears of external things,
shows how much of a choke hold the church had on them. 'The light reflected
and bestowed'. Here Coleridge acknowledges that the light doesn't come from
Wordsworth, he just reflects it. 'Milder hours of youth'?! My youth wasn't mild.
This is prophetic: '...Of the Social Sense, distending wide, and man beloved
as man'. Just be yourself, you have the right, he says. This is good: 'When
from the general heart of human kind, hope sprang forth like a full-born deity!'
He says how Wordsworth can look at the status quo view of the world being able
to transcend to angelic realms that are already developed. Does this show how
English hack at each other?: '...Hope afflicted and struck down,... from the
dread watchtower of man's absolute (false vision of God) self'. This is rad:
'The truly great have all one age, and from on visible space shed influence!
they, both in power and act,, are permanent, and time is not with them'. It
makes me feel like if I were to be a revolutionary artist or activist for the
poor people and the earth than I would be on the same level as all the saints
of the past. A member of a special club, who's main job of existence in to make
things better no matter the situation. More allusions to hacking one another:
'To wander back on such unhealthful road, plucking the poisons of self harm'.
Yea, he's cleaning up the shit (gossip, witch hunting, etc.). '...And when
I rose, I found myself in prayer'. What a good motivator Will is. Recollections
of Love- This poem is about recollections of love. Apparently, Greta is the
natural muse that reminds him of his love. And love makes him remember the past
most vividly (I heard it was smell that did that). Love lasts forever, what
more can I say? |
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On Donne's Poetry |
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This is a pretty ambiguous poem
about an esoteric poet. There are many ways of interpreting
this. One way is to see the Dromedary as a woman who has power over her suppressors,
the Iron pokers (Camal pranders).
And wacky people with all their interpretations press and screw with their forging
fire-blasting even though they are
branded. |
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Work without Hope |
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This is about how he thinks nature
just works and has no hope but is mystical and beautiful nevertheless. Do they
not have hope because they can't think. I disagree with his last line. 'Work
without Hope draws nectar in a sieve'. Is he saying the nectar will never be
used because there is no hope? But the nectar is used. Constancy to an Ideal
Object- This is a poem about how people get preoccupied with heaven. They want
to live forever on earth and can't imagine reincarnation because of John Q Bishop.
So they just 'Call to the fairy people of the future day'. But then again
all he really needs is his lovely Sarah. 'Nor he knows the shadows he pursues'.
He means he is the ideal vision of himself. As soon as he becomes a King his
reward will be to just want more, to be the richest king. |
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Epitaph |
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It this poem he is kissing peoples
asses to give him a little of their time and pray for him. He just wants peace,
not for people to feel reverence for him. By him just saying that he is admitting
that he thinks about it because of his hyper-comparative society. How good of
him to entreat us to follow the same goals. I wish he would be more specific
on the forgiven part though. John Keats- John Keats was a Cockney and suffered
class discrimination, so he knew the importance of writing for ones self. He
wasn't after fame or money, just Love and imagination. He contradicts himself
though; when he wrote of a 'Happiness beyond earthly possibility', but then
says, 'The poet and the dreamer are sheer opposite'. What? His 'Posthumous
existence' in his last months are not uncommon. Usually people just loose interest
in the world as they are dying. On First Looking into Chapman's Homer- This
poem is about the great explorer Cortez; Cortez being the narrator. He is talking
about how peaceful it would be to see both of the Oceans at the same time, knowing
that you came a long way and are at the dividing point between Europe and the
Ocean that leads to China. Cortez must have felt like a hero he says. |
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From Sleep and
Poetry |
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This poem is about his regretful
feelings about his coming death. Dying at 26 and being an active person is rough
and unnatural, at least it would feel that way to a person like John Keats.
He still has the youthful passion, and for poetry. 'That my own soul has to
itself decreed'. Is a wise statement concerning a person who knows that is what
he wants to do; almost no matter what. All he wants to do is hike around and
soak up nature and write poetry. The nature feeds his mind and motivates his
senses. 'A lovely tale of human life we'll read'. Means that he believes that
you can make people aware through poetry of how beautiful the ideal life is.
When he talks of the chariot I will assume he is turning supernatural; but
of course you never know anything for sure with these writers. The charioteer
is the heavenly angel who is getting the most oust of life with his 'glorious
fear' . 'Oh that I might know all that he writes with such a hurrying glow. |
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On Seeing the Elgin
Marbles |
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This is obviously a poem that a
young man would write. What he is talking about is that he doesn't want to die
by correlating metaphors, by the way. The rhyming works: '...Spirit too weak ... unwilling
sleep...' and what not. Sick eagle looking at the sky, sounds intense, I sure
hope he wrote about all the things he wanted to do as an old man, he probably
didn't have the heart or perseverance though. 'A gentle luxury to weep'- He
probably did weep, those 18th century people seemed a lot more emotional, were
they? Circle the answer PLEASE, yes no. Point being, I don't see a modern rock
star saying that, but of course that's just me. Lines 9-11 bring home the feeling
of a tragic reality that is very WRONG, which I can't understand, too bad its
'indescribable'. From Endymion: A Poetic Romance- This fine poem is about the
wonders and beauty of bountiful life with love. I think it is very strange that
he dedicated this poem to an imaginary poet who lived hundreds of years ago;
at least its creative. |
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A Thing of Beauty |
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'A thing of beauty is a joy for
ever', boy aint that tha truth, Amen Hallaluia. Its loveliness sure does increase,
won't never pass into nothingness. A lot of things that these guys say makes
me remember how they are human just like me. This poem is about the universal
truth that can't be forsaken, how light ALWAYS over powers darkness. Have you
ever seen a shadow in the light? Of course not! 'Some shape of beauty moves
away the pall from our dark spirits'. Some shape huh? I would envision it more
like a breeze of light, but if he wants to call it a shape I guess he can call
it a shape. 'Endless fountain of immortal drink' is very correct in its infinite
suggestion but the visuals are too archaic for homies tastes. I would say something
more like, 'An endless hammering of beautiful rainbow colored sunshine compassionate
energizer droplets'. This poem is very, Chantoric or honest and straightforward,
more like a letter to someone or 'prose' than ambiguous poetry; definitely a
characteristic of a young author. For example: '...That, whether there be shine,
or gloom o'ercast, they always must be with us, or we die'. There is no argument
on what he is saying. It is like his is right here now telling me, instead of
a man who has been dead for more than a hundred years, dig? Too bad the poor
chap had to speak of an imaginary place Endymion. It isn't good for the soul
to speak of something that will never exist on planet earth. He should have
been speaking of Warchester valley or something; but of course he is terminal
and probably part ways is la la land. you know, THINKING about it, I do remember
my own recollections of Atlantis and relate it to Deep Breakfast's 'Tangerine
Dreams', and certain smells remind me of my childhood. And some of those feelings
are much more beautiful and strong than simple imaginings of more 'realistic'
hallucinations. So his being in wacky land is good for his soul and not bad.
Boy do I change my mind a lot. The 'Pleasure Thermometer'- As far as my highly
unstable focus of consciousness can behold, this poem is about soul's osmosis
from animal world to the heavenly spheres. 'Full alchemiz'd, and free of space.
Behold the clear religion of heaven!'is very, shall I say, New Agy, or ahead
of Victorian times. The jokers of those days would have never related science
with religion, as Keats does'd. And its like that too, the Angels don't got
no negative particles in them, and if they do it is like one part per million
just like pure gold. Is folding a rose leaf round your fingers a ceremony of
chastity of those days? 'Then old songs waken from enclouded tombs'. I don't
know if he knows this, but what he is talking about is when you dream and remember
dreams like keeping a dream journal, you re-enliven your dreams, remember dreams
you had when you were very small. Enclouded tombs are very liquid, there is
no reason to entomb anything you may want to retrieve in stone, it must be clouds
like in heaven. Very soft and warm, as clouds are warm and not frozen solid
and impenetrable. 'The crown of these is made of love and friendship,' Have I
heard this before from a romantic poet? Yes I have! 'Life is nourished by its
proper pith'. Amen! About time someone tells them priests we don't need no Jesus
Christ or God to have juice. Juice is our RIGHT not our privilege. Here is another
candorous remark I was talking about earlier: 'And, truly, I would rather be
struck dumb, than speak against this ardent listlessness.' I can understand
what he is saying with out squinting my eyes and shaking my head. '...To brood
so long upon one luxury, unless it did, though fearfully, espy a hope beyond
the shadow of a dream'. He is brilliant to press the importance of well roundedness
and seeking for diversity at such a dark age of human consciousness. (As you
can probably see by now I think white people of those days are totally full
of shit, except for a lot of these poets, at least some of the things they say).
` On Sitting Down to Read King Lear Once Again- I like this poem. 'Golden-tongued
Romances' are the most motivational and useful of stories. It is better to pay
attention to the + than the -. This poem is about his visions of a past time
that is ideal and turning it into a vision of the future for himself, a very
healthy thing to do. 'Adieu! for, once again, the fierce dispute betwixt damnation
and impassion'd clay must I burn through; once more humbly assay the bitter-sweet
of this Shakespearean fruit'. Here he is talking of the paradoxical battle between
evil and good, satan and god, the 'flesh' and spirit, on its way to an alchamized
perfection. 'Give me new phoenix wing sot fly at my desire'. Now I'll be god-dammed
if this doesn't mean: 'After I die God, give me a new life to start fresh'.
This is a very optimistic poem. When I have fears that I may cease to be- Already
did it. To Homer- In this poem in which he tells (I can only assume) after he
dies or when he dreams all the exquisite places he visits. He keeps pumping
out the lines like a poet possessed; I like Keats. Line 6, flying though the
stars, line 7 adventuring the ocean depths. 'And precipices show untrodden green'-
I think untrodden green, like in the mountains with snow surrounding it, is
a monument straight from heaven cherishing life on earth. 'There is a budding
morrow in midnight'. It is true. A lot of the time the savior comes just when
you need it. Light comes right after the darkest of dark. One second you are
just about to die, and the next you are in heaven. 'There is a triple sight
in blindness keen'- Yea go Keats! Way to be optimistic buddy! Appreciate life
because you are dying. The Eve of St. Agnes- Eve of St. Agnes is the day when
young virgins, with the help of a holy man, can have a vision of her future
lover. I am assuming that this is a pagan tradition, perhaps Celtic; I wish
they would have said where it came from. All the rituals and sacred tools of
the trade seemed just as indigenousness to me as any native American, African,
or Aboriginal tradition. As the story line goes, the leader of the ceremony,
the Beadsman (who's bead counting relates to Buddhism), makes the traditional
preliminary prayers; and then secures the area with the help of a maid. This
ritual is very similar to a Buddhist ceremony I have heard of when people secure
an area for a person, with the help of holy people, go on trips to other worlds.
The annoying western story of battles with demons ensues later on when the young
girl's lover, Porphyro, comes, and because of his sensitive and vulnerable heart
is attacked by evil spirits and has to retreat. Then the girl got mad at him
for being weak which I thought was lame. I don't know for sure, because of my
entirely western education, but I don't think most other traditions involve
so much battling between good and evil. I have a hunch it is a western addiction
to dwell on enemies and negativity. The way he describes some things give me
a picture of how he thought about stuff, for example, when he is talking about
the holy man preparing for the ceremony: 'He passeth by; and his weak spirit
fails to think how they may ache in icy hoods and mails'. It seems like he is
developing such a compassion for his client, that he gets symptoms not unlike
courtly lovers. And: '...All night kept awake, for sinners' sake to grieve'.
It seems as though he is helping sinners instead of himself by praying, which
is a very vague. I think he means that he helps people by setting himself as
an example to others. The girl apparently sinks into a half sleep, half awake
state where the spirits come but she is conscious enough to deal with them rationally
and awake with the help of the beadman; which I assume Keats has experienced
himself; I have a couple of times. However, I don't have nightmares like this
poor girl is experiencing. Her lover, Porphyro, seemed to be there also, which
is hard to comprehend. Was he is a dream also? Or was this just a part of him
making the journey? I think it is uncharacteristic for a poet to refer to a
mortal as a Seraph (line 275). I don't understand the end; did the girl die?
Ode to Psyche- This is an ode to a goddess who Keats worships. Throughout the
whole poem he is talking about how much he loves and respects her. This poem
leaks some peculiar beliefs: '...And pardon that thy secrets should be sung
even into thine own solf-conched ear'. I don't like suppression of truth. It
seems like they thought secrets were good. Keats loves astrology; is this characteristic
of Christians of that time? Or just poets? 'The shadowy thought can win'. The
subtle feeling has the power? This was a hard one. Ode to a Nightingale- This
poem is about how much he reveres and learns from a worry-free bird. At the
beginning, his heart is aching from something, and then he sees the bird and
'envys' (line 5) it; and thinks it: '...Too happy in thine happiness'. When
he describes the scene: 'Of beechen green, and shadows numberless'. I think
his relationship with shadows is that they are the doorway to other way of experiencing
the world; where he gets his spiritual flavor so to speak. It is a complement
when he said: 'Not charioted by Bacchus and his pards'. The nightingale is sufficient
enough to give him a satisfactory imagination. After his induced altered reality
form the nightingale, he started thinking about his impending death and came
to a reconciliation with it. 'I have been half in love with easeful death....to
cease upon the midnight with no pain...pouring forth thy soul abroad in such
an ecstasy'. The last sentence; 'Fled is that music:- Do I wake or sleep?!'
seems to be referring to his experience as being like the dreamlike experience
of the woman in The Eve of St. Agnes. Ode on a Grecian Urn- In this poem he
is describing the grecian Urn, which captures intense experience. He describes
it as an eternally happy place, where the 'Heard melodies are sweet, but those
unheard are sweeter'. I can't understand how secrets can be sweeter; totally
beyond me how someone could think that. He seemed to be very comfortable with
his life on earth: 'Ye know on earth, and all ye need to know'; which is admirable,
considering he is dying. Ode to Melancholy- This is a poem about Melancholy,
which is basically depression. He refers to Melancholia as a she. Ode on Indolence-
Indolence is laziness. I think he may be talking about three figures he saw
in a daydream while he was being indolent. 'Pain had no sting, and pleasure's
wreath no flower'; is a good description of dream land. The three beings is
his dream were Love, Ambition, and Poesy. I wonder why Poesy is a demon who
has no joy. I would have thought he would enjoy writing poetry. Lamia- This
is a poem about a Lamia's adventures. It is interesting they have no evil intentions.
'Where either sex is formed of softer earth', is a good sentence. Less rough
around the edges, more refined. Part 1- Oberon, I remember him from Shakespeare's
Midsummer Nights Dream. So the Lamia is a subject of his and Lamias are a kind
of nymph. And Hermes sent her on a mission for a boy named Lycius. I was surprised
that the Lamia was moaning: '...Miserable me'. I thought people had a more enigmatic
attitude for them. His description of her sounds like a Hindi goddess: 'Vermilion-spotted,
golden, green, and blue; striped like a zebra, freckled like a pard, eyed like
a peacock'. Hermes lost her: 'Too frail of heart! for this lost nymph of thine'.
People don't refer to a loss of love as making you frail anymore. 'Free as the
air', good. The rest of the poem is just a description of the Lamia, I can't
follow any story sequence. He has a good description of how she looks like:
'Hot, glaz'd, and wide, with lid-lashes all sear'- Like a Japanese doll, with
the slit eyes, and earnest look? When he says: 'And sometimes into cities she
would send her dream, with feast and rioting to blend'; makes me think that
maybe pagans of those days actually believed that, maybe it is true that spirits
travel around and know how to start big things by making one small thing happen
like starting an avalanche with one small snowball. On this sentence: '...Roam
over these hills and vales, where no joy is, empty of immortality and bliss'.
Is he saying that the world is empty of immortality and bliss? If he is he is
contradicting himself. Part two- ities she Part two is about the love between
the Lamia and her boyfriend Lycius. This is too archaic for me to decipher any
kind of a plot, but there are some parts that spark my interest: 'Love in a
palace is perhaps at last more grievous torment than a hermit's fast'. Means
that the lovers should be traveling instead of being like Keats. I guess after
the love affair the Lamia, even though she loved him, ate him, because of the
part, 'Had Lucius lived'. He loved her so much her soft voice didn't hiss:
'... That make the soft voice hiss'. Here he is talking about the visions of
love that Lycius had when he was halfway between sleep and consciousness. '...That
they might see each other while they almost slept'. When he started to sober
from her love she got mad at him, like in that Kathy Bates movie Misery: 'Have
you deserted me, where am I now...you have dismissed me'. and their rompings
in Corinth She was very sensitive and he kind of mistreated her, which may have
caused her to eat him. '...Against his better self, he took delight, luxurious
in her sorrows, soft and new. His passion, cruel grown, took on a hue'. Lamia's
are apparently very eccentric reclusive creatures: 'I have no friends'. So she
wanted to marry Lycius so she wouldn't be lonely. But, 'Knowing surely she could
never win'. But as it turns out she isn't as alone as she says because she had
a lot of people at her wedding. '..In honor of the bride missioned her viewless
servants to enrich'. Maybe she doesn't consider her fairy friends real people
worth considering as friends. Lamias are like really strong people who have
tempers like two year old: 'Shut, shut those juggling eyes, thou ruthless man!...
around his demon eyes!' So when they started to not get along on their honeymoon
night she breathed the death breath and killed him; but didn't eat him because
his friends were there. Mary Walstencraft, A Vindication of the Rights of Woman-
This was an amazing piece of work. Her line of thinking was so close to mine
Mary Woof thinking was so close to mine (unlike the other poets) that I felt
like I knew her or she is one of my peers. There were only a few parts that
I could tell that she lived at a different time. 1792 is a really long time
ago and was literally in the dark ages of human consciousness. I was shocked by what she said but I knew what she said was true before reading this. It sure
did solidify it for me though. She was very sarcastic: 'My own sex, I hope,
will excuse me, if I treat them like rational creatures, instead of flattering
their fascinating graces, and viewing them as if they were in a state of perpetual
childhood, unable to stand alone'. And she made a lot of intense powerful statements
that were probably dangerous to make: 'I wish them (women) to... endeavor
to acquire strength, both of mind and body, and to convince them that the soft
phrases, susceptibility of heart, delicacy of sentiment, and refinement of taste,
are almost synonymous with epithets of weakness, and that those being who are
only the objects of pity and that kind of love, which has been termed its sister,
will soon become objects of contempt'. And: 'I presume rational men will excuse
me for endeavoring to persuade them to become more masculine and respectable'.
'(Men) thanks to debauchery, scarcely men in their outward form, and if the
blind lead the blind, one need not come from heaven to tell us the consequence.
And some of the things she charges men of saying were mind blowing: 'Educate
women like men', says Rousseau, 'And the more they resemble our sex and the
less power will they have over us'. And Rousseau is a well respected man!? This
piece reminded me of Martin Luther King's letter from Birmingham jail. Explaining
to very dense oppressors why oppressed are the way they are and the very simple
reasons that they are mistreated. I have thought about how women act childish
in those days, and this article confirmed it, with these passages: 'One cause
of this barren blooming I attribute to a false system of education' Trying to
make them mistresses instead of actual people with brains. The same problem
exists in Hollywood but is a greatly diluted way. She mentioned that our culture
comes from the bible which is very sexist. Stemming from women being viewed
as a part of man, with Eve coming from Adam's rib. She mentioned how the Arab's
book says that women don't even have souls, and she has to stoop to explain
how that is not possible: 'Supposing, for a moment, that the soul is not immortal,
and that man was only created for the present scene'. Some of her observations
on the nature of women of the day that has been caused by men: They are trained
to only judge and not create or be individuals making new rules like men do.
They can only give comments on how something is but have no power over it. She
thinks that women should become more masculine and take control. She thinks
the upper classes are the ones causing all the troubles: 'I pay particular attention
to those in the middle class, because they appear to be in the most natural
state'. I would like to read the whole manuscript, because in here she makes
a lot of blanket statements and I wish she would give some examples: 'I shall
try to avoid that flowery diction which has slided from essays into novels,
and from novels into familiar letters and conversation. She mentions that women
are trained to be cunning, getting what they want in a tricky sort of alluring
way, but not having the power to just take it. I would like to have some examples.
One example I can think of is how girls would say, 'Call me', instead of 'I'll
call you'. I never considered the extent that they were weakened until she
wrote of how women get weak muscularly and inside their guts from being penned
up all their lives. The fact that an unmarried woman over 30 is useless just
broke my hart. I sure am glad I am an American. I don't even want to go to Europe,
Boycott Europe! I heard women are more subordinate over there than here. How
men instill fear (as Rouseau says) in women to make them the way they are, and
they turn and try to scare others into conforming; reminded me of people who
were beat on as children turn and beat on their own. It is amazing how they
could be suppresses so much without apparently realizing it. Another part that
appalled me was how she had to explain that a man would rather have a woman
with a brain than a dumb hoe: 'That rare as true love is, true friendship is
still rarer'. And this bullshit: That great women were just 'Male spirits, confined
by mistake in female frames'.
'Liberty is the mother of virtue', amen. She says it is unfair that marriage
is the only thing women can look forward to. I would like to know the reaction
from the critics she got for this. I wouldn't be surprised if they didn't like
it. It is sad she had to so repeatedly admit that women actually are inferior
to men at this time: '...This is not an unfair supposition; of the present mode
of education does not tend to enlarge the heart any more than the understanding,
is jealous of the little kindness which her husband shows to his relations'.
Yikes. |
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Dorothy Wordsworth |
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I didn't really get into Dorothy
Wordsword. She just talked about her daily comings and goings. It was interesting
to read her stuff right after Wolstoncraft, because she is the perfect stereotypical
woman of that period of time. She seems to have no control over what she does;
just reports what she sees happening to herself. It seemed like every day someone
was dying or getting sick or injured. I was flattered how she was as close to
William as a wife, doing everything together and whatnot. And it is wild they
lived 80 together, that is twice as long as the average person of those days
even lives. I think it is very sweet that William married her best friend and
they all lived happily ever after together. I wonder what made her lose her
mind. It seems as though there are all sort of diseases back yonder. With Dorothea
not being a published poet, hearing all her Romantic descriptions of things
really hit home how incredibly descriptive those artists were. They pounded
it as though they were making up for hundreds of years of completely neglecting
it. It was insipid how much they did it. That's cool she watched the Simpsons,
I didn't know they were on that long ago. Anna Laetitia Barbauld- This woman
really lucked out to have a father who devoted his life to making her a walking
library. Not only was she a popular author at a young age, but she was political.
Definitely one in a million for a woman of that time. Life- This poem is powerful
because she is explaining the plyte of women, and not being soft about it: 'Life!
I know not what thou art'. She is saying how hard it is to be a woman, how she
is useless even to feed the weeds. It is as if she never even existed: 'Where
bend unseen thy trackless course'. Like she barely deserves to live. But she
calls for a healing of this sickness: 'To break thy trance and reassume thy
power?' '...But in some brighter clime bid me good morning'. Charlotte Smith-
She seemed like a fairly normal woman of the time, with an abusive husband and
12 kids. Written at the Close of Spring- In this poem she describes what fall
is like in a typical melancholy fashion: '...Are the fond visions of thy early
day, till tyrant passion, and corrosive care, bid all thy fairy colors fade
away!' She is talking about fairies again, does she see them or what? To Sleep-
Here she talks about sleep. - Here she talks about sleep. She makes the usual
references to classical mythology: 'Bid gay dreams, from Morpheus' airy court'.
I find it refreshingly interesting that we have a woman having dreams about
men: 'Clasp'd in her faithful shepherd's guardian arms'. I feel a different angle
about dreams with this woman than with the men. The charms of the dreams and
the love, and liberty being stressed was nice. To Night- This here poem is about
night. She likes night because it brings freedom and refreshes her. The men
have melancholy, but the women must have a lot more because of their suppression.
So it is no surprise to hear how the dreams relieve her of: 'Embosomed grief,
however vain'. 'While to the winds and waves its sorrows given'. She, like the
other females here, has hope: 'May reach-tho' lost on earth- the ear of Heaven!'
William Lisle Bowles- I didn't really party that much with Bowles. To the River
Itchin, near Winton- I wasn't surprised to hear him talk about melancholia:
'Why feels my heart the shivering sense of pain?' The rest of the poem he Romantically
describes this river that I assume is near his house. Languid, and sad, and
slow- What a classic title for a Romantic English poem. 'Their sad spirits beat
to tread that fairy ground'. I am starting to wonder if fairies were flying around all over the place back then for people to see and they just don't do
that no more. ''Till cheerless on their path the night descends'. That is a
sad image; when you don't feel like you had a good day when it ends because
of your languidity and you do it many days running. 'And soon a longing look':
What a lot of Languid people do, expecting someone else to dig them out of their
rut. Joanna Baillie- This girl lived a long time, longer than how old I am right
now anyway. The successor to Shakespeare? Nice! Tough for a woman to do. And
she was Scottish to boot.
Up! Quit thy Bower- This is a poem about a woman getting married. In those days
women only left the house to get married, and then lived in a new home without
leaving. It seems that maybe she is mocking the life of a woman in this poem
instead of praising it. Because she says: 'Braid thy hair'. Which is a metaphor
for tying your creative side down, acknowledging weakness. 'And rose thee in
breezy air': As if she is never in the breezy air. 'The friar's bell, its service
sound hath chimed well': Is another allusion to women being controlled by men.
Up when the bell rings you bitch (you know, female dog obeying the bell). 'May
bring good fortune ere the night'. Never have I heard one of these ladies not
speak of dreams. Song: Woo'd and married and a'- This poem is anti-male. This
seems like it could be a song. She talks of not being wooed by a rich man but
a man what loves her. 'Her mother then hastily spak'. Women probably hastily
spak so their men wouldn't say 'Dumb bitch talks too slow'. This part could
mean some different things: 'The gear that is gifted, it never will last like
the gear that is won'. Is she talking about women needing to take what they
want in the world, or must take men who take what they want. Probably the latter.
'The chiel maun be patient and steady that yokes wi'a mate in her teens'. Because
young girls are weak and fragile? Joanna's dream is for a man to say this to
her: 'I'm rich, though my coffer be toom, wi'the blinks o'your bonny blue een'.
Walter Savage Landor- The longest living yet. Seamed to be a very energized
man, probably good hearted. Never heard 'Lionized' before. He was probably irascible
because of some kind of sickness he got swimming in some shity river as a child.
Seems to be the ultimate Romantic, too hard core to be poet laureate: '..But
they are written in a style so elevated and remote that they sometimes suggest
dialogues between heroic-size Greek statues'. Mother, I cannot mind my wheel-
Classic melancholy: 'If you felt the pain I feel!... Men may use deciet...He
always said my eyes were blue'. |
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The Three Roses |
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This is an Ode to his three female
relatives who are roses to him. Past Ruined Ilion- This poem is about his dreams
about Helen of Troy: 'While lovers hail these many summers you and me'. He relates
pain with love, like a lot of Romantics do: 'The tear for fading beauty check'.
Maybe Ianthe is his wife in real life. Dirce- This is about a fairy girl, Dirce.
Who is at the river Styx, and Charon wants her, but she is a shadow; not real
enough for Charon. Twenty years hence- This poem is about his vision of himself
in twenty years. 'Too sadly sigh Alas': He doesn't like getting old; not surprising.
Well I remember how you smiled- This poem is about his lovely Ianthe teasing
him for writing her name in the sand because it will wash away and thinking
he didn't know that. Now his wife is dead and he is telling her that he is writing
her name in a poetry book which will never wash away, so he got the last laugh
(or smile). George Gordon, Lord Byron- He was a pathologically irascible man
who was raised by a woman of a similar temperment and a murdering uncle. He
was apparently one of those people who would get in knock down drag out arguments
with people and then go out to lunch with them. He was a typical Englishman
of the time in that he was eccentric and outspoken, but he broke too many of
their Victorian rules and ?as kicked out of England for two timing his wife.
English people of that day seemed to be very emotional, I wasn't surprised to
read that he went into convulsions when he heard a girl he was in love with
got married. I wonder if they are still like that. Mary Shelley's description
of him: '...Gloomy and yet more gay than any other'. Suggests a man who is very
in touch with his emotions, a classic poet. Written after Swimming from Sestos
to Abydos- This seems like an uncharacteristic thing for an Englishman of those
days to do, and he did it in December. I don't understand how he could pity
Venus, while he is swimming in freezing water, he must have been in one of his
hyper moods. In the last stanza he is sort of making fun of and sympathizing
with those poets who aren't as strong swimmers as he. She walks in beauty- In
this poem he is praising (I assume) his girlfriend. He relates night time with
love. 'One shade the more, one ray the less': Is a nice complement, a fancy
way of saying she's perfect. And: 'A heart whose love is innocent': Is about all
you can ask for. They say that Hope is happiness- Here he is talking about how
people imagine love in the past and future. How it is more real in the past:
'Love must prize the past'. And it is only going to get worse: 'The future cheats
us from afar: Nor can we be what we recall, nor dare we think on what we are'.
He is obviously really ashamed of being an Englishman. I wish he would be more
specific. I think he is saying English people don't know how to respect and
love each other. When we two parted- Here he is talking about his divorce with
his wife. In the end he admits that he messed up and probably regrets causing
her to leave him: '...And share in its shame'. 'A shudder comes o'er me'- Goes
back to how in touch with emotions these poets were. 'How should I greet thee!
With silence and tears'. Tells how the 'Heart could forget'. Stanzas for Music-
In the first stanza he is talking about how the synchronicity between all the
things in nature is like music. Darkness- This poem deals with his idea that
English people don't communicate and can't trust each other. 'And all the hearts
were shill'd into a selfish prayer for light'. How the homes of people just
served to separate people. He talks of how people of power live unjustly: 'They
were slain for food. a meal was bought with blood, and each sate sullenly
apart gorging himself in gloom: no love was left'. This is definitely a pessimistic
poem how our civilization is crumbling into darkness instead of coming into
the light. So, we'll go no more a roving- Here he is describing his jont in
the woods with his lover. Because: 'The night was made for loving'. He feels
the moon magnifies loving; he doesn't say why, but the stillness of its brightness
has something to do with it. |
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When a man hath
no freedom to fight for at home |
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This is a simple poem explaining
the virtue of fighting for freedom. This sentence, 'When a man hath no freedom
to fight for at home, let him combat for that of his neighbors', he is saying
that if you are free, you have the moral responsibility to fight for the freedom
of people who are oppressed elsewhere. This is a powerful thing to say and do.
When you realize the importance of freedom without having to be oppressed, and
have the compassion to fight for strangers; you are a very special person. Stanzas
Written on the Road between Florence and Pisa- I liked this poem a lot because
he is explaining why men shouldn't go to war because of laurels they might win,
but to please their girlfriends; because what your lover thinks of you is the
most important. Not only that, but to know that you did it for love, it makes
love that much stronger: '...The bright eyes of the dear one discover she thought
that I was not unworthy to love her'. 'The day of youth are the days of our
glory', shows an important believe they had in those days. War was a bigger
part of their lives in those days, so it was still more important for a man
to be a good fighter than a wise old men. Wise old men where out in those days.
I assume with this statement: 'What are garlands and crowns to the brow that
is wrinkled?', he means that old men don't care for garlands and crowns because
they have already proved themselves. But it could also have a more pessimistic
meaning; that old garlands don't mean anything anymore. January 22nd. Missolonghi-
This is an interesting poem because of the message he gives that (I assume) we
are too preoccupied with reputation when we judge each other, that the feeling
of communal love is lost. In this poem he is also lamenting the fact that he
doesn't have any children: 'No torch is kindled at its blaze a funeral pile!'.
'The fire that on my bosom preys is lone as some Volcanic Isle', tells that
English people are alone. This sentence, 'The hope, the fear, the jealous care',
says that Englishmen are jealous of each other, afraid of failure, and think
of hope as something negative along the same lines as fear and jealousy. When
he says: 'The sword, the banner, and the field, glory and Greece around us see!
The spartan borne upon his shield was not more free!' He says that England is
too influenced by the warrior mentality that came from Greece. The warriors
like the Spartans were no more free than English people. With this stanza: 'Tread
those reviving passions down unworthy manhood- unto thee indifferent should
the smile or frown of beauty be', he declares that beauty has nothing to do
with the idea of honor that comes from killing other people. The last two stanzas
tell how quick life is, so do what you want to and not because it is the socially
accepted thing for young people to do. I might be misunderstanding him here,
because he went to another country and died in a war that he wasn't socially
required to do. |
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Childe Harrold's
Pilgrimage |
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This poem is from his diary when
he traveled around Europe. It mostly deals with his observations of the histories
of the places he visits. His hero, Childe Harold, is an imaginary young knight's
travels. The first Canto, 'Sin's Long Labyrinth', explains where he first went
wrong, when he disrespected his native land: 'Who soon had left her charms to
vulgar bliss, and spoil'd her goodly lands to gild his waste, nor calm domestic
peace had ever deign'd to taste', describes when men started conquering other
lands, which is bad. In the third Canto, he describes how something went wrong
when he was young: 'Since my young days of passion- joy, or pain, perchance
my heart and harp have lost a string, and both may jar'. Perhaps he is saying
that his passion could have been used for something other than war. 'Still unimpair'd,
though old, in the soul's haunted cell'- He is refering to Childe as still having
motivation, even though he is going is circles. This sentence: 'In soul and
aspect as in age: years steal fire from the mind as vigour from the limb; and
life's enchanted cup but sparkles near the brim', explains how his culture is
designed to only foster violent energy that is in young people, without valuing
the wisdom that comes in old age. 'Secure in guarded coldness' is a good description
of English peoples tendency to be cold to others and at the same time fortify
them selves against the coldness of others. This line: '...The very knowledge
that he lived in vain', tells how Byron considers a traveler without a cause
is worthless to even himself. Which is an interesting view to have because it
is such an unconditionless thought; as if you can't learn anything from just
traveling. The Child needs a purpose: 'Ambition's life and labors all were
in vain; he wears the shattered links of the world's broken chain'. In stanza
41 he explains how, 'Men's thoughts were the steps which paved thy throne, their
admiration thy best weapon thrown'. Peer pressure. This sentence explains how
warrior societies aren't evolving properly: 'Their breath is agitation, and
their life a storm whereon they ride, to sink at last, and yet so nursed and
bigoted to strife'. He admits a fowl truth: 'He who surpasses or subdues mankind,
must look down on the hat of those below'. Here he explain how he is a part
of his society and can't escape it: 'I live not in myself, but I become portion
of that around me; and to me, high mountains are a feeling, but the hum of human
cities torture, I can see nothing to loathe in nature'. He asks for us to become
peaceful by going to nature. This is an interesting line, because it has to
do with ugly things seeming pretty: 'The breath which made him wretched; yet
he knew how to make madness beautiful'. This line is interesting because it
refers to how only the young is respected: 'He is an evening reveler, who makes
his life an infancy, and sings his fill'. He isn't entirely melancholic, stanza
116 gives an answer, describing a proper childhood: 'To aid thy mind's development,-
to watch thy dawn of little joys,- to sit and see almost thy very growth,- to
view thee catch knowledge of objects,- wonders yet to thee! to hold thee lightly
on a gentle knee, and print on thy soft cheek a parents kiss'. Here he describes
his ideal place: 'There is a pleasure in the pathless woods, there is a rapture
on the lonely shore, there is society, where none intrudes'. He thinks that
people shouldn't intrude and control others, and trust each other. The last
few stanzas get very negative; starting with stanza 179: 'Roll on, thou deep
and dark blue ocean-roll! Ten thousand fleets sweep over thee in vain; man marks
the earth with ruin-his control with the shore...etc.' This whole stanza
explains how humans are so concerned with controlling everything, but they can't
control the sea, and are nothing to it. This conveys an attitude of separateness
from nature that humans have. He kind of implies that nature doesn't even care
about humans. Here is another sentence along those lines: 'Thy shores are empires,
changed in all save thee- Assyria, Greece, Rome, Carthage, what are they?...Has
dried up realms to deserts'. I had a hard time following this poem, but he had
a lot of lines. |
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Second Romantic Literature Journal |
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ems all the time and what not. He
was a conspicuously precocious young school boy, just don't be afraid to think
He was very melancholic, and it is good he got married. He said , Apparently which, but; because he didn't seem like a conservative for his time. recollection matched
from yon bean-field! andre |
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That's Don Juan.
Canto 2 |
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This is a tragic love story about
a young man named Don Juan, his lover Haidee, and her Father Lambro. The poem
starts out describing Don Juan's childhood. This line interested me: 'Dunces
where whipt, or set upon a stool: The great success of Juan's education spurr'd
her to teach another generation'. This line sounds like Byon thought that whipping
kids was good education. Then Don Juan (and I think Lambro also) in a pyrat
ship that sinks. Byron wins the grossest Romantic prize for vividly describing
the dissection and consumption of the dead sailors. Because Juan is a good swimmer
and he was lucky enough to have an oar to hold on to, he thinks he is the sole
survivor. He is found by Haidee (the princess of the island) and her maid, and
nursed back to health. Haidee and Don Juan fall in a love unbeaten by anyone,
which Byron does a good job at explaining: ´´He woke and gaed, and would
have slept again, but the fair face which met his eyes forbade those eyes to
close...and she would softly stir his locks so curly, without disturbing her
yet slumbering guest...thought daily service was her only mission...and saw
each other´s dark eyes darting light into each other-and, beholding this,
their lips drew near, and clung into a kiss...concentrating like rays into one
focus, kindled from above...each kiss a heart-quake...as if their souls and
lips each other beckon'd..as if there were no life beneath the sky save theirs,
and that their love could never die....they were all in all to each other..they
thought a language there...Juan and Haidee gazed upon each other with swimming
looks of speechless tenderness, which mix'd all feelings, friend, child, lover,
brother, all that the best can mingle and express when two pure hearts are pour'd
in one another, and love too much and et can not love less'. Haille thought
her evil pyrat father, who owned the island, was dead because she hadn't heard
from him in a long while. And when he came back, she had finished her mourning
and had started her new life with Don and wasn't expecting to see her father.
When he woke her up, she screamed and Don Juan woke up and the crazy father
grabbed his daughter so Juan wouldn't shoot him and shot Don Juan, who was carried
away wounded in a ship back to Europe. Lambro is definitely a nut-case because
of this line, where he talks about his feelings about finding his daughter in
bed with a man after she thought he was dead: 'Few would bear such outrage,
and forbear to kill'. That is a bit of an exaggeration. Hailee was so heart-broken
that she died twelve days later. This is an unusual poem because the poet diverges
on a few occasions to philosophize about what is going on with the story, and
defend and explain why he is diverging. Here are some sentences that describe
his personality: 'As boy, I thought myself a clever fellow, and wish'd that
others held the same opinion; they took it up when my days grew more mellow,
and other minds acknowledged my dominion...This is a liberal age, and thoughts
are free. Meantime Apollo plucks me by the ear, and tells me to resume story
here'. There are some lines in this poem that got me thinking; like this one:
'The love of women!... Their revenge is as the tiger's spring, deadly, and quick,and
crushing; yet, as real torture is theirs, what they inflict they feel. they
are right; for man, to man oft unjust, is always so to women; one sole bond
awaits them, treachery is all their trust'. Here he tells how women are treated
unjustly by men, yet have powers to make men feel very bad, as bad as men make
them feel. Here is another interesting line: 'That wisdom, ever on the watch
to rob joy of its alchymy.' Another degrading line to wisdom and old age.
say By not having music sometimes you realize you like not having it, dig? Yea,
thoughts don't have to be called.
a fact of live He wants to be humble, not always worrying about being a proper
English boys, and he can roam anyway when he gets better about their ignorance
(like cities and such) dreams are more developed than, a natural Indian love row
he termed his huge canyon: 'T to man. With is shipmates and nearly his own
ama in a much more subtle manner?ask where s? a do I think the aliens told him
(just kidding). when the wind came. Why didn't without wenting from the journey
thank god H without even having It... Praise, But when he told his daughter()s
,might subtle; a snake's small eye blinks dull From the class discussion it turns
out that this poem is about a Lamia preying on poor Christabel and seducing
her father; but if it was about anything else it would be about what I just
said. only to the heights crack me up: this an optimistic poem. Plus,
He talks of the o bad he thinks snakes are evil: ,and I agree but I think
should as praying also. speaks well , speaking nd making sure it was OK 'F
youth'?! My youth wasn't mild, but I know what he is talking about. present
God) self'. and could hang out with them in heaven; a, who's main job of existence
is For Coleridge to say this about Wordsworth: Shows a lot of respect. remember
the past most vividly. ?,When he says, '; In for him dreamer are sheer
opposite,'he means that dreams dream of the future, and poets describe the past
and the present in the same sort of way that a dreamer would describe the future.
of the Oceans at the same time;he is for poetry. own soul has to itself decreed',
because he N tale of human life we'll read', beautiful the ideal life is.
angel who is getting the most ouglorious fear', about whom Coleridge says: 'saying
, i'm probably wrong, instead of just crazy archaic people This poem is very
candoric,,,at he is saying. Compared to the other Romantics it is like he.,
i; in la la land. However, how , a. So his being in wacky land instead of Warchester
valley could be. World to the heavenly spheres, which are: r related science
with religion have any Here, you but forgotten stone! About time someone
tells those our power Power ,which is soul's and God, the flesh This must talks
about when ,of l the exquisite places he will visit like with snow surrounding
it, a This have reached the bottom after the darkest of dark. in a different
way their who on trips to other worlds. This counterpart is more negative,
like lf; I have a couple of times; is experiencing. Her lover What happened
in the end was the two lovers ran off into the distance. Through , like the
one about Psyche not supposing to know about her secrets, i The shadowy though':
is s He gives it when he says He means t from to a reconciliation with it:
, Hermes, Keats' 'Free as the air' is what the slit eyes, and earnest look.
I,,poem 's torment than a hermit's fast', hood, unable to stand alone'. Here
is another one: e masculine and respectable'. 'T(to men) Some of the things
she charged me of Martin Luther King's Letter From Birmingham, people, why my reasons why, 'to exists in Hollywood but in ,; s; it is amazing that
s Here are s says accuses of that she probably gives examples for; like this
one:'like men do for, physically , she said The dynamics of
then the women, how they could be suppressed (as if it wasn't already
obvious) ed by mistake in female frames', is another ridiculous thing that men
said.she got are was to his relations'. Yikes! get into Dorothy Wordsword,
Wordsworth Amazing years lived ,were a lot of mental diseases then the descriptions
them; maybe it has something to do with their longer attention spans. To me
i
as a corpse As if , read about; eat to tread that fairy ground'- '-, An impressive role have this poem instead
of praising it; b As if he is saying,''- This poem is anti-male and about her
dream of , the blinks o' your bonny blue yet ,her He had a very stupid wife,
I wonder what percentage of the women were that dumb. he was eccentric and outspoken;s
kicked out of England for two- with got married. I wonder if English people
and thinks other people should be like that also, seems like an uncharacteristically
badd ass understand how he could pity Venus frantically with love:and the more, one
ray the less', i is how the 'Heart could forget'a love. neighbors',s and The
last two stanzas, in a very sarcastic way, thing for young people to do. wasn't
socially required to do; maybe he actually means what he says.tion, even though
he is going inward way of looking at competition down on the hat of those below'.
I would say: 'He who surpasses or re-influences mankind, gets to make the new
rules'. Herman Hesse- I like Herman Hesse. What an eccentric individual. Trying
to commit suicide, having to spend time in the insane asylum. I very melancholia
man with a good heart. Narcissus and N and G was a very good book. I learned
a lot of things from it. It was very good. I liked it a lot. Yes. I liked Goldman,
as far as I am concerned he is the perfect person. He loves everyone and tries
to make their life better: 'He (Goldmund) would have liked to become the personal
servant of this pious man'. He tried to help Rebecca, he let Robert follow him
around, even though he didn't really like him. He helped bury bodies in the
plague. He didn't do anything selfish, he was a good man. Narcissus and Goldmund
were polar opposites. Narcissus was the scientific minded scholarly priest,
and Goldmund was the creative artist. Hesse brought to light the gifts and weaknesses
of these two different kinds of people. Narcissus couldn't create, and Goldmund
couldn't judge. Narcissus could find the relationships between things, and
Goldmund created new paradigms. Goldmund's life was much more exiting, and painful;
very intense; while Narcissus was very controlled and monotonous, but easy.
These two men become friends with each other in the beginning of the book because
they are so different and they thrive of the the fascination they have with
each other. At the end of the book they completely realize how they are the
embodiments of the two great opposite personalities who live symbiotically in
the world; and they realize they aren't as different as they thought they were.
Narcissus admits that his life is hard, and Goldmund admits his life is pointless.
At the beginning of the book Narcissus is portrayed as the more knowledgeable,
explaining to Goldmund how he isn't as good of a thinker as he is, which is
a condescending and overly simple thing to say. But in the end he admits to
Goldmund that he kind of envies him: 'My life has been poor in love; I have
lacked the best of life...You give me your love in this moment when I have nothing
left'. Goldmund especially loved women, and it was a love that greatly transcended
sex. He was very spiritually connected to women. He had visions of his mother
his whole life, and thought seeing her when he dies is like seeing god. He always
thought of Rebecca, and he only talked to her briefly and never even touched
her. He stayed with Rene until she died even though she was deformed with the
plague and exposing him to it. He bent to the wishes of women, which men never
did in those days. If everybody would have respected women the way Goldmund
did, the world would have been a much better place. One point Herman Hesse may be making in this book is that the perfect person has the gifts of Narcissus
and Goldmund. We all need to be able to create new paradigms for each other
by doing new things nobody has done before, but we also need to be able to
relate things together and judge and classify where we are at compared to each
other so we don't bring things out of proportion and become excessively depressed
or dangerously manic. Another point he could be making is that the different
people of the world need to respect each other for their differences, because
they show them a side of the world that they don't see very much and need to
become aware of. That it is OK be fascinated with someone who is different,
instead of looking to your own kind for support and entertainment. The world
at that time definitely needed such a message. Goldmund is far closer to the
human ideal than Narcissus because he is free and loves and lives hard. Narcissus
is penned up in the cloister his whole life and is a domestic animal. Hesse
doesn't paint a favorable picture for anybody in this book. He portays Goldmunds
life to have a lot of pain and near death experiences, and Narcissus to be like
a stagnant caged animal. Hesses' melancholy temperament does a good job of conveying
the story in an objective light; so the reader can see the facts of the situation
of themselves, and independently come to their conclusions about Hesses messages.
I think this book did a good job at opening people's mind's to each other. The
dynamics and societal rules and artistic and analytical, were brought up.
The fact Arson. He loves everyone and tri he let Robert follow him
around plague scholarly between's These two men beca friends beginning embodiments
symbolically knowledgeable briefly before to someone definitely, very portrays Goldmund's
stagnant caged animal. |
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Second ten page paper on the precarious balance between affirmation and despair |
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There was deffinitely a precarious balance between affirmation and despair in
Victorian England. One reason there was a lot of despair was because of all
the technological advances coming for people who are understandably not prepared.
The population increase coming before sewage systems is a perfect example. Another
reason is a basic misunderstanding between the different classes and sexes.
Women were in such a disrespected position for whatever reason, that have of
the population was in a rut that they couldn't get out of. It was a time of
as much turbulence as today, except there was a lot more evil. The five million
witch massacres is a perfect example of this prevalent evil.
With artists being the 'eyes of the world', they charged themselves with the
task of bringing to the world a sense of optimism; but they need to show us
the despair in order to make the optimism powerfully affective on us.
Mary Wollstoncraft's Vindication
of the Rights of Women, is the cannon for these eye opening pieces. Here she
explains to men that women have gotten the shaft, and the reasons that they
aren't fighting back. She admits to the different characteristics of the sexes;
how women tend to inspire love more, and men feel a need to lead, but she quite
diplomatically explains that these differences are taken way too far. She brilliantly
sets a plan for the future. She says how the middle classes are the people to
mimic, instead of the upper classes, which is a very progressive and brave thing
to say: 'Addressing my sex in a firmer tone, I pay particular attention to those
in the middle class, because they appear to be in the most natural state'. She
explains how women as a whole are considered inferior, so they should strive
to be more like men, both physically and mentally. Thing she says that women
should do to gain more power are to drop meaningless language that inspire vain
emotions that lead nowhere: 'These pretty superlatives, dropping glibly from
the tongue, vitiate the taste, and create a kind of sickly delicacy that turns
away form simple unadorned truth'. I find it startling that she feels a need
to defend herself when she writes such obvious truths: 'I presume that rational
men will excuse me for endeavoring to persuade them to become more masculine
and respectable'. I liked this piece especially because she enlightened some
disgusting facts about the plight of women: '...Will obtain for them the protection
of man; and should they be beautiful, every thing else is needless, for, at
least, twenty years of their lives'. Her paper is strewn with so many clarifications
that I could write for ten pages on just this piece. My favorite observation
of hers is one of her descriptions of a negative personality trait of women
of that day: 'They dwell on effects, and modifications, without tracing them
back to causes; and complicated rules to adjust behavior are a weak substitute
for simple principles'. And she says that this is the fault of men because they
don't encourage or even let women do any of the creating.
This paper has so many solutions to so many problems, that it is the winner
of the balancing act between affirmation and despair.
Another English Romantic who conveyed good ideas and images concerning affirmation
and despair was Lord Byron.
This man was well aware of the weaknesses of his culture, and cunningly reflected
his knowledge. He came from tormented roots, so he had a first hand experience
of life gone awry. He like to write tragedies, like Cain Sardanapalus, and
Marino Faliero. He was a good man because he wrote about women in a positive
light. She walks in beauty is a good poem because of these lines: 'And all that's
best of dark and bright, meet in her aspect and her eyes. One shade the more,
one ray the less, had half impaired the nameless grace'. But he still can't
escape a line that could be classified as sexist: 'A heart whose love is innocent!'
This is sexist because if you are innocent you haven't experienced life. He
definitely is a melancholic poet, but he has good techniques to bring affirmation
in with his statements that make him seem like for of a god than Venus; for
example in the poem Written after Swimming from Sestos to Abydos, he says: 'Fair
Venus! How I pity both!'And another affirmative sentence: '...And swam for love,
as I for glory'. In this sentence in this poem: 'Sad mortals! thus the gods
still plague you!' He is making a command for us to stop revering gods as all
powerful, and start seeing ourselves as the ones in control. In his poem Stanzas
for Music, there is no last sentence or stanza that brings us down, which is
refreshing. His poem Darkness has a lot of lines that enlighten us to the ills
of the society, like this one: 'Were chill'd into a selfish prayer for light'.
This isn't the first time I have read about an English Romantic using the word
selfish to describe his people. He means to say that they don't have shoulders
to lean on with these lines: 'But with a piteous and perpetual moan, and a quick
desolate cry, licking the hand which answered not with a caress-he died'. When
he says: 'They slept on the abyss without a surge-the waves were dead; the tides
were in their grave, the moon their mistress had expired before; the winds were
withered in the stagnant air, and the clouds perished; the darkness had no need
of aid from them-she was the Universe'. He is saying that nature isn't getting
her fair share of love from men that she is giving to them. He declares the
remedy to the problem, saying that it is love for each other in his poem So,
we'll go no more a roving: 'Though the heart be still as loving...though the
night was made for loving, and the day returns too soon'. I find it delightful
that he uses the moon.
Another important Romantic poet who
preached for freedom was Anna Laetitia Barbauld. She was fortunate enough to
have a father who trained her as much as anybody could a son; so she was educated
enough to know about the dynamics of the plight of women. Her poem The Rights
of Woman is a poem about how women have been oppressed and must fight for their
freedom.
'Resume thy native empire o'er the breast', means that women have a right to
rule the world with their hearts as much as men do with their minds. It is very
bold of her to say: 'Make treacherous man thy subject, not thy friend'. I can
see her logic though; extreme affirmative action is necessary sometimes. When
she says: 'That angel pureness which admits no stain; go, bid proud man his
boasted rule resign', she means that women will triumph because god is on their
side because they are pure like Jesus. This poem is very optimistic until the
last two stanzas, where she says that women won't actually do all the things
that she commands; and will fall for the false excuse: 'That separate rights
are lost in mutual love'- that men and women's relationships are properly symbiotic
because they both truly love each other. In her poem Life, she
really lays on the complaining of how women have been mistreated. By beginning
with: 'Life! I know not what thou art', she begins the poem with a very serious
note; but by ending it with, 'Say not good night, but in some brighter clime
bid me good morning', makes it a very intense balancing act between affirmation
and despair. What I like most about Mary Wolstoncraft and Barbauld is that their
candor is the necessary ingredient to make these poems powerful, because they
concern such important issues.
The ideas and images of Coleridge and Keats do the best job of tying all of
these serious issues about the melancholy and confusion of Victorian England.
Both of these men had very hard lives; Coleridge suffered a lifetime of physical
pain, and Keats lived all of his adult life with a terminal disease that had
already killed the rest of his family, except his father who was killed by an
undisciplined horse. They knew what hardship was, and it was the same kind of
hardship that plagued a lot of English of that age. Being ambitious poets, they
knew what hard work was, and cold see the 'light at the end of the tunnel';
and they incorporated these two opposites into their poetry quite well.
Keat's main message was the need for us to soak up nature as much as we can-
Smell all the flowers, hear all the sounds, see and classify all the colors,
and remember all the dreams, because that is the true and most pure essence
of life. Most of his poems are mostly descriptions of beautiful things, which
is positive, but they all have a tinge of despair in them that is meant to send
a message to the readers. For example, in his poem, Ode to a Nightingale, he
describes how pure and beautiful the bird's life is; and how it is odd that
it should be happier than him. I assume he is implying that English people put
themselves through unnecessary pains caused by their over classification and
needless worries about vain things. He opens the poem saying, 'My heart aches,
and a drowsy numbness pains my sense, as though of hemlock I had drunk, or emptied
some dull opiate to the drains'; which makes it clear that he knows that something
is gone awry in his life. When he says, '...But being too happy in thy happiness',
he is being sarcastic, implying that the bird is more happy that it should
be and he is jealous. He enjoyed the whole experience with the nightingale,
and when it flies away, he asks, 'Do I wake or sleep?'; he doesn't know which
world is better, the dream world of the conscious world. As far as being affirmative
goes, Keats is very subtle. Instead of saying something like 'I am great', like
Lord Byron, he distances himself more and makes statements that people could
contemplate while thinking about themselves. Here an example: 'Beauty is truth,
truth beauty'. When he addresses negative things, he shows how they are an integral
part of our reality, and deserve respect. For example, in his Odes on Melancholy
and Indolence, he reveres them like gods, and declares his love for them: Concerning
Melancholy- 'His soul shall taste the sadness of her might, and be among her
cloudy trophies hung'. Concerning Indolence- 'The blissful cloud of summer indolence'.
In his poem Lamia, he is making a political statement that these female fictional
deities don't have to be evil like most people think. This is a good tactic
to use to get people to not think witches have to always be evil. His Ode to
Psyche, give points to females by revering a female deity instead of a male
one like Thor. However, even Keats can't completely transcend sexism, as evident
by this remark: '...And pardon that thy secrets should be sung, even into thine
own soft-conched ear'. Here he is implying that she (because she is a woman)
has the power of holding a lot of secrets, but they are merely to give her a
shallow lovely flavor, and not meant to become mentally challenging, or analyzed
by even HERSELF; as if she isn't (even being a goddess) intelligent enough to
understand herself, but Keats is. In this poem he doesn't refer to her
mind, but her feminine powers of creation ('...Who breed flowers, will never
breed the same), and love ('...To let the warm love in!). However, Keats definitely
was one of the more melancholious poets of the age, with almost all of his poems
ending on a down note. For examples, here are the last sentences of some of
his poems:
Why did I laugh tonight? No voice will tell- 'Verse, fame, and beauty are intense
indeed, but death intenser, death is life's high meed'.
Bright star, would I were steadfast as thou art- '...Or else swoon to death'.
La Belle Dame sans Merci: A Ballad- 'Though the sedge is withered from the lake,
and no birds sing'.
Sonnet to Sleep- 'And seal the hushed casket of my soul'.
Ode on Indolence- 'Vanish, ye phantoms, from by idle sprite, into the clouds,
and never more return!'
Lamia- 'No pulse, or breath they found, and, in its marriage robe, the heavy
body wound'. Lamia has a very powerful message on how we should treat women.
In this poem he is saying that we should not judge a book by its cover. Just
because she is a Lamia, doesn't mean that she will eat Lycius. But Keats, being
the melancholia that he is, makes it a tragedy. In the poem Apalonius, a friend
of Lycius, uses only his mind and not his heart (which most men of Victorian
England did too much of), and did some very bad things to sabotage the lover's
relationship. He crashed their wedding by exposing and slandering her: 'Lamia,
what means this? Wherefore dost thou start? Know'st thou that man? ...Begone
foul dream! Fool, Serpent!'. Because of this, his friend Lycius dies of a
broken heart. The moral of the story is that we must judge each circumstance
as unique to itself, and let go of all the stereotypes that we label every thing
with. Victorian English people are notorious for overanalyzing each other and
using their weaknesses to defeat each other; which is a lose lose situation,
but they didn't realize it yet and it was up to the poets like Keats to bring
these subtle truths to light in subtle and cunning way.
In his poem Spirit of St. Agnes, he tells a story of a woman who is undertaking
a ceremony so she can see her future husband, and a young man comes in and woes
her off with him. With the poem ending with, '...Ages ago these lovers fled
way into the storm...', the moral of the story is that no matter how intense
any story, it will mean nothing in a hundred years; so nothing is too eccentric
or weird to happen.
Samuel Taylor Coleridge was another important poet because of his great ability
to bring to light subtle realities that the people of his day needed to know
in order to evolve. One reason he was one of the 'seminal minds of England'
because of his relentless fight paint an affirmative picture of perfect places;
places that he knew England could be like some day. In his poem, The Eolian
Harp, he describes such a place, with: 'Rhythm in all thought, and joyance everywhere sunbeams
dance like diamonds'. He was definitely precocious because he is the only man
who directly declared that women are as smart as men and have been mistreated:
'But thy more serious eye a mild reproof darts, O beloved woman! nor such thoughts
dim and unhallowed dost thou not reject, and biddest me walk humbly with my
god. Meek daughter in the family of Christ! Well hast thou said and holly dispraised
these shapings of the unregenerate mind'. He refers to these virtuous thoughts
as being dim because they aren't decorated with vain superlatives, and the word
gives a reason why such thoughts aren't in control at the time. As far as balancing
affirmation and despair are concerned, his poem, This Lime-Tree Bower My Prison,
shows a good progression of thoughts about not being able to walk about the
fields with his friends because of an injury, but he realizes that he lives
there and can do it any time, while his friends live in the city and cannot:
'My gentle-hearted Charles! for thou hast pined and hungered after nature, many
a year, in the great city pent'. This poem is meant to make people want to leave
the city for the country.
In The Rime of the Ancient Mariner, he quite intricately explains a trip that
has gone awry because of the captains mistake of killing an Albatross that has
befriended them. In my opinion he failed to attach a solid moral to this poem,
but it basically is, 'don't disrespect nature, because you will be punished
if you do'. If sexism and vainness aren't his weaknesses, that these are: his
vagueness in messages concerning our relationship with free will and the powers
that be. From Lime Tree Bower is my Prison, to The Rhyme of the Ancient Mariner,
to Christabel he pounds into us the sense of helplessness that he feels because
of his chronic illness. But he is was the best at explaining the melancholia
of the time; especially with these lines from Dejection: An Ode: 'A stifled,
drowsy, unimpassioned grief, which finds no natural outlet, no relief, in word,
or sigh, or tear...the poor loveless ever-anxious crowd...but now afflictions
bow me down to Earth hence, viper thoughts, that coil around my mind, reality's
dark dream!'
In his poem, The Pains of Sleep, he explains the torment in his mind (that is
caused by his society), verses the knowledge of his inherent power: 'Since in
me, round me, every where eternal strength and wisdom are. Sense of intolerable
wrong, and whom I scorned, those only strong!'. When he comes the strong,
he is reprimanding the Priests, Bishops, Earls, and Kings. He says the problems
are caused by their infatuation with degenerative competition: 'Fantastic passions!
maddening brawl! and shame and terror over all!'. He gives the answer in the
very end, it is love (acceptance and reverence for EVERYBODY): 'To be beloved
is all I need, and whom I love, I love indeed'. Here he states the timeless
fact that we ALL need love, and with out it we can't survive.
Coleridge is definitely a good hearted optimist who only wants peace and love;
as shown in his poem, To William Wordsworth: 'Friend of the wise! and teacher
of the good!...of smiles spontaneous (no fear of repercussion because of a smile)...a
light bestowed-of fancies fair, and MILDER hours of youth Distending wide,
and man beloved as man (man loved for being himself)...When from the general
heart of human kind, hope sprang forth like a full-born deity! (we all share
the same heart, and have the same goal). He says we should stop criticizing
ourselves because it is unhealthy: '...To wander back on such unhealthful road,
plucking the poisons of self-harm!' In a trusting way, he shows his characteristic
bow to the supernatural here: '...Of thy communion with my nobler mind'. However,
he says here that he is actually RELATED to a higher being; a part of it, hence,
having nothing to fear'.
In his poem Constancy of an Ideal Object, he tells of how nature is eternal
in beauty, so why can't human beings be?: 'Since all that beat about in nature's
range, or veer or vanish, why shouldn't thou remain the only constant in a world
of change'. He explains that his people aren't living productive enough lives,
there is no meaning to life: 'Ah! loveliest friend! that this the mead of all
my toils might be, to have a home, an English home, and thee! vain repitition!
home and thou are one'. In his last sentence when he says: 'The enamored rustic
worships its fair hues, nor knows he makes the shadow he pursues!', he is saying
that by judging and putting each other down, we are only putting ourselves down,
because if you breed that mentality, someone is bound to treat you the same
way. But people aren't intelligent enough to figure that simple law of nature
out.
I find his poem Epitaph amusing, because he show that he seems to have a complex
about his fame; as if some people are jealous and thing he wrote poetry to get
rich and famous. So he kind of defends himself: 'To be forgiven for fame...'
Which shows how judgmental the people of those days in England were. And tells
us, 'Do thou the same!'.
These Romantic poets were the most precocious and seminal minds of their day,
as shown by their popularity, were of great influence and benefit to the collective
mind of the western world. It is interesting that the poems with the most power
were the ones that had at least as much complaining and melancholy as affirmative
statements. It shows us the actual extent of the sickness of the minds of our
ancestors; which can give us hope by showing us the great distance that we have
come, subsequently inspiring us to believe that we can ACTUALLY move into the
utopia that we all envision the future to
and despair in Victorian English poetry for whatever reason, that half and
gives and Saying who should be ed
that because physically and mentally. Then what :
delicacy that turns away fro
disregarding that fact that she was female. S must fight for their freedom:
friend'. I can see her logic: ,
fall for this
Meaning
ending it with: necessary ingredient to make their dOne reason he is
writing ; here he defines a woman
more of a god than Venus. F
gives people light at the end of the tunnel'. They incorporated the affirmation
and despair up nature as much as we can- sowers, hear all the sounds, sees,
and remember all the dreams; those ares. For example, in his poem bird's life
is, However, he
and relate to is |
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Study of the theory of displaced myth |
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The book that I am studying is The
French Lieutenant's Woman, By John Fowles. This book has a lot of mythic motifs,
as do most English novels. This was a classic courtly love story, because Charles
was infatuated with Sarah the same way the moon was with Lycius. A lot of the
courtly love rules were there. Women are purer than men- She was very innocent.
Woman is spiritual teacher- Charles learned a lot from Sarah. Woman leads man
but remains cold- Sarah made Charles fall in love with her, and then disappeared.
And she wasn't exactly flirting with him when she first met him. By suffering,
he becomes pure, gets thin, can't eat, worries that she doesn't like him, has
fits, wears ring or scarf in her honor- When Sarah left him, he lost his life
in England and went on a trip around the world. In the movie, he grew a beard
and became jobless. The replacement for the scarf, was his constant search for
Sarah. What Charles did for Sarah, is like what Jesus did for St. Teresa: '...By
becoming weak and little, for love of me, he made me strong and brave; he put
his own weapons (money) into my hands so that I went on from strength to strength,
beginning, if I may say so, 'to run as a giant'. The sailor was like Jason and
the Argonauts. Sarah not being allowed to walk in the same place every day relates
to the Hebrews not being allowed out of Egypt. Sarah is like St. Teresa because
she said: 'I have reached the point of not being able to suffer any more- because
all suffering is sweet to me'. Sarah is so melancholic that she likes it too.
This book has a lot of classic Catharsis in it, with this woman being treated
so bad, and Charles losing his reputation. One way of looking at Sarah is like
yeast. The small amounts of yeast that makes
that makes the bread rise is like
Sarah being just one woman who shakes up an entire town by just being herself.
This story fits to a tragedy pretty good too:
1) A tragedy is about a man/woman
who is potentially great and good- Sarah would have been a good lover because
she was so sensitive about it. Charles had compassion, so he would have been
a good lover also. and also a good businessman with the tapestry shop, helping
all the pilgrims.
2) The man/woman holds or achieves
a high position in society- Charles was to be married into a very rich family
and to be made a partner in a big tapestry company.
3) The man/woman has a downfall-
Charles lost his reputation and partnership with the tapestry company.
4) The downfall is partly caused
by a supernatural force over which he/she into conflict with an established
law, taboo, moral code or custom- When Charles breaks his engagement to Tina,
he breaks the taboo of breaking engagements. He loses his reputation, with Tina
given the permission to print his acts in the local newspaper.
5) The downfall is also caused by
a weakness or excessively strong character trait whoever which he/she should have
control- Charles' excessive character trait was his infatuation with Sarah.
Seeing what a good deal getting married to Tina was compared to Sarah, any normal
man would have married Tina.
6) The downfall has magnitude (causes
many other people to suffer too)- The other people who go down with Charles
are all of his servants like Sam, because they have to get new jobs. Tina was
shocked into a temporary sickness, and her father was disgusted into extreme
discomfort. Also, all of the nosey townspeople who hear about this strange occurrence.
And Mrs. Poultry and all of her subjects who new Sarah.
7) The downfall brings about wisdom
or insight in either the main character or other characters or both.- The person
who benefited the most was Sarah, because she got a paid ticket out of her monotonously
melancholies existence, and learned that love is a reality and she could get
it whenever she wanted. Charles benefited from the experience also, because
he went on a trip around the western world and learned a lot of things. When
he was reunited with Sarah, and excepted her, he proved to the both of them
that he was true enough to make their love last.
8) The downfall rouses fear and pity
for the main character (a mixed reaction) in the audience.- I felt a lot of
pity for Charles, because he gave up everything for Sarah and she ditched him.
I felt pity for Sarah because of her loneliness and traumatic reaction she had
from the incident with the sailor. Main characters parallels with mythic gods
and goddesses All gods have light side and dark side, like Artemis- The two
main characters had dark sides. Charles was compassionate for Sarah, but was
rude to Sam. Sarah was sensitive, but stood Charles up. Sarah's daily trips
to the Ocean relates to Persephone's annual trips to the living world. Visiting
the Ocean was like Persephone visiting the living world. Sacrifice- The parallels
of sacrifice are as follows: The lamb was honored for its sacrifice: 'Worthy
is the lamb that was slain to receive power and riches and wisdom and strength
and honor and glory'. Charles sacrifices himself, and ended up winning a true,
trusting, relationship. The ancient tendency for archaic religious people to
be harsh with sinners, like St Leodegarius: 'Never having been softened by the
joys of the flesh, he was strict in his treatment of sinners'. The word was
very strict with Sarah and Charles. Similarities with water- Water was important
in the bible and in the Book. From the bible: 'God's spirit hovered over water...Let
their be vault to divide the waters'. Sarah's church was the ocean. The wanderer-
Cane was the wanderer of the bible as Charles is the wanderer of FLW. Attitudes
that Sarah has that are similar to biblical figures: - Paul said: 'You are not
justified by observing the law, but faith in Jesus Christ Cursed is everyone
who does not continue to do everything written in the law'. Sarah would agree
with him, because she doesn't abide by any rules. Paul and Charles- Charles
changed from a typical Victorian man into a humble lover of truth and honesty.
Paul turned from a zealous Jewish man who persecuted the church of god, into
a preacher for Jesus. Attitudes characters had about biblical stories and rules:
Mrs. Poutney- 'As she lay in her bedroom she reflected on the terrible mathematical
doubt that increasingly haunted her; whether the lord calculated charity by
what one had given or by what one could have afforded to give'. This relates
to Jesus saying that a rich person has the same chance to get into heaven as
a camel has in fitting into the eye of a needle. Loyalty to your group- The
Hebrews circumcised themselves, as the cockneys deliberately spoke a certain
way: 'But his wrong a's and h's were not really comic; they were signs of a
social revolution, and this was something Charles failed to recognize'. The
relationship between high classes and low classes- In the bible, the Egyptians
were condescending and evil to the Hebrews, and the same is true for the rich
people of England: '...The frigid barrier so many of the new rich in an age
drenched in new riches were by that time erecting between themselves and their
domestics'. The Egyptians didn't let the Hebrews out of Egypt, because they
needed them to sustain their lives, as Charles did: 'He could not have imagined
a world without his servants'. The Hebrews and the English have a lot of rules-
With Charles' case: '...The methodically of the Victorians Where, one wonders,
can any pleasure have been left? How...cn any pleasure have been left? How,
can he not have seen that light clothes would have been more comfortable? That
a hat was not necessary? That stout nailed boots on a boulder-strewn beach are
as suitable as ice skates? Paul explains the same problems that can happen
by blindly following cultural laws: 'Again i declare to every man who lets himself
be circumcised that he is obligated to obey the whole law. You who are trying
to be justified by law might ave been alienated from christ; you have fallen
from grace'.
Mrs. Poultny was like |
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Teacher |
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I'm the teacher, but humble. I just
say what I gotta say. I'm jot special, I just want to know just like you, wanna
help you help me, I know things, not everything, tell me tell me, secrets suck!
I studied hard I care, I'm happy and good. Yea love! love! Everything. But not
non love. How could you love non love? Everybody loves me everybody loves me,
everybody loves me everybody loves me. I'm frantic? fervent! Yea! Ooah ah! Savior
of the Universe! I'm Humble! No?! Then slap me down, if it makes you feel any
better, but it won't. No all that'll make you feel better is lovin me, loving
me, everybody, everybody loves me. i love your hair glistening in the wind I
love being with you I love talking to you I love looking in your eyes, I love
you jokes, songs. 'Oh lal la I like preaching religion because its the one thing
we all get emotional and have opinions. I could never get used to it.
I'm a teacher, full on preacher, not so special, just a everyday wrestler with
tha truth, baby were in our youth helpin me help you I got knowledge want
to use it, full fledge , so what's up secrets Hard core I got tha score,
ain't no bore 4 4 on tha floor, give more more, 1 2 3 4 open the door |
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Teachers
lives |
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I was fortunate enough to do my practicum
work in many different settings: Durango high, Ecalante middle school, that
focus school on third street, and New Vista high school in Boulder. The teachers
in all these places seemed to enjoy their jobs more than average, and most were
veterans.
I asked four teachers what their
life was like outside of school. The oldest of whom, a 13 year veteran named
Susie, said that she didn't really do any work away from school and feels she
has enough time for her children. She said she usually goes home around five
o'clock.
Susie's assistant teacher Kim, who is in student teacher status but is getting
paid for taking responsibility for a multiple sclerosis child, said the same
thing. Kim was in the process of getting her masters and had previous teachers
to work under and said one teacher put all of the responsibility on her which
was stressful and unpleasant.
Vonnie Walker said she never likes
to take her work home, so she is usually doing it at school until five.
The most interesting interviewee I had was a woman who was substituting a class
that I was observing. She said she quit teaching after three years because she
voluntarily took on too many responsibilities and burned out and got too emotionally
involved in the lives of her students, so she started a store. When I asked
her if she ever intended on taking up teaching again, she said she might but
in a small mellow school. I told her I heard rookie teachers are in danger of
being fired if they don't take up the loose ends; and she said they are encouraged
for the sake of experienced.
It doesn't seem like teaching is as hard of a job as it is portrayed by my teachers
at Fort Lewis. I expect to be up to my ears in work seven days a week for my
first year, but after that I think I could get away with having the evenings
and weekends to myself.
The main thing I learned from my practicum work is that I want to study all
the things that I have wanted to learn but haven't had the chance because of
school. I don't want to be another teacher who can't answer the non academic
questions that students ask. I want to be a teacher not just for the paycheck
and three months off, but so I can preach my mind to young innocent minds. I
plan to ride my bike across Tibet and then be an ultra distance mountain bike
racer, spending my spare time reading and writing on what interests me:
Health, politics, history, cutting edge things, technology, etc., not to mention
my grammar.
The second most important thing I learned as a practicum student is the relationship
between students and teachers. Being a practicum student at New Vista high school
I felt half adult-half kid. For the first time since graduation I felt separate
from high school kids. This might be because the kids at this high school are
the social cast outs of Boulder all assembled in the same place a fifth the size
of my high school, or because I cared to communicate more than I did in high
school; but I felt like the kids weren't as outgoing to me as they would have
have been if I was their age. When I asked them questions about what they were
doing, they just briefly answered me, but didn't try to repel me which made
me feel comfortable. Teachers have respect from kids, so they seem to be able
to ask and tell them anything without fear of being judged in a way that might
hurt them in any way, almost as if the kids are living intelligent guinea pigs
to try any experiment with that the teacher may see fit, which really excites
me.
The third thing I learned was that teachers are normal people. When I was in
high school I had the impression they were all control freaks both in and out
of school; basically not normal people. From observing the practicum hours I
analyzed the teachers discipline techniques from a more adult, objective standpoint,
which both confirmed and corrected the ideas I had as a child. Vonnie Walker
did a great job at making sure her Middle School students acted responsibly,
but Susie could have done it a lot different. I like Susie a lot and think she
is a great teacher, but she gets too angry with mischievous kids. I didn't tell
her because I didn't feel like I was with her enough, and didn't have the motivation
or didn't think about it at the right time, but I think it is possible to effectively
stop a kid from doing destructive things by telling them to their face as if
they are a peer. A boy named Dirk sabotaged a spelling computer and Susie got
mad, but I don't think she ever explained to him why and how what he did was
wrong. Once he got mad and yelled and I said 'You need to work on your temper'
and he said 'I know'. Some of the teachers I had as a kid would have kicked
him out of the class or yelled at him or something else immature. |
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Fifteen practicum hours at Escalante Middle School 7 |
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The fifteen hours I did at Escalante
Middle school reminded me of my Junior High experience because the building
and the kids looked the same. Vonnie Walker and the other teachers I met there
were a lot better than the Junior High teachers I had. It seemed like she respected
them, I was always getting embarrassed in front of the whole class for breaking
rules I didn't even know existed. The first couple of days after Vonnie's class
I observed a science class next to her. One day they shot off a rocket made
by some of the kids in the class, which seemed kind of pointless because they
had shot a lot of them before and everybody knew what was going to happen. If
I was the teacher I would have said, 'Do we really want to shoot Billy and Susie's
rocket today'. I asked some girls if they liked the teacher (who was a semester
long substitute), and they said they didn't at all because she wasn't dynamic
at all and basically just let the kids do whatever they wanted. I find that
response encouraging because it shows the kids think. If I would have been one
of the kids in that class I would have said I liked her because she was easy
and didn't bother us.
One day Vonnie and her team teacher had a science fair day were kids figured
out computer puzzles, crossword puzzles, mazes, riddles, and other clever games
relating to science and math. I tried a few of them and had a hard time. I was
impressed that these little kids had two hours to complete all of these tasks
that I would have had trouble doing; of course they spent the whole semester
preparing for these tests.
Another day two police officers brought two German Shepards and lectured about
them for three or four classes in a row. It was very interesting seeing how
these inexperienced speakers modified their presentations. One of the many modifications
the officer made was the first two times the officer had the volunteer child
rub his/her hands through their scalp before they touch their finger to the
paper for the finger printing demonstration, but the third time he realized
this was not needed and didn't have the child do it. I watched Vonnie teach
the same thing two two and three times in a row and I was impressed by how consistent
the little lady was; I was like, 'wow, and I will be like that one day'.
One day I watched a lecture the librarian gave on how to use the computers,
but I had trouble staying awake during it. I think they should be taught to
use the computers by being assigned
given assignments to complete and let the smart kids help the s lower kids.
I think teachers take introductions too far and needlessly bore the kids to
sleep.
Another day I observed a parent teacher conference for a young girl. They talked
about how she was very smart but didn't apply herself. how she hangs out with
a punk on the south side who is four years older than her and the father had
to threaten him to stop hanging out with her and how they wanted to move to
a better neighborhood in Bayfield; which didn't sound very logical to me because
of the drive. I was surprised by how personal the father got with the teachers,
he really trusted and believed in them. I was also impressed by the teachers
knowledge about the girl. I would have been flattered if I had observed a meeting
like that between by my parents and my teachers when I was 14. |
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Teachers |
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I was fortunate enough to do my practicum
work in many different settings: Durango high, Ecalante middle
school, that focus school on third street, and New high school in Boulder. The teachers
in all these places seemed to enjoy their jobs more than average, and most
were veterans.
I asked four teachers what their life was like outside of school. The oldest
of whom, a 13 year veteran
named Susie, said that she didn´t really do any work away from school
and feels she has enough time for her children.
She said she usually goes home around five o'clock.
Susie´s assistant teacher Kim, who is in student teacher status but is
getting paid for taking responsibility
for a multiple sclerosis child, said the same thing. Kim was in the process
of getting her masters and had
previouse teachers to work under and said one teacher put all of the responsibility
on her which was stressfull
and unpleasant.
Vonnie Walker said she never likes to take her work home, so she is usually
doing it at school until five.
The most interesting interviewee I had was a woman who was substituting a class
that I was observing. She
said she quit teaching after three years because she voluntarily took on too
many responsibilities and burned
out and got too emotionally involved in the lives of her students, so she started
a store. When I asked her if
she ever intended on taking up teaching again, she said she might but in a small
mellow school. I told her I
heard rookie teachers are in danger of being fired if they don´t take
up the loose ends; and she said they are
encouraged for the sake of experienced, but aren't irresonably threatened.
It doesn't seem like teaching is as hard of a job as it is portrayed
by my teachers at Fort Lewis. I
expect to be up to my ears in work seven days a week for my first year, but
after that I think I could get away
with having the evenings and weekends to myself.
The main thing I learned from my practicum work is that I want to study all
the things that I have wanted
to learn but haven't had the chance because of school. I don't
want to be another teacher who can't answer the
non academic questions that students ask. I want to be a teacher not just for
the paycheck and three months off,
but so I can preach my mind to young innocent minds. I plan to ride my bike
accross Tibet and then be an ultra
distance mountain bike racer, spending my spare time reading and writting on
what interestests me: Health,
politics, history, cutting edge things, tecnology, etc., not to mention my grammar.
The second most important thing I learned as a practicum student is the relationship
between students and
teachers. Being a practicum student at New Vista high school I felt half adult-half
kid. For the first time
since graduation I felt separate from high school kids. This might be because
the kids at this high school are
the social castouts of Boulder all assembled in the same place a fifth the size
of my high school, or because
I cared to comunicate more than I did in high school; but I felt like the kids
weren't as outgoing to me as they
would have have been if I was their age. When I asked them questions about what
they were doing, they just
briefly answered me, but didn't try to repel me which made me feel comfortable.
Teachers have respect from
kids, so they seem to be able to ask and tell them anything without fear of
being judged in a way that might
hurt them in any way, almost as if the kids are living intelligent guinee pigs
to try any experiment with that
the teacher may see fit, which really excites me.
The third thing I learned was that teachers are normal people. When I was in
high school I had the
impression they were all control freaks both in and out of school; basically
not normal people. From
observing the practicum hours I analized the teachers discipline techniques
from a more adult, objective
standpoint, which both confirmed and corrected the ideas I had as a child. Vonnie
Walker did a great job
at making sure her Middle School students acted responsibly, but Susie could
have done it a lot different.
I like Susie a lot and think she is a great teacher, but she gets too angry
with mischevouse kids. I didn't
tell her because I didn't feel like I was with her enough, and didn't
have the motivation or didn't think
about it at the right time, but I think it is possible to effectively stop a
kid from doing destructive things
by telling them to their face as if they are a peer. A boy named Dirk sabataged
a spelling computer and Susie
got mad, but I don't think she ever explained to him why and how what
he did was wrong. Once he got mad and
yelled and I said 'You need to work on your temper' and he said
'I know'. Some of the teachers I had as a kid
would have kicked him out of the class or yelled at him or something else immature. |
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Kids need to think for themselves 215 |
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I wasn't taught to think for myself.
Growing up in class, I felt very suppressed, it shouldn't be that way. Kids
need to be encouraged to express their thoughts in school, and the only way
to do that with any results is to encourage them to feel totally free. Meaning
a complete disregard for their dressing, attitude, language, facial expressions.
School is not the place to teach kids about out cultural mores, parents should
do that. Have you ever heard the term, spreading yourself too thin? The only
thing schools should preoccupy themselves with are: Learning how to learn. Everybody
wants to know why it is, but we are tricked into thinking that it is no use,
because if we don't learn it in school and at home from our parents why bother.
Schools should kick out sentence structure, how to write a proper footnote page,
and subjective teacher opinions, and all those other things that patronize kids.
If a kid shows interest in head shrinking, help them research it. Research papers
should be the primary focus of schools. Kick math out, we have computers to
figure all that shit out. Teachers need to be unassuming. Don't let a kid know
that you have a negative opinion about them. |
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Victorian
literature final 378 |
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cheat sheet
Early period time of troubles- 1830-48
middle period, economic prosperity and religious controversy- 1848-70
'children moving away from their parents to 'unchristian and unphilosophic spiritualism'.
late period- 1870-1901
the nineties- earnestness, respectability, and the evangelicals
oscar wilde
main stream-1830-70
'victorians preoccupied with fallen woman as much as maiden or wife'
'The status of liberty was the main theme'
'1844 Freidrich Engel's- 'England is freer than America'
'women did grueling factory jobs'
women didn't get vote until 1918
1848 first women's college in London
love was a big theme
150,000 people in theatre in any given day in london.
class standing a big deal
Mathew arnold- nostalgic, weary, confused, unsure, hopeless
Stanzas from the Grande Chartreuse- This poem is about wandering between two
worlds, One dead one
powerless to be born. The students are trying to learn new things.
To Margarite (1852)- all about estrangement.
Dover Beach (1867)- About estrangement. 'let us be true to one another!'
Wilde- portrayed men and men more than women and men.
women as frivolous
Geology- became popular in 1830 by yell's principles of geology.
1859- origin of species
preraphaelites-1848-55
TIMELINE
early period
Thomas Carlyle- 1795-1881
John Henry Cardinal Newman-1801-1890
John Stewart Mill-1806-1873
Browning, Eliza, Tennison, Fitzgerald, Robert Browning, Emily Bronte, John Ruskin,
arthur hugh clough, George
Eliot 1819.
Middle period- Arnold 1822, Huxley (1825), Meredith (1828), Dante Rossetti (1882),
Christina Rossetti (1830),
Morris (1834), Swinburne (1837)
Late period- Pater (1839), Hopkins (1844), Lewis Carroll (1832)
1890- Agnostic and Christ.
'Agnostic is just as sincere and well learned clerical opponents'.
Tennison on women in Locksley hall, 1842- Woman's pleasure, woman's pain, nature
made them blinder
motions bounded in a shallower brain, woman is the lesser man...'. I'll take
a savage woman.
50,000 prostitutes in london, 1/10 unmarried women in England.
rich women couldn't walk around without a chaperone.
Dramatic Monologue- the speaker is a character.
Caricature- underdeveloped character.
Decadence- A group of writers and artists in france and england who seemingly
held that art is superior to
nature. art for art's sake.
Huxley- Humans are admirable for being able to separate from nature. Science
buff.
'Literature is for criticism'.
He says people say: 'If man is too close to nature they are in contact wit Satan |
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